Editing Rock music (section)

===Pop-punk and post-punk revivals===
At the start of the 2020s, recording artists in both pop and rap music released popular pop-punk-influenced recordings, many of them produced or assisted by Blink-182 drummer [[Travis Barker]]. Representing a commercial resurgence for the genre, these acts included [[Machine Gun Kelly (musician)|Machine Gun Kelly]], [[Willow Smith]], [[Trippie Redd]], [[Halsey (singer)|Halsey]], [[Yungblud]], and [[Olivia Rodrigo]]. The popularity of the social media platform [[TikTok]] helped spark nostalgia for the angst-driven musical style among young listeners during the pandemic. Among the most successful of these releases have been Machine Gun Kelly's 2020 album ''[[Tickets to My Downfall]]'', which topped the ''Billboard'' 200, and Rodrigo's number-one hit single "[[Good 4 U]]" (2021).<ref>{{cite news|last=Jefferson|first=J'na|date=5 June 2021|url=https://www.usatoday.com/story/entertainment/music/2021/06/05/olivia-rodrigo-machine-gun-kelly-willow-smith-travis-barker-among-pop-punk-revivalists/7470100002/|title=Olivia Rodrigo, MGK and Willow Smith among pop-punk revivalists|newspaper=[[USA Today]]|access-date=9 June 2021}}</ref>

In the late 2010s and early 2020s, a new wave of post-punk bands from Britain and Ireland emerged. The groups in this scene have been described with the term "Crank Wave" by ''[[NME]]'' and ''[[The Quietus]]'' in 2019, and as "Post-[[Brexit]] New Wave" by [[NPR]] writer [[Fluxblog|Matthew Perpetua]] in 2021.<ref name="nmemark">{{cite web |last1=Beaumont |first1=Mark |title=Mark, My Words: I give you crank wave, the start of the subculture revival |url=https://www.nme.com/blogs/nme-blogs/mark-words-welcome-crank-wave-start-subculture-revival-2545963 |website=NME |access-date=7 December 2021 |date=10 September 2019}}</ref><ref name="quietus1">{{cite web |last1=Doran |first1=John |title=The Quietus: Black Sky Thinking - Idle Threat: Who Are The True Champions Of DIY Rock In 2020? |url=https://thequietus.com/articles/27491-speedy-wunderground-year-4-compilation |website=The Quietus |date=26 November 2019 |access-date=7 December 2021}}</ref><ref name="perpetua">{{cite web |last1=Perpetua |first1=Matthew |title=The Post-Brexit New Wave |url=https://www.npr.org/2021/05/06/993931617/new-wave-post-punk-brexit-squid-dry-cleaning-black-country-new-road |publisher=NPR |access-date=7 December 2021 |date=6 May 2021}}</ref> Artists that have been identified as part of the style include [[Black Midi]], [[Wet Leg]], [[Squid (band)|Squid]], [[Black Country, New Road]], [[Dry Cleaning (band)|Dry Cleaning]], [[Shame (band)|Shame]], [[Sleaford Mods]], [[Fontaines D.C.]], [[The Murder Capital]], [[Idles]] and [[Yard Act]].<ref name="nmemark" /><ref name="quietus1" /><ref name="perpetua" /><ref>{{cite web |last1=DeVille |first1=Chris |title=We Dug Through The Pile Of British And Irish Buzz Bands On Callin Me Maybe |url=https://www.stereogum.com/2184403/callin-me-maybe-british-irish-buzz-bands/news/ |website=Stereogum |access-date=23 April 2022 |date=22 April 2022}}</ref> Post-punk artists that attained prominence in the 2010s and early 2020s from other countries besides the UK included [[Parquet Courts]], [[Protomartyr (band)|Protomartyr]] and [[Geese (band)|Geese]] (United States), [[Preoccupations]] (Canada), [[Iceage]] (Denmark), [[Kælan Mikla]] (Iceland), and [[Viagra Boys]] (Sweden),<ref>{{Cite magazine|last=Dolan|first=Jon|date=28 October 2021|title=Geese Are Legit Indie-Rock Prodigies, Straight Out of High School|url=https://www.rollingstone.com/music/music-album-reviews/geese-projector-1247383/|access-date=31 December 2021|magazine=Rolling Stone}}</ref><ref>{{Cite web|date=5 December 2021|title=Deeper, espoirs post-punk à Chicago|url=https://www.rtbf.be/jam/detail_deeper-espoirs-post-punk-a-chicago?id=10891338|access-date=31 December 2021|website=RTBF radio|language=fr}}</ref><ref>{{Cite web|date=7 January 2021|title=Viagra Boys Set the Bar High with Brash Post-Punk Hijinks on 'Welfare Jazz' (ALBUM REVIEW)|url=https://glidemagazine.com/252192/viagra-boys-set-the-bar-high-with-brash-post-punk-hijinks-on-welfare-jazz-album-review/|access-date=31 December 2021|website=Glide Magazine |last1=Ferguson |first1=Neil }}</ref><ref>{{Cite web |date=2019-01-25 |title=Kaelan Mikla: Meet Icelandic Trio Turning Dark Folklore Into Cure-Approved Post-Punk |url=https://www.revolvermag.com/music/kaelan-mikla-meet-icelandic-trio-turning-dark-folklore-cure-approved-post-punk |access-date=2022-11-05 |website=Revolver |language=en}}</ref> as well as the so-called "Russian [[doomer]] music" scene consisting of post-punk, [[coldwave]] and [[darkwave]] bands from post-Soviet countries like Russia and Belarus, most prominently [[Molchat Doma]] (Belarus) and [[Ploho]] (Russia).<ref>{{cite web |author=Cat Zhang |url=https://pitchfork.com/thepitch/how-belarusian-post-punks-molchat-doma-became-a-tiktok-meme/ |title=How Belarusian Post-Punks Molchat Doma Became a TikTok Meme |lang=en |website=[[Pitchfork]] |date=2020-06-25 |access-date=2024-10-15}}</ref><ref>{{cite web |author=Kavel Alpaslan |url=https://www.duvarenglish.com/post-punks-return-in-post-soviet-region-news-63618 |title=Post-punk's return in post-Soviet region |lang=en |website=[[Gazete Duvar]] |date=2024-01-07 |access-date=2024-10-15}}</ref>