Editing Christian eschatology (section)

==The End of the World and the Last Judgment==

===Satan released===
According to the Bible, the Millennial age of peace all but closes the history of planet Earth. However, the story is not yet finished: "When the thousand years have expired, Satan will be released from his prison and will go out to deceive the nations which are in the four corners of the earth, Gog and Magog, to gather them together to battle, whose number is as the sand of the sea." [Rev 20:7–8]

There is continuing discussion over the identity of [[Gog and Magog]]. In the context of the passage, they seem to equate to something like "east and west". There is a passage in Ezekiel, however, where God says to the prophet, "Set your face against Gog, of the land of Magog, the prince of Rosh, Meshech, and Tubal, and prophesy against him." [Ezek 38:2] Gog, in this instance, is the name of a person of the land of Magog, who is ruler ("prince") over the regions of Rosh, Meshech, and Tubal. Ezekiel says of him: "You will ascend, coming like a storm, covering the land like a cloud, you and all your troops and many peoples with you..." [Ezek 38:2]

Despite this huge show of force, the battle will be short-lived, for Ezekiel, Daniel, and Revelation all say that this last desperate attempt to destroy the people and the city of God will end in disaster: "I will bring him to judgment with pestilence and bloodshed. I will rain down on him and on his troops, and on the many peoples who are with him: flooding rain, great hailstones, fire and brimstone." [Ezek 38:22] Revelation concurs: "Fire came down from God out of heaven and devoured them." [Rev 20:9] It may be that the images of fire raining down are an ancient vision of modern weapons, others would say a supernatural intervention by God, yet others that they refer to events in history, and some would say they are symbolic of larger ideas and should not be interpreted literally.

===The Last Judgment===
{{Main|Last Judgment}}
Following the defeat of Gog, the last judgment begins: "The devil, who deceived them, was cast into the lake of fire and brimstone where the beast and the false prophet are, and they will be tormented day and night forever and ever" [Rev 20:10]. Satan will join the Antichrist and the [[False Prophet]], who were condemned to the lake of fire at the beginning of the Millennium.

Following Satan's consignment to the lake of fire, his followers come up for judgment. This is the "second resurrection", and all those who were not a part of the first resurrection at the coming of Christ now rise up for judgment:

{{Blockquote|I saw a great white throne and him who sat on it, from whose face the earth and the heaven fled away, and there was found no place for them. And the sea gave up the dead who were in it, and Death and Hades delivered up the dead who were in them. And they were judged, each one according to his works. And Death and Hades were cast into the lake of fire. This is the second death. And anyone not found written in the Book of Life was cast into the lake of fire. [Rev 20:11–15]}}

John had earlier written, "Blessed and holy is he who has part in the first resurrection. Over such the second death has no power" [Rev 20:6]. Those who are included in the Resurrection and the Rapture are excluded from the final judgment, and are not subject to the [[second death]]. Due to the description of the seat upon which the Lord sits, this final judgment is often referred to as the [[Great White Throne Judgment]].

A decisive factor in the Last Judgement will be the question, if the corporal [[works of mercy]] were practiced or not during lifetime. They rate as important acts of charity. Therefore, and according to the biblical sources (Matt 5:31–46), the conjunction of the Last Judgement and the works of mercy is very frequent in the pictorial tradition of Christian art.<ref>[[Ralf van Bühren]], ''[http://www.tandfonline.com/doi/full/10.1080/23753234.2017.1287283 Caravaggio's 'Seven Works of Mercy' in Naples. The relevance of art history to cultural journalism]'', in ''Church, Communication and Culture'' 2 (2017), pp. 63–87.</ref>