Editing Anne Sexton (section)

==Content and themes of work==

Sexton is seen as the modern model of the [[Confessionalism (poetry)|confessional poet]] due to the intimate and emotional content of her poetry. Sexton often wrote and disclosed her struggles with mental illness through her work. Sexton included numerous topics which were then regarded as obscene and repulsive, especially for women to talk about publicly at the time. Maxine Kumin described Sexton's work: "She wrote openly about menstruation, abortion, masturbation, incest, adultery, and drug addiction at a time when the proprieties embraced none of these as proper topics for poetry."<ref>''Anne Sexton'' (1988) Steven E. Colburn, University of Michigan Press, 1988, p. 438; {{ISBN|9780472063796}}</ref> 
[[File:Anne Sexton, Boston University.jpg|thumb|Sexton at [[Boston University]] where she taught poetry]]

Sexton's work towards the end of the 1960s has been criticized as "preening, lazy and flip" by otherwise respectful critics.<ref name="pollitt-nyt" /> Some critics regard her alcoholism as compromising her last work. However, other critics see Sexton as a poet whose writing matured over time. "Starting as a relatively conventional writer, she learned to roughen up her line&nbsp;... to use as an instrument against the 'politesse' of language, politics, religion [and] sex."<ref>{{cite book |editor1-last=Rothenberg |editor1-first=Jerome |editor2-last=Joris |editor2-first=Pierre |editor1-link=Jerome Rothenberg |title=Poems for the Millennium |volume=2 |year=1995 |publisher=University of California Press |page=330 |isbn=978-0-520-07225-1 |oclc=29702496 |url=https://books.google.com/books?id=0e4lAAAACAAJ }}</ref> 

Her eighth collection of poetry is entitled ''The Awful Rowing Toward God''. The title came from her meeting with a Roman Catholic priest who, unwilling to administer [[last rites]], told her "God is in your typewriter." This gave the poet the desire and willpower to continue living and writing. ''The Awful Rowing Toward God'' and ''[[The Death Notebooks]]'' are among her final works, and both center on the theme of dying.<ref>{{cite web |title=Anne Sexton |work=Poets of Cambridge, U.S.A. |publisher=Harvard Square Library |url=http://harvardsquarelibrary.org/poets/sexton.php |archive-url=https://web.archive.org/web/20071028145353/http://harvardsquarelibrary.org/poets/sexton.php |archive-date=2007-10-28 }}</ref>

Her work started out as being about herself, however as her career progressed she made periodic attempts to reach outside the realm of her own life for poetic themes.<ref name=ostriker >{{cite book |last=Ostriker |first=Alicia |title=Writing like a woman |publisher=University of Michigan Press |year=1983 |isbn=978-0-472-06347-5 |quote=Self was the center, self was the perimeter, of her vision |url=https://archive.org/details/writinglikewoman00ostr }}</ref>  ''Transformations'' (1971), which is a re-visionary re-telling of ''[[Grimm's Fairy Tales]]'', is one such book.<ref>Del George, Dana, [https://books.google.com/books?id=dk9UPLDofsoC&dq=Anne+Sexton+Godfather+death&pg=PA37 ''The Supernatural in Short Fiction of the Americas: The Other World in the New World''], Greenwood Publishing Group, 2001, p. 37; {{ISBN|0-313-31939-1}}</ref>

(''Transformations'' was used as the [[libretto]] for the 1973 [[Transformations (opera)|opera of the same name]] by American composer [[Conrad Susa]].) Later she used [[Christopher Smart]]'s ''Jubilate Agno'' and the [[Bible]] as the basis for some of her work.<ref>{{cite book |title=Selected Poems of Anne Sexton |last=Sexton |first=Anne |year=2000 |publisher=Mariner Books |location=Boston |editor1-last=Middlebrook |editor1-first=Diane Wood |editor2-last=George |editor2-first=Diana Hume |page=xvii |isbn=978-0-618-05704-7 |url=http://www.houghtonmifflinbooks.com/catalog/titledetail.cfm?titleNumber=682617 |access-date=2009-05-13 }}</ref>

Much has been made of the tangled threads of her writing, her life, and her depression, much in the same way as with [[Sylvia Plath]]'s suicide in 1963. [[Robert Lowell]], [[Adrienne Rich]], and [[Denise Levertov]] commented in separate obituaries on the role of creativity in Sexton's death. Levertov says, "We who are alive must make clear, as she could not, the distinction between creativity and self-destruction."<ref name=carroll />