Editing Baroque (section)

==Further reading==
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* Andersen, Liselotte. 1969. ''Baroque and Rococo Art'', New York: H. N. Abrams. {{ISBN|978-0-8109-8027-3}}
* [[Gauvin Alexander Bailey|Bailey, Gauvin Alexander]]. 2012. ''Baroque & Rococo'', London: Phaidon Press. {{ISBN|978-0-7148-5742-8}}
* [[Germain Bazin|Bazin, Germain]], 1964. ''Baroque and Rococo''. Praeger World of Art Series. New York: Praeger. (Originally published in French, as ''Classique, baroque et rococo''. Paris: Larousse. English edition reprinted as ''Baroque and Rococo Art'', New York: Praeger, 1974)
* [[Christine Buci-Glucksmann|Buci-Glucksmann, Christine]]. 1994. ''Baroque Reason: The Aesthetics of Modernity''. Sage.
* Bailey, Gauvin; Lanthier, Lillian, [http://www.oxfordartonline.com/subscriber/article/grove/art/T006459 "Baroque"] (2003), [[Grove Art Online]], Oxford Art Online, Oxford University Press, Web. Retrieved 30 March 2021. {{subscription required}}
* Hills, Helen (ed.). 2011. ''Rethinking the Baroque''. Farnham, Surrey; Burlington, VT: Ashgate. {{ISBN|978-0-7546-6685-1}}.
*Hofer, Philip. 1951.''Baroque Book Illustration: A Short Survey.''Harvard University Press, Cambridge.
* Hortolà, Policarp, 2013, ''The Aesthetics of Haemotaphonomy: Stylistic Parallels between a Science and Literature and the Visual Arts''. [[Sant Vicent del Raspeig]]: ECU. {{ISBN|978-84-9948-991-9}}.
* [[Michael Kitson|Kitson, Michael]]. 1966. ''The Age of Baroque''. Landmarks of the World's Art. London: Hamlyn; New York: McGraw-Hill.
* [[Gregg Lambert|Lambert, Gregg]], 2004. ''Return of the Baroque in Modern Culture''. Continuum. {{ISBN|978-0-8264-6648-8}}.
* [[John Rupert Martin|Martin, John Rupert]]. 1977. ''Baroque''. Icon Editions. New York: Harper and Rowe. {{ISBN|0-06-435332-X}} (cloth); {{ISBN|0-06-430077-3}} (pbk.)
* {{cite book |last1=Palisca |first1=Claude V. |title=Baroque Music |edition=3rd |series=Prentice Hall History of Music |date=1991 |orig-date=1961 |publisher=Prentice Hall |location=Englewood Cliffs, N.J. |isbn=0-13-058496-7 |oclc=318382784}}
* {{cite book |last=Riegl |first=Alois |editor-last=Hopkins |editor-first=Andrew |title=The Origins of Baroque Art in Rome (Texts and Documents)|publisher=Getty Research Institute |date=2010|isbn=978-1-6060-6041-4}}
* {{cite book |author-link=Heinrich Wölfflin|last=Wölfflin|first=Heinrich|date=1964|title=Renaissance and Baroque|publisher=Collins |orig-date=Originally published in German, 1888|translator-last=Simon|translator-first=Kathrin|isbn=0-00-217349-2}} 
* [[Vuillemin, Jean-Claude]], 2013. ''Episteme baroque: le mot et la chose''. Hermann. {{ISBN|978-2-7056-8448-8}}.
* Wakefield, Steve. 2004. ''Carpentier's Baroque Fiction: Returning Medusa's Gaze''. Colección Támesis. Serie A, Monografías 208. Rochester, NY: Tamesis. {{ISBN|1-85566-107-1}}.
* Massimo Colella, ''Separatezza e conversazione. Sondaggi intertestuali attorno a Ciro di Pers'', in «Xenia. Trimestrale di Letteratura e Cultura» (Genova), IV, 1, 2019, pp.&nbsp;11–37.
* Massimo Colella, ''Il Barocco sabaudo tra mecenatismo e retorica. Maria Giovanna Battista di Savoia Nemours e l'Accademia Reale Letteraria di Torino'', con Prefazione di Maria Luisa Doglio, Fondazione 1563 per l'Arte e la Cultura della Compagnia di San Paolo, Torino ("Alti Studi sull'Età e la Cultura del Barocco", IV-1), 2019.
* Massimo Colella, ''Seicento satirico: "Il Viaggio" di Antonio Abati (con edizione critica in appendice)'', in «La parola del testo», XXVI, 1–2, 2022, pp.&nbsp;77–100.
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