Editing Antony and Cleopatra (section)

==References==
{{reflist|refs=
<ref name=r1>{{cite journal|author=Alder, Doris|title=The Unlacing of Cleopatra|journal=[[Theatre Journal]]|volume= 34|issue=4 |year=1982|pages= 450–466|jstor=3206808|doi=10.2307/3206808}}</ref>
<ref name=r2>{{cite journal|author=Holmberg, Arthur|title=Estelle Parsons' ''Antony and Cleopatra''|journal=[[Shakespeare Quarterly]]|volume= 31|issue=2 |year=1980|pages= 195–197|doi=10.2307/2869528|jstor=2869528}}</ref>
<ref name=Yachnin>{{cite journal|author=Yachnin, Paul|title=Shakespeare's Politics of Loyalty: Sovereignty and Subjectivity in Antony and Cleopatra|journal=[[SEL: Studies in English Literature 1500–1900]]|year=1993|volume=33|issue=2|pages=343–363|jstor=451003|doi=10.2307/451003}}</ref>
<ref name=r4>{{cite journal|author=James, Max H|title="The Noble Ruin": ''Antony and Cleopatra''|journal=College Literature|volume= 8|issue=2 |year=1981|pages= 127–43|jstor=25111383}}</ref>
<ref name=r5>[[Janet Adelman|Adelman, Janet]]. ''The Common Liar''. New Haven: Yale University Press, 1973.</ref>
<ref name=r6>{{cite journal|author=Barroll, J. Leeds|title=Enobarbus's Description of Cleopatra|journal=Texas University Studies in English|volume= 37 |year=1958}}</ref>
<ref name=r7>{{cite book|author=Coates, John|title=The Choice of Hercules in Antony and Cleopatra|volume = 31 |year=1978|pages= 45–52|doi=10.1017/CCOL0521220114.005|series=Shakespeare Survey|isbn=978-0-521-22011-8|chapter='The Choice of Hercules' in Antony and Cleopatra}}</ref>
<ref name=r8>{{cite journal|author=Potter, Lois|title=Assisted Suicides: Antony and Cleopatra and Coriolanus in 2006–07|journal=[[Shakespeare Quarterly]]|volume= 58|issue= 4|year= 2007|pages= 509–529|doi=10.1353/shq.2007.0064|s2cid=191510027}}</ref>
<ref name=r9>{{cite journal|author=Williamson, Marilyn|title=Political Context in ''Antony and Cleopatra''|journal=[[Shakespeare Quarterly]]|volume=21|issue=3 |year=1970|pages=241–251|doi=10.2307/2868701|jstor=2868701}}</ref>
<ref name=r10>{{cite journal|author=Hooks, Roberta|title=Shakespeare's ''Antony and Cleopatra'': Power and Submission|journal=American Imago|year=1987|volume=44|issue=1|url=http://psycnet.apa.org/psycinfo/1988-22927-001|access-date=13 May 2012}}</ref>
<ref name=r11>{{cite journal|author=Kalmey, Robert P.|title=Shakespeare's Octavius and Elizabethan Roman History|journal=[[SEL: Studies in English Literature 1500–1900]]|volume= 18|issue=2 |year=1978|pages= 275–287|doi=10.2307/450362|jstor=450362}}</ref>
<ref name=r13>{{cite journal|author=Morris, Helen|title=Queen Elizabeth I "Shadowed" in Cleopatra|journal=Huntington Library Quarterly|volume= 32|issue=3 |year=1969|jstor=3816968|pages= 271–278|doi=10.2307/3816968}}</ref>
<ref name=r14>{{cite journal|author=Scherer, Abigail|title=Celebrating Idleness: ''Antony and Cleopatra'' and Play Theory|journal=Comparative Drama|volume = 44|issue=3 |year=2010|pages= 277–297|doi=10.1353/cdr.2010.0003 |s2cid=154477847 }}</ref>
<ref name=Freeman>{{cite journal|author=Freeman, Donald C.|title="The Rack Dislimns": Schema and Metaphorical Pattern in Antony and Cleopatra|journal=Poetics Today|volume= 20|issue=3 |year=1999|pages= 443–460|jstor=1773274}}</ref>
<ref name=Crane>{{cite journal|last=Crane|first=Mary Thomas|title=Roman World, Egyptian Earth: Cognitive Difference and Empire in Shakespeare's ''Antony and Cleopatra''|journal=Comparative Drama|volume=43|issue=1|doi=10.1353/cdr.0.0041|year=2009|pages=1–17}}</ref>
<ref name=Politics>{{cite journal|author=[[Paul Lawrence Rose|Rose, Paul L.]]|title=The Politics of ''Antony and Cleopatra''|journal=[[Shakespeare Quarterly]]|volume=20|issue=4 |year=1969|pages=379–89|doi=10.2307/2868534|jstor=2868534}}</ref>
<ref name=Hirsh>Hirsh, James. "Rome and Egypt in Antony and Cleopatra and in Criticism of the Play." ''Antony And Cleopatra: New Critical Essays.'' Ed. Sara Munson Deats. New York: Routledge, 2005. 175–191. {{ISBN|0-415-41102-5}}.</ref>
<ref name=Green>{{cite journal|title=Feminist and Marxist Criticism: An Argument for Alliances|doi=10.1080/00497878.1981.9978553|year=1981|last1=Greene|first1=Gayle|journal=Women's Studies|volume=9|pages=29–45}}</ref>
<ref name=Fitz>{{cite journal|author=Fitz, L. T.|title=Egyptian Queens and Male Reviewers: Sexist Attitudes in ''Antony and Cleopatra'' Criticism|journal=[[Shakespeare Quarterly]]|volume= 28|issue=3 |year=1977|pages=297–316|jstor=2869080|doi=10.2307/2869080}}</ref>
<ref name=Starks>{{cite journal|author=Starks, Lisa S. |title='Like the lover's pinch, which hurts and is desired': The Narrative of Male Masochism and Shakespeare's ''Antony and Cleopatra''|journal=Literature & Psychology|volume=45|issue=4|page=58 |year=1999}}</ref>
<ref name=Rackin>{{cite journal|author=Rackin, Phyllis|title=Shakespeare's Boy Cleopatra, the Decorum of Nature, and the Golden World of Poetry|journal=Modern Language Association|volume= 87|issue=2 |year=1972|pages= 210–212| doi=10.2307/460877 |jstor=460877|s2cid=163793170 }}</ref>
<ref name=Little>Little, Arthur L. ''Shakespeare Jungle Fever: National-imperial Re-visions of Race, Rape, and Sacrifice.'' Stanford, CA: Stanford UP, 2000. {{ISBN|0-8047-4024-0}}.</ref>
<ref name=Quint>{{cite journal|last=Quint|first=David|author-link=David Quint|title=Epic and Empire|journal=Comparative Literature|volume= 41|issue=1 |year=1981|pages= 1–32|jstor=1770677|doi=10.2307/1770677|s2cid=163778640 }}</ref>
<ref name=Schafer>{{cite journal|author=Schafer, Elizabeth|title=Shakespeare's Cleopatra, the Male Gaze, and Madonna: Performance Dilemmas|journal=Contemporary Theatre Review|year= 1995|volume= 2,3|pages= 7–16|doi=10.1080/10486809508568310|issue=3}}</ref>
<ref name=Neill>Neill, Michael, ed. ''Antony and Cleopatra''. Oxford: Oxford University Press, 1994</ref>
<ref name=Jim>{{cite journal|author=Jiménez-Belmonte, Javier|title=History of a Bite: Cleopatra in Thirteenth-Century Castile |journal=La Corónica|volume=40|issue=1 |year=2011|doi=10.1353/cor.2011.0026|pages=5–32 |s2cid=161141328 }}</ref>
<ref name=Pal>{{cite journal|author=Palusci, Oriana|title= 'When Boys Or Women Tell Their Dreams': Cleopatra And The Boy Actor|journal=Textus|volume= 20|issue=3 |year=2007|pages= 603–616}}</ref>
<ref name=Sed>{{cite journal|author=Sedinger, Tracey|title="If Sight and Shape be True": The Epistemology of Crossdressing on the London Stage|jstor=2871401|journal=[[Shakespeare Quarterly]]|volume= 48|issue=1 |year=1997|pages=63–79|doi=10.2307/2871401}}</ref>
<ref name=Jones>{{cite journal|author=Jones, Gordan P|title=The "Strumpet's Foll" in ''Antony and Cleopatra''|journal=[[Shakespeare Quarterly]]|year=1982|pages= 62–68 | doi = 10.2307/2870220|volume=34|issue=1|jstor=2870220}}</ref>
<ref name=Hall>{{cite journal|author=Hall, Joan Lord|title='To The Very Heart Of Loss': Rival Constructs Of 'Heart' In Antony And Cleopatra|journal=College Literature|volume= 18|issue=1 |year=1991|pages= 64–76}}</ref>
<ref name=Harris>{{cite journal|author=Jonathan Gil Harris|title='Narcissus in thy Face': Roman Desire and the Difference it Fakes in ''Antony and Cleopatra''|journal=[[Shakespeare Quarterly]]|volume= 45|issue= 4 |year=1994|pages= 408–425|doi=10.2307/2870964|jstor=2870964}}</ref>
<ref name=McC>{{cite journal|last=McCombe|first=John P.|title=Cleopatra and Her Problems: T. S. Eliot and the Fetishization of Shakespeare's Queen of the Nile|journal=[[Journal of Modern Literature]]|date=Winter 2008|volume=31|issue=2|pages=23–38|jstor=30053266|doi=10.2979/JML.2008.31.2.23|s2cid=154636543}}</ref>
<ref name=Wilders>Wilders, John (ed.) ''Antony and Cleopatra'' (Arden third series, 1995)</ref>
<ref name=Miola>{{cite book
| last=Miola
| first=Robert S.
| editor1-last=Hattaway
| editor1-first=Michael
| title=The Cambridge Companion to Shakespeare's History Plays
| chapter=Shakespeare's ancient Rome: difference and identity
| publisher=Cambridge University Press
| year=2002
| doi=10.1017/CCOL052177277X
| isbn=978-0-521-77539-7
| url-access=registration
| url=https://archive.org/details/cambridgecompani0000unse_y6r2
}}</ref>
<ref name=Bloom>Bloom, Harold. "Shakespeare: The Invention of the Human" (Riverhead Books, 1998) {{ISBN|1-57322-751-X}}.</ref>
<ref name=Kermode>[[Frank Kermode|Kermode, Frank]]. ''Shakespeare's Language'' (Penguin, 2000) {{ISBN|0-14-028592-X}}.</ref>
<ref name=Hunter>{{cite book
| last=Hunter
| first=G. K.
| title=The Cambridge Companion to Shakespeare Studies
| editor-last=Wells
| editor-first=Stanley|editor-link=Stanley Wells
| publisher=Cambridge University Press
| year=1986
| isbn=978-0-521-31841-9
| chapter=Shakespeare and the Traditions of Tragedy
| chapter-url=https://archive.org/details/cambridgecompani00well
| url-access=registration
| url=https://archive.org/details/cambridgecompani00well
}}</ref>
<ref name=Braunmuller>A. R. Braunmuller and Michael Hattaway (eds.) "The Cambridge Companion to English Renaissance Drama" 2nd edition (Cambridge University Press, 2003) {{ISBN|0-521-52799-6}}</ref>
<ref name=Kennedy>{{cite book
| last=Kennedy
| first=Dennis|author-link=Dennis Kennedy (author)
| editor1-last=de Grazia
| editor1-first=Margreta
| editor2-last=Wells
| editor2-first=Stanley|editor2-link=Stanley Wells
| title=The Cambridge Companion to Shakespeare
| publisher=Cambridge University Press
| location=Cambridge
| year=2001|doi=10.1017/CCOL0521650941
| chapter=Shakespeare Worldwide
| isbn=978-1-139-00010-9
| url=http://www.loc.gov/catdir/samples/cam031/00063002.html}}</ref>
<ref name=Forker>{{cite journal|author=Forker, Charles|title=Sexuality and Eroticism on the Renaissance Stage|journal=South Central Review|volume= 7|issue=4 |year=1990|pages= 1–22|doi=10.2307/3189091|jstor=3189091}}</ref>
 <ref name=Wolf>{{cite journal|author=Wolf, William D.|title='New Heaven, New Earth': The Escape from Mutability in ''Antony and Cleopatra''|journal=[[Shakespeare Quarterly]]|year=1982|volume=33|issue=3|pages=328–335|jstor=2869736|doi=10.2307/2869736}}</ref>
<ref name=Miles>{{cite journal|author=Miles, Gary B.|title=How Roman are Shakespeare's "Romans"?|journal=[[Shakespeare Quarterly]]|date=Autumn 1989|volume=40|issue=3|pages=257–283|jstor=2870723|doi=10.2307/2870723}}</ref>
 <ref name=Moore>{{cite journal|author=Moore, John Rees|title=The Enemies of Love: The Example of Antony and Cleopatra|journal=The Kenyon Review|year=1969|volume=31|issue=5|pages=646–674|jstor=4334968}}</ref>
}}