Editing Archilochus (section)

===Style===
Like other archaic Greek poets, Archilochus relied heavily on Homer's example for his choice of language, particularly when using the same meter, [[dactylic hexameter]] (as for example in [[elegy]]), but even in other meters the debt is apparent – in the verse below, for example, his address to his embattled soul or spirit, {{lang|grc|θυμέ}}, has Homeric echoes.{{refn|See ''[[Odyssey]]'' 20.18 ff, ''[[Iliad]]'' 22.98–99 and 22.122{{Sfn|Campbell|1982|pp=153–154}}}} The meter below is trochaic tetrameter [[catalectic]] (four pairs of [[trochees]] with the final syllable omitted), a form later favoured by Athenian dramatists because of its ''running'' character, expressing aggression and emotional intensity.<ref>L.P.E. Parker, (1997), ''The Songs of Aristophanes'', Oxford, p. 36</ref> The comic poet [[Aristophanes]] employed it for the arrival on stage of an enraged chorus in ''[[The Knights]]'', but Archilochus uses it here to communicate the need for emotional moderation. His use of the meter isn't intentionally ironic, however, since he didn't share the tidy functionalism of later theorists, for whom different meters and verse-forms were endowed with distinctive characters suited to different tasks – his use of meter is "neutral in respect of ethos".{{Sfn|Campbell|1982|p=138}}  The following verse is indicative too of the fragmentary nature of Archilochus's extant work: lines 2 and 3 are probably corrupted and modern scholars have tried to emend them in various ways, though the general meaning is clear.{{Sfn|Campbell|1982|pp=153–154}}
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{{lang|grc|θυμέ, θύμ᾽ ἀμηχάνοισι κήδεσιν κυκώμενε,<br/>
ἄνα δέ, δυσμενέων δ᾽ ἀλέξευ προσβαλὼν ἐναντίον<br/>
στέρνον, ἐν δοκοῖσιν ἐχθρῶν πλησίον κατασταθείς<br/>
ἀσφαλέως· καὶ μήτε νικῶν ἀμφαδὴν ἀγάλλεο<br/>
μηδὲ νικηθεὶς ἐν οἴκωι καταπεσὼν ὀδύρεο.<br/>
ἀλλὰ χαρτοῖσίν τε χαῖρε καὶ κακοῖσιν ἀσχάλα<br/>
μὴ λίην· γίνωσκε δ᾽ οἷος ῥυσμὸς ἀνθρώπους ἔχει.}}<ref>Archilochus fr. 128, quoted by Stobaeus (3.20.28), cited by {{harvnb|Gerber|1999|p=167}}</ref><br/>
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My Soul, my Soul, all disturbed by sorrows inconsolable,<br/>
Bear up, hold out, meet front-on the many foes that rush on you<br/>
Now from this side and now that, enduring all such strife up close,<br/>
Never wavering; and should you win, don't openly exult,<br/>
Nor, defeated, throw yourself lamenting in a heap at home,<br/>
But delight in things that are delightful and, in hard times, grieve<br/>
Not too much – appreciate the rhythm that controls men's lives.<br/>
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