Editing Pulp Fiction (section)

== Bibliography ==
{{refbegin|30em}}
* {{cite book|last=Bailey |first=Jason |year=2013 |title=Pulp Fiction: The Complete Story of Quentin Tarantino's Masterpiece |publisher=Voyageur Press |isbn=978-0-7603-4479-8}}
* {{cite book|last1=Barker |first1=Martin |last2=Austin |first2=Thomas |year=2000 |title=From Antz to Titanic: Reinventing Film Analysis |publisher=Pluto Press |isbn=0-7453-1579-8}}
* {{cite book|last=Bart |first=Peter |author-link=Peter Bart |year=2000 |title=The Gross: The Hits, the Flops—The Summer That Ate Hollywood |location=New York |publisher=St. Martin's |isbn=0-312-25391-5}}
* {{cite book|last=Bell |first=David |year=2000 |chapter=Eroticizing the Rural |title=De-Centering Sexualities: Politics and Representations Beyond the Metropolis |editor-first1=David |editor-last1=Shuttleton |editor-first2=Diane |editor-last2=Watt |editor-first3=Richard |editor-last3=Phillips |location=London and New York |publisher=Routledge |isbn=0-415-19466-0}}
* {{cite book|last=Biskind |first=Peter |author-link=Peter Biskind |year=2004 |title=Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film |location=New York |publisher=Simon & Schuster |url=https://archive.org/details/isbn_9780965931571 |isbn=0-684-86259-X}}
* {{cite book|last1=Brooker |first1=Peter |first2=Will |last2=Brooker |year=1996 |chapter=Pulpmodernism: Tarantino's Affirmative Action |title=Film Theory: Critical Concepts in Media and Cultural Studies |editor-first1=Philip |editor-last1=Simpson |editor-first2=Andrew |editor-last2=Utterson |editor-first3=Karen J. |editor-last3=Shepherdson |location=London and New York |publisher=Routledge |isbn=0-415-25971-1}}
* {{cite book|last=Charyn |first=Jerome |year=2006 |title=Raised by Wolves: The Turbulent Art and Times of Quentin Tarantino |location=New York |publisher=Thunder's Mouth Press |isbn=1-56025-858-6}}
* {{cite book|last=Christopher |first=Nicholas |year=2006 |title=Somewhere in the Night: Film Noir and the American City |location=Emeryville, Calif. |publisher=Shoemaker & Hoard |isbn=1-59376-097-3}}
* {{cite book|last=Conard |first=Mark T. |year=2006 |chapter=Symbolism, Meaning, and Nihilism in ''Pulp Fiction'' |title=The Philosophy of Film Noir |location=Lexington |publisher=University Press of Kentucky |isbn=0-8131-2377-1}}
* {{cite book|last=Constable |first=Catherine |year=2004 |chapter=Postmodernism and Film |title=The Cambridge Companion to Postmodernism |editor-first1=Steven |editor-last1=Connor |location=Cambridge |publisher=Cambridge University Press |isbn=0-521-64840-8}}
* {{cite book|last=Dancyger |first=Ken |year=2002 |title=The Technique of Film and Video Editing: History, Theory, and Practice |edition=3rd |location=New York |publisher=Focal Press |isbn=0-240-80420-1}}
* {{cite magazine|last=Dargis |first=Manohla |author-link=Manohla Dargis |title=Pulp Instincts |magazine=[[Sight and Sound]] |pages=6–11 |volume=4 |number=5 |date=1994a |url=https://archive.org/details/Sight_and_Sound_1994_05_BFI_GB/page/n7/mode/2up}} collected in {{cite book|title=Quentin Tarantino: Interviews |editor-first1=Gerald |editor-last1=Peary |location=Jackson |publisher=University Press of Mississippi |year=1998 |isbn=1-57806-051-6}}
* {{cite magazine|last=Dargis |first=Manohla |title=Quentin Tarantino on ''Pulp Fiction'' |magazine=Sight and Sound |volume=4 |number=11 |date=1994b}}
* {{cite journal|last1=Davis |first1=Todd F. |last2=Womack |first2=Kenneth |author-link2=Kenneth Womack |year=1998 |title=Shepherding the Weak: The Ethics of Redemption in Quentin Tarantino's ''Pulp Fiction'' |journal=Literature/Film Quarterly |volume=26 |number=1}}
* {{cite book|last=Dawson |first=Jeff |year=1995a |title=Quentin Tarantino: The Cinema of Cool |location=New York and London |publisher=Applause |isbn=1-55783-227-7}}
* {{cite book|last=Desser |first=David |year=2003 |chapter=Global Noir: Genre Film in the Age of Transnationalism |title=Film Genre Reader III |editor-first1=Barry Keith |editor-last1=Grant |location=Austin |publisher=University of Texas Press |isbn=0-292-70185-3}}
* {{Cite book|last=Dinshaw |first=Carolyn |year=1997 |chapter=Getting Medieval: ''Pulp Fiction'', Gawain, Foucault |title=The Book and the Body |editor-first1=Dolores Warwick |editor-last1=Frese |editor-first2=Katherine O'Brien |editor-last2=O'Keeffe |location=Notre Dame |publisher=University of Notre Dame Press |isbn=0-268-00700-4}}
* {{cite book|last=Ebert |first=Roger |author-link=Roger Ebert |year=1997 |title=Questions for the Movie Answer Man |location=Kansas City, Mo. |publisher=Andrews McMeel |isbn=0-8362-2894-4}}
* {{cite book|last=Fraiman |first=Susan |year=2003 |title=Cool Men and the Second Sex |location=New York |publisher=Columbia University Press |isbn=0-231-12962-9}}
* {{cite book|last=Fulwood |first=Neil |year=2003 |title=One Hundred Violent Films that Changed Cinema |location=London and New York |publisher=Batsford/Sterling |isbn=0-7134-8819-0}}
* {{cite book|last=Gallafent |first=Edward |year=2006 |title=Quentin Tarantino |location=London |publisher=Pearson Longman |isbn=0-582-47304-7}}
* {{cite book|last=Giroux |first=Henry A. |year=1996 |title=Fugitive Cultures: Race, Violence, and Youth |location=London and New York |publisher=Routledge |isbn=0-415-91577-5}}
* {{cite book|last=Gormley |first=Paul |year=2005 |title=The New-Brutality Film: Race and Affect in Contemporary Hollywood Cinema |location=Bristol, UK, and Portland, Ore. |publisher=Intellect |isbn=1-84150-119-0}}
* {{cite book|last=Groth |first=Gary |year=1997 |chapter=A Dream of Perfect Reception: The Movies of Quentin Tarantino |title=Commodify Your Dissent: Salvos from The Baffler |editor-first1=Thomas |editor-last1=Frank |editor-first2=Matt |editor-last2=Weiland |location=New York |publisher=W.W. Norton |isbn=0-393-31673-4}}
* {{cite book|last=Hirsch |first=Foster |contribution=Afterword |year=1997 |title=Crime Movies |edition=revised |editor-first1=Carlos |editor-last1=Clarens |location=Cambridge, Mass. |publisher=Da Capo |isbn=0-306-80768-8}}
* {{cite book|last=Hoffman |first=David |year=2005 |title=The Breakfast Cereal Gourmet |location=Kansas City, Mo. |publisher=Andrews McMeel |isbn=0-7407-5029-1}}
* {{cite book|last=King |first=Geoff |year=2002 |title=Film Comedy |location=London |publisher=Wallflower Press |isbn=1-903364-35-3}}
* {{cite book|last=Kolker |first=Robert |year=2000 |title=A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman |location=New York |publisher=Oxford University Press |isbn=0-19-512350-6}}
* {{cite book|last=Miklitsch |first=Robert |title=Roll Over Adorno: Critical Theory, Popular Culture, Audiovisual Media |year=2006 |publisher=SUNY Press |isbn=978-0791467343 |url=https://books.google.com/books?id=oCprHBiGYoMC&pg=PA15}}
* {{cite book|last=Miller |first=Stephen Paul |year=1999 |title=The Seventies Now: Culture As Surveillance |location=Durham, N.C |publisher=Duke University Press |isbn=0-8223-2166-1}}
* {{cite book|last=Mottram |first=James |year=2006 |title=The Sundance Kids: How the Mavericks Took Back Hollywood |location=New York |publisher=Macmillan |isbn=0-571-22267-6}}
* {{cite book|last=O'Brien |first=Geoffrey |year=1994 |chapter=Quentin Tarantino's Pulp Fantastic |title=Castaways of the Image Planet: Movies, Show Business, Public Spectacle |location=Washington, D.C. |publisher=Counterpoint |isbn=1-58243-190-6}}
* {{cite book|last=Parker |first=Philip |year=2002 |title=The Art and Science of Screenwriting |edition=2nd |location=Bristol, UK |publisher=Intellect |isbn=1-84150-065-8}}
* {{cite book|last=Polan |first=Dana |year=2000 |title=Pulp Fiction |location=London |publisher=BFI |isbn=0-85170-808-0}}
* {{cite book|last=Rabinowitz |first=Paula |year=2002 |title=Black & White & Noir: America's Pulp Modernism |location=New York |publisher=Columbia University Press |isbn=0-231-11480-X}}
* {{cite book|last=Real |first=Michael R. |year=1996 |title=Exploring Media Culture: A Guide |location=Thousand Oaks, Calif., London, and New Delhi |publisher=Sage |isbn=0-8039-5877-3}}
* {{cite book|last=Reinhartz |first=Adele |year=2003 |title=Scripture on the Silver Screen |location=Louisville |publisher=Westminster John Knox Press |isbn=0-664-22359-1}}
* {{cite book|last=Rubin |first=Martin |year=1999 |title=Thrillers |location=Cambridge, New York, and Melbourne |publisher=Cambridge University Press |isbn=0-521-58839-1}}
* {{cite book|last1=Silver |first1=Alain |first2=James |last2=Ursini |year=2004 |title=Film Noir |location=Cologne |publisher=Taschen |isbn=3-8228-2261-2}}
* {{cite book|last=Tarantino |first=Quentin |author-link=Quentin Tarantino |year=1994 |title=Pulp Fiction: A Screenplay |location=New York |publisher=Hyperion/Miramax |isbn=0-7868-8104-6}}
* {{cite book|last=Thomas |first=Brian |year=2003 |title=VideoHound's Dragon: Asian Action & Cult Flicks |location=Canton, Mich. |publisher=Visible Ink Press |isbn=1-57859-141-4}}
* {{cite book|last=Tincknell |first=Estella |year=2006 |chapter=The Soundtrack Movie, Nostalgia and Consumption |title=Film's Musical Moments |editor-first1=Ian |editor-last1=Conrich |editor-first2=Estella |editor-last2=Tincknell |location=Edinburgh |publisher=Edinburgh University Press |isbn=0-7486-2344-2}}
* {{cite book|last=Walker |first=David |year=2005 |chapter=Tarantino, Quentin |title=The Routledge Companion to Postmodernism' |edition=2nd |editor-first=Stuart |editor-last=Sim |location=London and New York |publisher=Routledge |isbn=0-415-33358-X}}
* {{cite book|last=Waxman |first=Sharon |author-link=Sharon Waxman |year=2005 |title=Rebels on the Backlot: Six Maverick Directors and How They Conquered the Hollywood Studio System |location=New York |publisher=HarperCollins |url=https://archive.org/details/rebelsonbacklots00waxm |isbn=0-06-054017-6}}
* {{cite book|last=White |first=Glyn |year=2002 |chapter=Quentin Tarantino |title=Fifty Contemporary Filmmakers |editor-first1=Yvonne |editor-last1=Tasker |location=London and New York |publisher=Routledge |isbn=0-415-18973-X}}
* {{cite book|last=Willis |first=Sharon |year=1997 |title=High Contrast: Race and Gender in Contemporary Hollywood Film |location=Durham, N.C. |publisher=Duke University Press |isbn=0-8223-2041-X}}

{{refend}}