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=== Visual arts === The Berber tribes traditionally weave [[kilim]]s ([[tapestry]]-woven carpets), whose designs maintain the traditional appearance and distinctiveness of the region of origin of each tribe, which has in effect its own repertoire of drawings. The [[plain weave]] textile designs include a wide variety of stripes and, more rarely, geometrical patterns such as triangles and diamonds. Additional decorations such as sequins or fringes, are typical of Berber weave in Morocco. The nomadic and semi-nomadic lifestyle of the Berbers is suitable for weaving kilims.<ref>ABC Amazigh. An editorial experience in Algeria, 1996–2001 experience, Smaïl Medjeber</ref> In Algeria, the cloak-like [[kachabia]] is typical Berber masculine clothing. [[Jewellery of the Berber cultures|Traditional Berber jewelry]] is a style of [[jewellery]], originally worn by women and girls of different rural Berber groups of Morocco, Algeria and other North African countries. It is usually made of silver and includes elaborate triangular plates and pins, originally used as clasps for garments, necklaces, bracelets, earrings and similar items. In modern times, these types of jewellery are produced also in contemporary variations and sold as a commercial product of ethnic-style [[fashion]].<ref>{{cite web |last=Stewart |first=Courtney A. |title=Remarkable Berber Jewelry at The Met |url=https://www.metmuseum.org/blogs/collection-insights/2017/berber-jewelry-morocco-algeria |date=4 December 2017 |website=[[Metropolitan Museum of Art]] |access-date=30 January 2021}}</ref> From December 2004 to August 2006, the [[Peabody Museum of Archaeology and Ethnology|Peabody Museum of Archeology and Ethnology]] at [[Harvard University]] presented the exhibition ''Imazighen! Beauty and Artisanship in Berber Life'', curated by Susan Gilson Miller and Lisa Bernasek, with an accompanying catalogue on artifacts from the Berber regions Kabylia in northeastern Algeria, the Rif mountains of northeastern Morocco and the Tuareg regions of the Algerian Sahara.<ref>{{Cite journal|last=Cynthia Becker|date=1 January 2010|title=Artistry of the Everyday: Beauty and Craftsmanship in Berber Art Lisa Bernasek Susan G. Miller|url=https://www.jstor.org/stable/25741422|journal=The International Journal of African Historical Studies|volume=43|issue=1|pages=200–202|jstor=25741422}}</ref><ref>{{cite book | last=Bernasek | first=Lisa | title=Artistry of the everyday : beauty and craftsmanship in Berber art | publisher=Peabody Museum Press, Harvard University | publication-place=Cambridge Mass | year=2008 | isbn=978-0-87365-405-0 | oclc=182662537 | pages=60–111}}</ref> From June to September 2007, the [[Musée du Quai Branly – Jacques Chirac|Musée du quai Branly]] in Paris showed an exhibition on the history of traditional ceramics in Algeria, titled ''Ideqqi, art de femmes berbères'' (Art of Berber women), and published an accompanying catalogue. The exhibition highlighted the originality of these pieces compared to urban [[earthenware]], underlining their African roots as well as close relationship with the ancient art of the Mediterranean.<ref name="Vivier 2007 p.">{{cite book|author=Vivier|display-authors= etal|first=Marie-France|title=Ideqqi, art de femmes berbères|publisher=Musée du quai Branly|year=2007|isbn=978-2-915133-59-2|publication-place=Paris|page=|language=fr|oclc=147638431}}</ref><gallery class="center" mode="packed"> File:Berber szív.JPG|Berber [[henna]] decoration File:TapisKabyle2.jpg|Detail of a traditional Berber carpet File:Berber Calendars.jpg|Algerian [[Berber calendar]] File:Tifinagh Algeria.jpg|Ancient [[Tifinagh]] scripts in Algeria File:Bijoux traditionnels de Kabylie.JPG|Jewelry from [[Kabylia]] region, Algeria </gallery>
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