Editing Punk rock (section)

==Sources==
{{Refbegin|30em}}
* Andersen, Mark, and Mark Jenkins (2001). ''Dance of Days: Two Decades of Punk in the Nation's Capital'' (New York: [[Soft Skull Press]]). {{ISBN|1-887128-49-2}}
* Anderson, Mark (2002). "Zunō keisatsu", in ''Encyclopedia of Contemporary Japanese Culture'', ed. Sandra Buckley (London and New York: Routledge), p.&nbsp;588. {{ISBN|0-415-14344-6}}
* [[Michael Azerrad|Azerrad, Michael]] (2001). ''[[Our Band Could Be Your Life]]'' (New York: Little, Brown). {{ISBN|0-316-78753-1}}
* {{cite book|last=Bangs|first=Lester|year=1980|chapter=Protopunk: The Garage Bands|title=The Rolling Stone Illustrated History of Rock & Roll|edition=second|location=New York City|publisher=Random House|isbn=9780394739380}}
* {{cite book|last=Bangs|first=Lester|title=Psychotic Reactions and Carburetor Dung|publisher=Anchor Books, a division of Random House|year=2003}}
* Bennett, Andy (2001). "'Plug in and Play!': UK Indie Guitar Culture", in ''Guitar Cultures'', eds. Andy Bennett and Kevin Dawe (Oxford and New York: Berg), pp.&nbsp;45–62. {{ISBN|1-85973-434-0}}
* Berthier, Héctor Castillo (2001). "My Generation: Rock and ''la Banda{{'}}''s Forced Survival Opposite the Mexican State", in ''Rockin' las Américas: The Global Politics of Rock in Latin/o America'', ed. Deborah Pacini Hernandez (Pittsburgh: [[University of Pittsburgh Press]]), pp.&nbsp;241–60. {{ISBN|0-8229-4226-7}}
* Bessman, Jim (1993). ''Ramones: An American Band'' (New York: [[St. Martin's Press]]). {{ISBN|0-312-09369-1}}
* Bockris, Victor, and Roberta Bayley (1999). ''Patti Smith: An Unauthorized Biography'' (New York: [[Simon & Schuster]]). {{ISBN|0-684-82363-2}}
* {{cite book |author1-link= |author2-link=Richard Hell |author3-link=John Lydon |author4-link=Jon Savage |last1=Bolton |first1=Andrew |last2=Hell |first2=Richard |last3=Lydon |first3=John |last4=Savage |first4=Jon |editor1-last=Bell |editor1-first=Eugenia |title=[[Punk: Chaos to Couture]] |date=May 15, 2013 |publisher=[[Metropolitan Museum of Art]] |isbn=978-0-300-19185-1 |language=en |oclc=813393428}}
* Boot, Adrian, and Chris Salewicz (1997). ''Punk: The Illustrated History of a Music Revolution'' (New York: Penguin). {{ISBN|0-14-026098-6}}
* Buckley, Peter, ed. (2003). ''The Rough Guide to Rock'' (London: [[Rough Guides]]). {{ISBN|1-84353-105-4}}
* {{cite book |last1=Burchill |first1=Julie |last2=Parsons |first2=Tony |author1-link=Julie Burchill |author2-link=Tony Parsons (British journalist) |title=The Boy Looked at Johnny: The Obituary of Rock and Roll |date=1978 |publisher=[[Pluto Press]] |location=London |isbn=0-86104-030-9}}
* Burns, Rob, and Wilfried Van Der Will (1995). "The Federal Republic 1968 to 1990: From the Industrial Society to the Culture Society", in ''German Cultural Studies: An Introduction'', ed. Burns (Oxford and New York: [[Oxford University Press]]), pp.&nbsp;257–324. {{ISBN|0-19-871503-X}}
* Campbell, Michael, with James Brody (2008). ''Rock and Roll: An Introduction'', 2nd ed. (Belmont, Calif.: Thomson Schirmer). {{ISBN|0-534-64295-0}}
* Carson, Tom (1979). "''Rocket to Russia''", in ''Stranded: Rock and Roll for a Desert Island'', ed. Greil Marcus (New York: [[Knopf]]). {{ISBN|0-394-73827-6}}
* Catucci, Nick (2004a). "Blink-182", in ''The New Rolling Stone Album Guide'', 4th ed., ed. Nathan Brackett (New York: [[Fireside Books]]), p.&nbsp;85. {{ISBN|0-7432-0169-8}}
* Catucci, Nick (2004b). "Green Day", in ''The New Rolling Stone Album Guide'', 4th ed., ed. Nathan Brackett (New York: [[Fireside Books]]), pp.&nbsp;347–48. {{ISBN|0-7432-0169-8}}
* Colegrave, Stephen, and Chris Sullivan (2005). ''Punk: The Definitive Record of a Revolution'' (New York: Thunder's Mouth). {{ISBN|1-56025-769-5}}
* Coon, Caroline (1977). ''"1988": the New Wave [and] Punk Rock Explosion''. (London: [[Orbach and Chambers]]). {{ISBN|0-8015-6129-9}}.
* Creswell, Toby (2006). ''1001 Songs: The Great Songs of All Time and the Artists, Stories and Secrets Behind Them'' (New York: Thunder's Mouth). {{ISBN|1-56025-915-9}}
* Dickson, Paul (1982). ''Words: A Connoisseur's Collection of Old and New, Weird and Wonderful, Useful and Outlandish Words'' (New York: Delacorte). {{ISBN|0-440-09606-5}}
* Diehl, Matt (2007). ''My So-Called Punk: Green Day, Fall Out Boy, the Distillers, Bad Religion—How Neo-Punk Stage-Dived into the Mainstream'' (New York: [[St. Martin's Press]]). {{ISBN|0-312-33781-7}}
* Dougan, John (2002). "X-Ray Spex", in ''All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul'', 3rd ed., eds. Vladimir Bogdanov, Chris Woodstra, and Stephen Thomas Erlewine (San Francisco: [[Backbeat Books]]). {{ISBN|0-87930-653-X}}
* Ellis, Iain (2008). ''Rebels Wit Attitude: Subversive Rock Humorists'' (Berkeley, Calif: [[Soft Skull Press]]). {{ISBN|1-59376-206-2}}.
* Erlewine, Stephen Thomas (2002). "The Birthday Party", in ''All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul'', 3rd ed., eds. Vladimir Bogdanov, Chris Woodstra, and Stephen Thomas Erlewine (San Francisco: [[Backbeat Books]]). {{ISBN|0-87930-653-X}}
* Fletcher, Tony (2000). ''Moon: The Life and Death of a Rock Legend'' (New York: HarperCollins). {{ISBN|0-380-78827-6}}
* [[Sasha Frere-Jones|Frere-Jones, Sasha]] (2004). "Bad Brains", in ''The New Rolling Stone Album Guide'', 4th ed., ed. Nathan Brackett (New York: [[Fireside Books]]), pp.&nbsp;34–35. {{ISBN|0-7432-0169-8}}
* Friedlander, Paul, with Peter Miller (2006). ''Rock and Roll: A Social History'', 2nd ed. (Boulder, Co.: Westview). {{ISBN|0-8133-4306-2}}
* Friskics-Warren, Bill (2005). ''I'll Take You There: Pop Music And the Urge for Transcendence'' (New York and London: [[Continuum International]]). {{ISBN|0-8264-1700-0}}
* Gaar, Gillian G. (2002). ''She's a Rebel: The History of Women in Rock & Roll'', 2nd ed. (New York: Seal). {{ISBN|1-58005-078-6}}
* Gendron, Bernard (2002). ''Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde'' (Chicago and London: [[University of Chicago Press]]). {{ISBN|0-226-28735-1}}
* Gimarc, George (1997). ''Post Punk Diary, 1980–1982''. New York: [[St. Martin's Press]]. {{isbn|978-0-312-16968-8}}
* Gimarc, George (2005). ''Punk Diary: The Ultimate Trainspotter's Guide to Underground Rock, 1970–1982''. San Francisco: [[Backbeat Books]]. {{ISBN|978-0-8793-0848-3}}
* Glasper, Ian (2004). ''Burning Britain—The History of UK Punk 1980–1984'' (London: [[Cherry Red Books]]). {{ISBN|1-901447-24-3}}
* Goodlad, Lauren M. E., and Michael Bibby (2007). "Introduction", in ''Goth: Undead Subculture'', ed. Goodlad and Bibby (Durham, N.C.: [[Duke University Press]]). {{ISBN|0-8223-3921-8}}
* Gosling, Tim (2004). "'Not for Sale': The Underground Network of Anarcho-Punk", in ''Music Scenes: Local, Translocal and Virtual'', eds. Andy Bennett and Richard A. Peterson (Nashville, Tenn.: [[Vanderbilt University Press]]), pp.&nbsp;168–83. {{ISBN|0-8265-1450-2}}
* Gray, Marcus (2005 [1995]). ''The Clash: Return of the Last Gang in Town'', 5th rev. ed. (London: Helter Skelter). {{ISBN|1-905139-10-1}}
* [[Andy Greenwald|Greenwald, Andy]] (2003). ''[[Nothing Feels Good: Punk Rock, Teenagers, and Emo]]'' (New York: [[St. Martin's Press]]). {{ISBN|0-312-30863-9}}
* Gross, Joe (2004). "Rancid", in ''The New Rolling Stone Album Guide'', 4th ed., ed. Nathan Brackett (New York: [[Fireside Books]]), p.&nbsp;677. {{ISBN|0-7432-0169-8}}
* Haenfler, Ross (2006). ''Straight Edge: Hardcore Punk, Clean-Living Youth, and Social Change'' (New Brunswick, N.J.: Rutgers University Press). {{ISBN|0-8135-3852-1}}
* Hannon, Sharon M. (2009). ''Punks: A Guide to an American Subculture'' ([[Santa Barbara, California]]: [[Greenwood Press]]). {{ISBN|978-0-313-36456-3}}
* Hardman, Emilie (2007). "Before You Can Get Off Your Knees: Profane Existence and Anarcho-Punk as a Social Movement". Paper presented at the annual meeting of the American Sociological Association, New York City, August 11, 2007 (available [https://web.archive.org/web/20121120204203/http://citation.allacademic.com/meta/p_mla_apa_research_citation/1/8/4/5/3/p184536_index.html online]).
* Harrington, Joe S. (2002). ''Sonic Cool: The Life & Death of Rock 'n' Roll'' (Milwaukee: Hal Leonard). {{ISBN|0-634-02861-8}}
* Harris, John (2004). ''Britpop!: Cool Britannia and the Spectacular Demise of English Rock'' (Cambridge, Massachusetts: Da Capo) {{ISBN|0-306-81367-X}}
* [[Dick Hebdige|Hebdige, Dick]] (1987). ''Cut 'n' Mix: Culture, Identity and Caribbean Music'' (London: Routledge). {{ISBN|0-415-05875-9}}
* Hess, Mickey (2007). ''Is Hip Hop Dead?: The Past, Present, and Future of America's Most Wanted Music'' (Westport, Conn.: Praeger). {{ISBN|0-275-99461-9}}
* Heylin, Clinton (1993). ''From the Velvets to the Voidoids: The Birth of American Punk Rock'' (Chicago: A Cappella Books). {{ISBN|1-55652-575-3}}
* Heylin, Clinton (2007). ''Babylon's Burning: From Punk to Grunge'' (New York: Canongate). {{ISBN|1-84195-879-4}}
* Home, Stewart (1996). ''Cranked Up Really High: Genre Theory and Punk Rock'' (Hove, UK: Codex). {{ISBN|1-899598-01-4}}
* Jackson, Buzzy (2005). ''A Bad Woman Feeling Good: Blues and the Women Who Sing Them'' (New York: W. W. Norton). {{ISBN|0-393-05936-7}}
* James, Martin (2003). ''French Connections: From Discothèque to Discovery'' (London: Sanctuary). {{ISBN|1-86074-449-4}}
* [[Joey Keithley|Keithley, Joe]] (2004). ''I, Shithead: A Life in Punk'' (Vancouver: Arsenal Pulp Press). {{ISBN|1-55152-148-2}}
* [[Naomi Klein|Klein, Naomi]] (2000). ''[[No Logo|No LOGO: Taking Aim at the Brand Bullies]]'' (New York: Picador). {{ISBN|0-312-20343-8}}
* Knowles, Chris (2003). ''Clash City Showdown'' (Otsego, Mich.: PageFree). {{ISBN|1-58961-138-1}}
* {{cite book|last=Laing|first=Dave|year=1985|title=One Chord Wonders: Power and Meaning in Punk Rock|location=Milton Keynes and Philadelphia|publisher=Open University Press|isbn=978-0-335-15065-6}}
* Lamey, Charles P., and Ira Robbins (1991). "Exploited", in ''The Trouser Press Record Guide'', 4th ed., ed. Ira Robbins (New York: Collier), pp.&nbsp;230–31. {{ISBN|0-02-036361-3}}
* Leblanc, Lauraine (1999). ''Pretty in Punk: Girls' Gender Resistance in a Boys' Subculture'' (New Brunswick, N.J.: Rutgers University Press). {{ISBN|0-8135-2651-5}}
* [[John Lydon|Lydon, John]] (1995). ''[[Rotten: No Irish, No Blacks, No Dogs]]'' (New York: Picador). {{ISBN|0-312-11883-X}}
* Mahon, Maureen (2008). "African Americans and Rock 'n' Roll", in ''African Americans and Popular Culture, Volume 3: Music and Popular Art'', ed. Todd Boyd (Westport, Conn.: Praeger), pp.&nbsp;31–60. {{ISBN|978-0-275-98925-5}}
* [[Greil Marcus|Marcus, Greil]], ed. (1979). ''Stranded: Rock and Roll for a Desert Island'' (New York: Knopf). {{ISBN|0-394-73827-6}}
* Marcus, Greil (1989). ''Lipstick Traces: A Secret History of the Twentieth Century'' (Cambridge, Massachusetts: Harvard University Press). {{ISBN|0-674-53581-2}}
* {{cite book|last1=Marks|first1=Ian D.|last2=McIntyre|first2=Iain|title=Wild About You: The Sixties Beat Explosion in Australia and New Zealand|year=2010|edition=1st|publisher=Verse Chorus Press|isbn=978-1-891241-28-4|url=https://books.google.com/books?id=IH0R2srt8osC&pg=PA7|access-date=March 16, 2021|archive-date=May 7, 2021|archive-url=https://web.archive.org/web/20210507084345/https://books.google.com/books?id=IH0R2srt8osC&pg=PA7|url-status=live}}
* McCaleb, Ian (1991). "Radio Birdman", in ''The Trouser Press Record Guide'', 4th ed., ed. Ira Robbins (New York: Collier), pp.&nbsp;529–30. {{ISBN|0-02-036361-3}}
* McFarlane, Ian (1999). ''The Encyclopedia of Australian Rock and Pop'' (St Leonards, Aus.: Allen & Unwin). {{ISBN|1-86508-072-1}}
* McGowan, Chris, and Ricardo Pessanha (1998). ''The Brazilian Sound: Samba, Bossa Nova, and the Popular Music of Brazil'' (Philadelphia: Temple University Press). {{ISBN|1-56639-545-3}}
* McKay, George (1996). ''Senseless Acts of Beauty: Cultures of Resistance since the Sixties''. London: Verso, chapter 3: 'CRASS 621984 ANOK4U2', 73–101. ISBN 1-85984-028-0
* McKay, George (2023). [https://journals.sagepub.com/doi/10.1177/27538702231216190 'Was punk DIY? Is DIY punk? Interrogating the DIY/punk nexus, with particular reference to the early UK punk scene, c. 1976–1984.'] {{Webarchive|url=https://web.archive.org/web/20231207180416/https://journals.sagepub.com/doi/10.1177/27538702231216190 |date=December 7, 2023 }} ''DIY, Alternative Cultures and Society'' journal. 
*{{cite book |last1=McNeil |first1=Legs |last2=McCain |first2=Gillian |author-link1=Legs McNeil |author-link2=Gillian McCain |title=Please Kill Me: The Uncensored Oral History of Punk |date=1996 |publisher=Little, Brown and Company |location=New York |isbn=978-0316881470}}
*{{cite book|last=Lemlich|first=Jeffrey M.|title=Savage Lost: Florida Garage Bands: The '60s and Beyond|year=1992|edition=1st|publisher=Distinctive Punishing Corp.|location=Miami, Florida|isbn=978-978-0-942960}}
* Miles, Barry, Grant Scott, and Johnny Morgan (2005). ''The Greatest Album Covers of All Time'' (London: Collins & Brown). {{ISBN|1-84340-301-3}}
* [[Ben Myers|Myers, Ben]] (2006). ''Green Day: American Idiots & the New Punk Explosion'' (New York: Disinformation). {{ISBN|1-932857-32-X}}
* [[Brendan Mullen|Mullen, Brendan]], with Don Bolles and [[Adam Parfrey]] (2002). ''Lexicon Devil: The Fast Times and Short Life of Darby Crash and the Germs'' (Los Angeles: Feral House). {{ISBN|0-922915-70-9}}
* Nichols, David (2003). ''The Go-Betweens'' (Portland, Ore.: Verse Chorus Press). {{ISBN|1-891241-16-8}}
* Nobahkt, David (2004). ''Suicide: No Compromise'' (London: SAF). {{ISBN|0-946719-71-3}}
* O'Hara, Craig (1999). ''The Philosophy of Punk: More Than Noise'' (San Francisco and Edinburgh: AK Press). {{ISBN|1-873176-16-3}}
* Palmer, Robert (1992). "The Church of the Sonic Guitar", in ''Present Tense: Rock & Roll and Culture'', ed. Anthony DeCurtis (Durham, N.C.: Duke University Press), pp.&nbsp;13–38. {{ISBN|0-8223-1265-4}}
* Pardo, Alona (2004). "Jamie Reid", in ''Communicate: Independent British Graphic Design Since the Sixties'', ed. Rick Poyner (New Haven, Conn.: Yale University Press), p.&nbsp;245. {{ISBN|0-300-10684-X}}
* Pareles, Jon, and Patricia Romanowski (eds.) (1983). ''The Rolling Stone Encyclopedia of Rock & Roll'' (New York: Rolling Stone Press/Summit Books). {{ISBN|0-671-44071-3}}
* Porter, Dick (2007). ''The Cramps: A Short History of Rock 'n' Roll Psychosis'' (London: Plexus). {{ISBN|0-85965-398-6}}
* Purcell, Natalie J. (2003). ''Death Metal Music: The Passion and Politics of a Subculture'' (Jefferson, N.C., and London: McFarland). {{ISBN|0-7864-1585-1}}
* Raha, Maria (2005). ''Cinderella's Big Score: Women of the Punk and Indie Underground'' (Emeryville, Calif.: Seal). {{ISBN|1-58005-116-2}}
* {{cite book|last=Reed|first=John|year=2005|title=Paul Weller: My Ever Changing Moods|location=London|publisher=Omnibus Press|isbn=978-1-84449-491-0}}
* {{cite book|last=Reynolds|first=Simon|year=2005|title=Rip It Up and Start Again: Post Punk 1978–1984|location=London and New York|publisher=Faber and Faber|isbn=978-0-571-21569-0|url=https://archive.org/details/ripitupstartagai00reyn}}
* [[John Robb (musician)|Robb, John]] (2006). ''Punk Rock: An Oral History'' (London: Elbury Press). {{ISBN|0-09-190511-7}}
* {{cite book |last1=Robinson |first1=Lisa |author-link=Lisa Robinson |title=There Goes Gravity: A Life in Rock and Roll |date=2014 |publisher=Riverhead Books |location=New York |isbn=978-1594487149}}
* Rodel, Angela (2004). "Extreme Noise Terror: Punk Rock and the Aesthetics of Badness", in ''Bad Music: The Music We Love to Hate'', eds. Christopher Washburne and Maiken Derno (New York: Routledge), pp.&nbsp;235–56. {{ISBN|0-415-94365-5}}
* Rooksby, Rikky (2001). ''Inside Classic Rock Tracks'' (San Francisco: Backbeat). {{ISBN|0-87930-654-8}}
*{{cite book |first=Roger |last=Sabin |title=Punk Rock: So What?: the Cultural Legacy of Punk |url=https://archive.org/details/punkrocksowhatcu00roge |url-access=registration |location=London |publisher=Routledge |year=1999 |isbn=978-0-415-17030-7 }}
* {{cite book|author-link1=Jon Savage|last1=Savage|first1=Jon|year=1991|title=England's Dreaming: The Sex Pistols and Punk Rock|location=London|publisher=Faber and Faber|isbn=978-0-312-28822-8}}
* {{cite book|last=Savage|first=Jon|year=1992|title=England's Dreaming: Anarchy, Sex Pistols, Punk Rock, and Beyond|url=https://archive.org/details/englandsdreaming00sava|url-access=registration|location=New York|publisher=[[St. Martin's Press]]|isbn=978-0-312-08774-6}}
* Shapiro, Fred R. (2006). ''Yale Book of Quotations'' (New Haven, Conn.: Yale University Press). {{ISBN|0-300-10798-6}}
* Schmidt, Axel, and Klaus Neumann-Braun (2004). ''Die Welt der Gothics: Spielräume düster konnotierter Tranzendenz'' (Wiesbaden: VS Verlag). {{ISBN|3-531-14353-0}}
* Shuker, Roy (2002). ''Popular Music: The Key Concepts''. London: Routledge. {{ISBN|0-415-28425-2}}
* Simpson, Paul (2003). ''The Rough Guide to Cult Pop: The Songs, the Artists, the Genres, the Dubious Fashions''. London: Rough Guides. {{isbn|978-1-84353-229-3}}
* Sinagra, Laura (2004). "Sum 41", in ''The New Rolling Stone Album Guide'', 4th ed., ed. Nathan Brackett (New York: [[Fireside Books]]), pp.&nbsp;791–92. {{ISBN|0-7432-0169-8}}
* Smith, Kerry L. (2008). ''Encyclopedia of Indie Rock'' (Westport, Conn.: Greenwood). {{ISBN|978-0-313-34119-9}}
* Spencer, Amy (2005). ''DIY: The Rise of Lo-Fi Culture'' (London: Marion Boyars). {{ISBN|0-7145-3105-7}}
* Spitz, Marc (2006). ''Nobody Likes You: Inside the Turbulent Life, Times, and Music of Green Day'' (New York: Hyperion). {{ISBN|1-4013-0274-2}}
* Spitz, Marc, and Brendan Mullen (2001). ''We Got the Neutron Bomb: The Untold Story of L.A. Punk'' (New York: Three Rivers Press). {{ISBN|0-609-80774-9}}
* Stafford, Andrew (2006). ''Pig City: From the Saints to Savage Garden'', 2nd rev. ed. (Brisbane: University of Queensland Press). {{ISBN|0-7022-3561-X}}
* Stark, James (2006). ''Punk '77: An Inside Look at the San Francisco Rock N' Roll Scene'', 3rd ed. (San Francisco: RE/Search Publications). {{ISBN|1-889307-14-9}}
* Strohm, John (2004). "Women Guitarists: Gender Issues in Alternative Rock", in ''The Electric Guitar: A History of an American Icon'', ed. A. J. Millard (Baltimore: Johns Hopkins University Press), pp.&nbsp;181–200. {{ISBN|0-8018-7862-4}}
* Strongman, Phil (2008). ''Pretty Vacant: A History of UK Punk'' (Chicago: Chicago Review Press). {{ISBN|1-55652-752-7}}
* St. Thomas, Kurt, with Troy Smith (2002). ''Nirvana: The Chosen Rejects'' (New York: [[St. Martin's Press]]). {{ISBN|0-312-20663-1}}
* {{cite book|last=Taylor|first=Steven|year=2003|title=False Prophet: Field Notes from the Punk Underground|location=Middletown, Conn.|publisher=Wesleyan University Press|isbn=978-0-8195-6668-3|url=https://archive.org/details/falseprophetfiel00tayl}}
* {{cite book|last=Taylor|first=Steve|year=2004|title=The A to X of Alternative Music|url=https://archive.org/details/atoxofalternativ00tayl|url-access=registration|location=London and New York|publisher=Continuum|isbn=978-0-8264-8217-4}}
* {{cite book|first=Everett|last=True|author-link=Everett True|year=2002|title=Hey Ho Let's Go: The Story of the Ramones|publisher=[[Omnibus Press]]|isbn=978-1-8444-9413-2}}
* Unterberger, Richie (2002). "British Punk", in ''All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul'', 3rd ed., eds. Vladimir Bogdanov, Chris Woodstra, and Stephen Thomas Erlewine (San Francisco: Backbeat). {{ISBN|0-87930-653-X}}
* [[Clinton Walker|Walker, Clinton]] (1982/2004) ''Inner City Sound'' (Portland, Oregon: Verse Chorus Press) {{ISBN|1-891241-18-4}}
* Walker, Clinton (1996) ''Stranded'' (Sydney: Macmillan) {{ISBN|0 7329 0883 3}}
* Walker, John (1991). "Television", in ''The Trouser Press Record Guide'', 4th ed., ed. Ira Robbins (New York: Collier), p.&nbsp;662. {{ISBN|0-02-036361-3}}
* Walsh, Gavin (2006). ''Punk on 45; Revolutions on Vinyl, 1976–79'' (London: Plexus). {{ISBN|0-85965-370-6}}
* Weinstein, Deena (2000). ''Heavy Metal: The Music and Its Culture'' (New York: Da Capo). {{ISBN|0-306-80970-2}}
* [[Steven Wells|Wells, Steven]] (2004). ''Punk: Loud, Young & Snotty: The Story Behind the Songs'' (New York and London: Thunder's Mouth). {{ISBN|1-56025-573-0}}
* Wilkerson, Mark Ian (2006). ''Amazing Journey: The Life of Pete Townshend'' (Louisville: Bad News Press). {{ISBN|1-4116-7700-5}}
* Wojcik, Daniel (1995). ''Punk and Neo-Tribal Body Art'' (Jackson: University Press of Mississippi). {{ISBN|0-87805-735-8}}
* Wojcik, Daniel (1997). ''The End of the World as We Know It: Faith, Fatalism, and Apocalypse in America'' (New York: [[New York University Press]]). {{ISBN|0-8147-9283-9}}
* {{cite thesis |last1=Wolf |first1=Mary Montgomery |title="We Accept You, One of Us?": Punk Rock, Community, and Individualism in an Uncertain Era, 1974–1985 |date=May 2008 <!-- Preview, 2007 --> |publisher=Department of History, College of Arts and Sciences, [[University of North Carolina at Chapel Hill]] |url=https://cdr.lib.unc.edu/concern/dissertations/k35695185 |language=en |doi=10.17615/e26e-6m88 |quote=A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. |archive-date=April 24, 2022 |access-date=April 8, 2022 |archive-url=https://web.archive.org/web/20220424203237/https://cdr.lib.unc.edu/concern/dissertations/k35695185 |url-status=live }}
* Worley, Matthew (2017). [https://www.cambridge.org/gb/universitypress/subjects/history/twentieth-century-british-history/no-future-punk-politics-and-british-youth-culture-19761984?format=PB ''No Future: Punk, Politics and British Youth Culture, 1976–1984'']. Cambridge: Cambridge University Press.
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