Editing Arthur Rimbaud (section)

=== Life with Verlaine (1871–1875) ===
[[File:Arthur Rimbaud plaque.JPG|thumb|right|Plaque erected on the centenary of Rimbaud's death at the place where he was shot and wounded by Verlaine in [[Brussels]]]]
[[File:Rimbaud par Verlaine1.JPG|thumb|left|75px|Caricature of Rimbaud drawn by Verlaine in 1872]]
Rimbaud wrote to several famous poets but received either no reply or a disappointing mere acknowledgement (as from [[Théodore de Banville]]), so his friend, office employee Charles Auguste Bretagne, advised him to write to [[Paul Verlaine]], a rising poet (and future leader of the [[Symbolism (movement)|Symbolist]] movement) who had published two well-regarded collections.{{sfn|Ivry|1998|p=29}} Rimbaud sent Verlaine two letters with several of his poems, including the hypnotic, finally shocking "Le Dormeur du Val" ("The Sleeper in the Valley"), in which Nature is called upon to comfort an apparently sleeping soldier. Verlaine was intrigued by Rimbaud, and replied, "Come, dear great soul. We await you; we desire you", sending him a one-way ticket to Paris.{{sfn|Robb|2000|p=102}} Rimbaud arrived in late September 1871 and resided briefly in Verlaine's home.{{sfn|Robb|2000|p=109}} Verlaine's wife, Mathilde Mauté, was seventeen years old and pregnant, and Verlaine had recently left his job and started drinking. In later published recollections of his first sight of Rimbaud at the age of sixteen, Verlaine described him as having "the real head of a child, chubby and fresh, on a big, bony, rather clumsy body of a still-growing adolescent", with a "very strong Ardennes accent that was almost a dialect". His voice had "highs and lows as if it were breaking".{{sfn|Ivry|1998|p=34}}

Rimbaud and Verlaine soon began a brief and torrid affair. They led a wild, vagabond-like life spiced by [[absinthe]], [[opium]], and [[hashish]].{{sfn|Bernard|Guyaux|1991}} The Parisian literary coterie was scandalized by Rimbaud, whose behaviour was that of the archetypal ''enfant terrible'', yet throughout this period he continued to write poems. Their stormy relationship eventually brought them to London in September 1872,{{sfn|Robb|2000|p=184}} a period over which Rimbaud would later express regret. During this time, Verlaine abandoned his wife and infant son (both of whom he had abused in his alcoholic rages). In London they lived in considerable poverty in [[Bloomsbury]] and in [[Camden Town]], scraping a living mostly from teaching, as well as with an allowance from Verlaine's mother.{{sfn|Robb|2000|pp=196–197}} Rimbaud spent his days in the [[British Museum Reading Room|Reading Room]] of the [[British Museum]] where "heating, lighting, pens and ink were free".{{sfn|Robb|2000|pp=196–197}} The relationship between the two poets grew increasingly bitter, and Verlaine abandoned Rimbaud in London to meet his wife in Brussels.

[[File:Henri Fantin-Latour - By the Table - Google Art Project.jpg|300px|thumb|''By the table'', an 1872 painting by [[Henri Fantin-Latour]]. Verlaine is on the far left and Rimbaud is at the second to the left.]]
Rimbaud was not well-liked at the time, and many people thought of him as dirty and rude.<ref>{{Cite web|url=https://www.independent.co.uk/arts-entertainment/books/features/verlaine-and-rimbaud-poets-from-hell-6109698.html|title=Verlaine and Rimbaud: Poets from hell|date=2006-02-08|website=The Independent|language=en|access-date=2020-03-26}}</ref> The artist [[Henri Fantin-Latour]] wanted to paint first division poets at the 1872 Salon, but they were not available.<ref name=":0">{{Cite book|url=https://archive.org/details/rimbaud0000robb|title=Rimbaud|last=Robb, Graham, 1958–|date=2000|publisher=W.W. Norton|isbn=0-393-04955-8|edition=1st American|location=New York|oclc=44969183|url-access=registration}}</ref> He had to settle for Rimbaud and Verlaine, who were described as "geniuses of the tavern".<ref name=":0" /> The painting, ''By the table'', shows Rimbaud and Verlaine at the end of the table. Other writers, such as [[Albert Mérat]], refused to be painted with Verlaine and Rimbaud, Mérat's reason being that he "would not be painted with pimps and thieves",<ref name=":0" /> in reference to Verlaine and Rimbaud; in the painting, Mérat is replaced by a flower vase on the table.<ref name=":0" /> Mérat also spread many rumours in the salons that Verlaine and Rimbaud were sleeping together; the spread of those rumours was the commencement of the fall for the two poets, who were trying to build a good reputation for themselves.<ref name=":0" />

In late June 1873, Verlaine returned to Paris alone but quickly began to mourn Rimbaud's absence. On 8&nbsp;July he telegraphed Rimbaud, asking him to come to the Grand Hôtel Liégeois in [[Brussels]].{{sfnm|Robb|2000|1pp=218–221|Jeancolas|1998|2pp=112–113}} The reunion went badly, they argued continuously, and Verlaine took refuge in heavy drinking.{{sfnm|Robb|2000|1pp=218–221|Jeancolas|1998|2pp=112–113}} On the morning of 10&nbsp;July, Verlaine bought a revolver and ammunition.{{sfnm|Robb|2000|1pp=218–221|Jeancolas|1998|2pp=112–113}} About 16:00, "in a drunken rage", he fired two shots at Rimbaud, one of them wounding the 18-year-old in the left wrist.{{sfnm|Robb|2000|1pp=218–221|Jeancolas|1998|2pp=112–113}}

Rimbaud initially dismissed the wound as superficial but had it dressed at the St-Jean hospital nevertheless.{{sfnm|Robb|2000|1pp=218–221|Jeancolas|1998|2pp=112–113}} He did not immediately file charges, but decided to leave Brussels.{{sfnm|Robb|2000|1pp=218–221|Jeancolas|1998|2pp=112–113}} About 20:00, Verlaine and his mother accompanied Rimbaud to the [[Brussels-South railway station|Gare du Midi]] railway station.{{sfnm|Robb|2000|1pp=218–221|Jeancolas|1998|2pp=112–113}} On the way, by Rimbaud's account, Verlaine "behaved as if he were insane". Fearing that Verlaine, with a pistol in the pocket, might shoot him again, Rimbaud "ran off" and "begged a policeman to arrest him".{{sfn|Harding|Sturrock|2004|p=160}} Verlaine was charged with attempted murder, then subjected to a humiliating medico-legal examination.{{sfn|Robb|2000|pp=223–224}} He was also interrogated about his correspondence with Rimbaud and the nature of their relationship.{{sfn|Robb|2000|pp=223–224}} The bullet was eventually removed on 17 July and Rimbaud withdrew his complaint. The charges were reduced to wounding with a firearm, and on 8 August 1873 Verlaine was sentenced to two years in prison.{{sfn|Robb|2000|pp=223–224}}

Rimbaud returned home to Charleville and completed his prose work ''[[Une Saison en Enfer]]'' ("A Season in Hell")—still widely regarded as a pioneering example of modern Symbolist writing. In the work, it is widely interpreted that he refers to Verlaine as his "pitiful brother" (''frère pitoyable'') and the "mad virgin" (''vierge folle''), and to himself as the "hellish husband" (''l'époux infernal''), and described their life together as a "domestic farce" (''drôle de ménage'').

In 1874, he returned to London with the poet [[Germain Nouveau]].{{sfn|Robb|2000|p=241}} They lived together for three months while he put together his groundbreaking ''[[Illuminations (poetry collection)|Illuminations]]'', a collection of prose poems, although he eventually did not see it through publication (it only got published in 1886, without the author's knowledge).