Editing Celia Cruz (section)

=== Sonora Matancera ===
Cruz's big break came in 1950 when Myrta Silva, the singer with Cuba's [[Sonora Matancera]], returned to her native [[Puerto Rico]]. Since they were in need of a new singer, the band decided to give the young Celia Cruz a chance. She auditioned in June, and at the end of July she was asked to join as lead singer,<ref>{{cite book |last1=Cartlidge |first1=Cherese |title=Celia Cruz |date=2013 |publisher=Infobase |isbn=9781438146072 |pages=28–29 |url=https://books.google.com/books?id=BsNbAgAAQBAJ |language=en}}</ref> and thus became the group's first black frontwoman.<ref name=":0">{{Cite web|title=Celia Cruz's 'Son Con Guaguancó' And The Bridge To Fame In Exile|url=https://www.npr.org/2018/02/13/584004511/celia-cruzs-son-con-guaguanc-and-the-bridge-to-fame-in-exile|access-date=2020-07-17|website=NPR.org|date=13 February 2018 |language=en|last1=Fernández |first1=Stefanie }}</ref> In her first rehearsal with Sonora Matancera, Cruz met her future husband [[Pedro Knight]], who was the band's second trumpeter.

Cruz debuted with the group on 3 August 1950. Initially, Cruz was not received with enthusiasm by the public, but Rogelio Martínez had faith in her. On 15 December 1950, Cruz recorded her first songs with the group, which were a resounding success. Her "musical marriage" with the Sonora Matancera lasted fifteen years. In total Celia recorded 188 songs with the Matancera, including hits such as "Cao cao maní picao", "Mata siguaraya", "Burundanga" and "El yerbero moderno". She won her first gold record for "Burundanga", making her first trip to the United States in 1957 to receive the award and to perform at [[St. Nicholas Arena]], New York.<ref name="GN" /> During her 15 years with [[Sonora Matancera]], she appeared in cameos in some Mexican films such as {{lang|es|Rincón criollo}} (1950), {{lang|es|Una gallega en La Habana}} (1955) and {{lang|es|Amorcito corazón}} (1961), toured all over Latin America and became a regular at the Tropicana.