Editing Alphaville (film) (section)

==Production==
{{box quote
|width=22em
|fontsize=100%
|salign=right
|quote=Professor von Braun (Howard Vernon) has invented the omniscient computer that rules the lives of the Alphaville citizens...The dominating computer, reducing life to ‘logic’...replaces the individual’s will with a tranquilized submission...In Alphaville, by computer decree, killing is a spectator sport. At a swimming pool, illogical [disobedient] men...are blindfolded and made to stand on diving boards. They are shot and fall into the water, whereupon girls with knives dive into the pool and hack at the bodies. All this is greeted with polite applause from the tranquilized onlookers. The atmosphere is totally unemotional.
|author=Film historian Gordon Gow
|source=''Suspense in the Cinema'' (1968).<ref>Gow, Gordon. 1968. Suspense in the Cinema. Castle Books, New York. The Tanvity Press and A. S. Barnes & Co. Inc. Library of Congress Catalog Card No: 68-15196. Pp. 119-120</ref>}}

Despite its futuristic scenario, ''Alphaville'' was filmed entirely in and around Paris and no special sets or props were constructed. Buildings used were the Electricity Board building for the Alpha 60 computer centre and [[InterContinental Paris Le Grand Hotel|Le Grand Hotel]].<ref>{{cite web|url=http://crave.cnet.co.uk/gadgets/the-future-is-now-sci-fi-films-in-real-locations-49304078/ |title=The future is now: Sci-fi films in real locations |first=Rich |last=Trenholm |date=19 November 2009 |website=[[CNET]] |url-status=dead |archive-url=https://web.archive.org/web/20120415162652/http://crave.cnet.co.uk/gadgets/the-future-is-now-sci-fi-films-in-real-locations-49304078/ |archive-date=15 April 2012 }}</ref>

Constantine came to the film through producer André Michelin, who had the actor under contract. Constantine had become a popular actor in France and Germany through his portrayal of tough-guy detective Lemmy Caution in a series of earlier films. Godard appropriated the character for ''Alphaville'' but according to director Anne Andreu,<ref name=alphadvd>"Alphaville, périphéries" ("The Outskirts of Alphaville"), special feature, ''Alphaville'' DVD release, Studio Canal/Universal, 2007</ref> Godard's subversion of the Lemmy Caution "stereotype" effectively shattered Constantine's connection with the character—he reportedly said that he was shunned by producers after ''Alphaville'' was released. Constantine didn't play Lemmy Caution again until ''[[Panic Time]]'' in 1980.<ref>{{Cite web|url=https://www.imdb.com/name/nm0176061/?ref_=fn_al_nm_1#actor|title = Eddie Constantine|website = [[IMDb]]}}</ref>

The opening section of the film includes an unedited sequence that depicts Caution walking into his hotel, checking in, riding an elevator and being taken through various corridors to his room. According to cinematographer [[Raoul Coutard]], he and Godard shot this section as a continuous four-minute take. Part of this sequence shows Caution riding an elevator up to his room, which was achieved thanks to the fact that the hotel used as the location had two glass-walled elevators side by side, allowing the camera operator to ride in one lift while filming Constantine riding the other car through the glass between the two. However, as Coutard recalled, this required multiple takes, since the elevators were old and in practice they proved very difficult to synchronize.<ref name=alphadvd />

Like most of Godard's films, the performances and dialogue in ''Alphaville'' were substantially improvised. Assistant director [[Charles Bitsch]] recalled that, even when production commenced, he had no idea what Godard was planning to do. Godard's first act was to ask Bitsch to write a screenplay, saying that producer Michelin had been pestering him for a script because he needed it to help him raise finance from backers in Germany (where Constantine was popular). Bitsch protested that he had never read a Lemmy Caution book, but Godard simply said "Read one and then write it." Bitsch read a Caution book, then wrote a 30-page treatment and brought it to Godard, who said "OK, fine" and took it without even looking at it. It was then given to Michelin, who was pleased with the result, and the "script" was duly translated into German and sent off to the backers. In fact, none of it even reached the screen and according to Bitsch the German backers later asked Michelin to repay the money when they saw the completed film.<ref name=alphadvd />