Editing Karlheinz Stockhausen (section)

===Further reading===
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* Adamenko, Victoria. 2007. ''Neo-mythologism in Music: From Scriabin and Schoenberg to Schnittke and Crumb''. Interplay Series 5. Hillsdale, New York: Pendragon Press. {{ISBN|978-1-57647-125-8}}.
* Anon. 2008. "Karlheinz Stockhausen—a Romantic Discovering the Universe" [radio transcript]. In ''Talking to Kinky and Karlheinz—170 musicians get vocal on The Music Show'', edited by Anni Heino, 283–291. Sydney: ABC Books. {{ISBN|978-0-7333-2008-8}}.
* Assis, Gustavo Oliveira Alfaix. 2011. ''Em busca do som: A música de Karlheinz Stockhausen nos anos 1950''. São Paulo: Editora UNESP. {{ISBN|978-85-393-0207-9}}.
* [[Richard Barrett (composer)|Barrett, Richard]]. 2012. "[http://richardbarrettmusic.com/Stockhausen2012.html Stockhausen Today and Tomorrow]". Revised version of a paper presented at the Festival of Light, University of Birmingham/Birmingham Conservatoire/mac Birmingham (20 August). Richardbarrettmusic.com (Accessed 11 September 2012).
* Bauer, Christian. 2008. ''Sacrificium intellectus: Das Opfer des Verstandes in der Kunst von Karlheinz Stockhausen, [[Botho Strauß]] und [[Anselm Kiefer]]''. Munich: Wilhelm Fink Verlag. {{ISBN|978-3-7705-4596-4}}.
* [[Mary Bauermeister|Bauermeister, Mary]]. 2011. ''Ich hänge im Triolengitter: Mein Leben mit Karlheinz Stockhausen''. Munich: Edition [[Elke Heidenreich]] bei C. Bertelsmann. {{ISBN|978-3-570-58024-0}}.
* Beaucage, Réjean. 2005. "[http://www.scena.org/lsm/sm11-3/Stockhausen_fr.htm Contact avec] / [http://www.scena.org/lsm/sm11-3/Stockhausen_en.htm Contact with Stockhausen]", English translation by [[Jane Brierley]]. [http://www.scena.org/pdf-files/SM11-3.pdf ''La Scena Musicale'' 11, no. 3] (November): 18–25.
* Beer, Roland de. 2008. "Magistraal klinkend in memoriam". ''[[De Volkskrant]]'' (21 June).
*Betsill, Daniel Joseph. 2007. [http://betsillworkshop.com/door.htm The Construction of Stockhausen's Heaven's Door].
* [[Christoph von Blumröder|Blumröder, Christoph von]]. 1993. ''Die Grundlegung der Musik Karlheinz Stockhausens''. Supplement to the ''[[Archiv für Musikwissenschaft]]'' 32, ed. [[Hans Heinrich Eggebrecht]]. Stuttgart: Franz Steiner Verlag.
*Blumröder, Christoph von. 2017. ''Die elektroakustische Musik: Eine kompositorische Revolution und ihre Folgen''. Signale aus Köln: Beiträge zur Musik der Zeit 22. Vienna; Verlag Der Apfel. {{isbn|978-3-85450-422-1}}.
*Bos, Christian. 2007. "[http://www.ksta.de/-synthesizer-sind-etwas-sinnliches--13154700 Synthesizer sind etwas Sinnliches]", ''[[Kölner Stadt-Anzeiger]]'' (28 November; accessed 5 April 2017).
* Bridoux-Michel, Séverine. 2006. "Architecture et musique: croisements de pensées après 1950 (la collaboration de l'architecte et du musicien, de la conception à l'oeuvre)". PhD diss., l'Université Charles de Gaulle–Lille.
* Brümmer, Ludger. 2008. "Stockhausen on Electronics, 2004". ''[[Computer Music Journal]]'' 32, no. 4:10–16.
* [[Cornelius Cardew|Cardew, Cornelius]]. 1974. ''Stockhausen Serves Imperialism''. London: Latimer New Directions. Reprinted in ''Cornelius Cardew (1936–1981) – A Reader'', edited by E Prévost. Harlow: Copula, 2006.
* Chaplygina, Marina. 1993. Карлхайнц Штокхаузен: когда-нибудь речь станет пением ["Karlheinz Stockhausen: Some Day Speech Will Become Singing" (interview)]. ''Музыкальная жизнь'' [Musical Life], nos. 15–16:24–26.
* Côté, Michel F. 2009. "Considérations en provenance de Sirius". ''Circuit: Musiques Contemporaines'' 19, no. 2:57–62.
*Covell, Grant Chu. 2000. "[http://www.lafolia.com/archive/covell/covell200011stockhausen.html Stockhausen Is Invisible] {{Webarchive|url=https://web.archive.org/web/20120219062652/http://www.lafolia.com/archive/covell/covell200011stockhausen.html |date=19 February 2012 }}". ''La Folia'' 3/1 (November).
*Covell, Grant Chu. 2007. "[http://www.lafolia.com/archive/covell/covell200704grubbygruppen.html Ferneyhough & Stockhausen: Grubby and Gruppen] {{Webarchive|url=https://web.archive.org/web/20120219062657/http://www.lafolia.com/archive/covell/covell200704grubbygruppen.html |date=19 February 2012 }}". ''La Folia'' (April).
* Custodis, Michael. 2004. ''Die soziale Isolation der neuen Musik: Zum Kölner Musikleben nach 1945''. Supplement to the ''Archiv für Musikwissenschaft'' 54, edited by [[Albrecht Riethmüller]], with Reinhold Brinkmann, [[Ludwig Finscher]], [[Hans-Joachim Hinrichsen]], [[Wolfgang Osthoff]], and [[Wolfram Steinbeck]]. Stuttgart: Franz Steiner Verlag. {{ISBN|978-3-515-08375-1}}.
* [[Paul Dirmeikis|Dirmeikis, Paul]]. 1999. ''Le Souffle du temps: Quodlibet pour Karlheinz Stockhausen''. [La Seyne-sur-Mer]: Éditions Telo Martius. {{ISBN|978-2-905023-37-7}}
*Dousson, Lambert. 2020. ''« La plus grande œuvre d'art pour le cosmos tout entier ». Stockhausen et le 11 septembre (Essai sur la musique et la violence)'', Paris, éditions MF, coll. « Répercussions », 2020, 240 p.
*Essl, Karlheinz. 1989. "[http://www.essl.at/bibliogr/stockhausen.html Aspekte des Seriellen bei Karlheinz Stockhausen]". First appeared in Lothar Knessl (Ed.) ''WIEN MODERN '89'': 90–97. Vienna.
* Feß, Eike. 2004. "Die Wirkung der Informationstheorie auf das Werk Karlheinz Stockhausens". In ''Kompositorische Stationen des 20. Jahrhunderts. Debussy, Webern, Messiaen, Boulez, Cage, Ligeti, Stockhausen, Höller, Bayle''. Signale aus Köln. Beiträge zur Musik der Zeit 7, edited by [[Christoph von Blumröder]], 116–128. Münster: Lit-Verlag, 2004. {{ISBN|978-3-8258-7212-0}}.
*Föllmer, Golo. [n.d.] "[http://www.medienkunstnetz.de/works/stockhausen-im-kugelauditorium Karlheinz Stockhausen: "Spherical Concert Hall"]" (Osaka World Expo, 1970). Medien Kunst Net / Media Art Net.
*Fox, Edward. 1993. "[https://www.newspapers.com/clip/51729440/stockhausen-licht/ Licht Fantastic]". ''[[The Age]]'', Melbourne (9 October): 173. via [[Newspapers.com]]
* Frisius, Rudolf. 1996. ''Karlheinz Stockhausen I: Einführung in das Gesamtwerk; Gespräche mit Karlheinz Stockhausen''. Mainz: Schott Musik International. {{ISBN|978-3-7957-0248-9}}.
* Frisius, Rudolf. 2008. ''Karlheinz Stockhausen II: Die Werke 1950–1977; Gespräch mit Karlheinz Stockhausen, "Es geht aufwärts"''. Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto: Schott Musik International. {{ISBN|978-3-7957-0249-6}}.
* Frisius, Rudolf. 2013. ''Karlheinz Stockhausen III: Die Werkzyklen 1977–2007''. Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto: Schott Music. {{ISBN|978-3-7957-0772-9}}.
* [[Johannes Fritsch|Fritsch, Johannes]], with [[Richard Toop]]. 2008. "Versuch, eine Grenze zu überschreiten ... Johannes Fritsch im Gespräch über die Aufführungspraxis von Werken Karlheinz Stockhausens". ''MusikTexte: Zeitschrift für neue Musik'', no. 116 (February): 31–40.
*[[Simon Hattenstone|Hattenstone, Simon]]. 2001. "[https://www.newspapers.com/clip/51728972/stockhausen-review/ Listen without Prejudice]". ''[[The Guardian]]'', London (6 October): 62. via [[Newspapers.com]]
* Gather, John Philipp. 2003. "The Origins of Synthetic Timbre Serialism and the Parisian Confluence, 1949–52". PhD diss. Buffalo: State University of New York, Buffalo.
* [[Bob Gilmore|Gilmore, Bob]]. 2009. "Claude Vivier and Karlheinz Stockhausen: Moments from a Double Portrait". ''Circuit: musiques contemporaines'' 19, no. 2:35–49.
* Grant, M[orag] J[osephine], and Imke Misch (eds.). 2016. ''The Musical Legacy of Karlheinz Stockhausen: Looking Back and Forward''. Hofheim: Wolke Verlag. {{ISBN|978-3-95593-068-4}}.
* Grohmann, Katerina. 2010. ''Karlheinz Stockhausen: Oper MITTWOCH aus LICHT''. Kölner Beiträge zur Musikwissenschaft 12, edited by [[Christoph von Blumröder]], [[Wolfram Steinbeck]]. Kassel: Bosse Verlag. {{ISBN|978-3-7649-2712-7}}.
* Gutkin, David. 2012. "[https://www.academia.edu/1934849/Drastic_or_Plastic_Threads_from_Karlheinz_Stockhausens_Musik_und_Graphik_1959 Drastic or Plastic? Threads from Karlheinz Stockhausen's 'Musik und Graphik', 1959]". ''[[Perspectives of New Music]]'' 50, nos. 1 & 2 (Winter–Summer): 255–305. {{subscription required}}
* Habib, André. 15 January 2002. "[https://web.archive.org/web/20110518061930/http://archive.sensesofcinema.com/contents/01/19/quay.html Through a Glass Darkly: Interview with the Quay Brothers]". ''Senses of Cinema'' (February) (archive from 18 May 2011; accessed 18 March 2016). French translation previously published in the Montreal-based online journal ''Hors Champ''.
* Hänggi, Christian. 2011. [http://fillip.ca/content/stockhausen-at-ground-zero Stockhausen at Ground Zero.] ''[[Fillip]]''. {{ISBN|978-0-9868326-5-9}}.
* Hartwell, Robin. 2012. "Threats and Promises: Lucifer, Hell, and Stockhausen's ''Sunday from Light''". ''[[Perspectives of New Music]]'' 50, nos. 1 & 2 (Winter–Summer): 393–424.
* Heikinheimo, Seppo. 1972. ''The Electronic Music of Karlheinz Stockhausen: Studies on the Esthetical and Formal Problems of Its First Phase'', translated by Brad Absetz. Acta Musicologica Fennica 6 ({{ISSN|0587-2448}}). Helsinki: Suomen Musiikkitieteellinen Seura / Musikvetenskapliga Sällskapet i Finland. (Doctoral thesis, Helsinki University.)
* Henkel, Georg. 2012. ''Kosmisches Lachen: Synthi-Fou und der närrische Humor in Karlheinz Stockhausens Opernzyklus Licht''. Hamburg: Tredition GmbH. {{ISBN|978-3-8491-1646-0}}.
* [[Jonathan Harvey (composer)|Harvey, Jonathan]]. 1975a. ''The Music of Stockhausen: An Introduction''. Berkeley and Los Angeles: University of California Press. {{ISBN|978-0-520-02311-6}}.
* [[Peter Heyworth|Heyworth, Peter]]. 1971. "[https://www.newspapers.com/clip/51729652/stockhausen-composer-prophet/ Composer-Prophet]". ''[[The Observer]]'', London (25 April): 9. via [[Newspapers.com]]
* Heyworth, Peter. 1985. "[https://www.newspapers.com/clip/51728397/stockhausen-profile/ Alchemist of the avant-garde]" and "[https://www.newspapers.com/clip/51728600/stockhausen-donnerstag/ Thursday's child goes far]". ''[[The Observer]]'', London (22 September): 9, 23. via [[Newspapers.com]]
* Holbein, Ulrich. 2008. "Karlheinz Stockhausen: Elektroniker, Neutöner, Klang-Avantgardist, Lichtgestalt, Mythenverdünner". In his ''Narratorium: 255 Lebensbilder'', 916–920. Zürich: Ammann Verlag. {{ISBN|978-3-250-10523-7}}.
* Hollings, Ken. May 1999. "[https://web.archive.org/web/20081120093416/http://www.thewire.co.uk/articles/140/ Lost in the Stars]: Karlheinz Stockhausen in Conversation with Ken Hollings, Kürten, Germany, 12 March 1999". ''[[The Wire (magazine)|The Wire]]'', no. 184.
* Hopp, Winrich. 1998. ''Kurzwellen von Karlheinz Stockhausen: Konzeption und musikalische Poiesis''. Kölner Schriften zur neuen Musik 6. With CD recording. Mainz and New York: Schott. {{ISBN|978-3-7957-1895-4}}.
* Howland, Patricia L. 2010. "Formal Processes in Post-Tonal Music: A Study of Selected Works by Babbitt, Stockhausen, and Carter". PhD diss. New York: City University of New York.
*[[Harold C. Schonberg|Schonberg, Harlold C.]] 1971. "[https://www.newspapers.com/clip/51730087/stockhausen-schonberg/ Stockhausen Does the Twist]". ''[[The Baltimore Sun]]'' (7 March): 96. via [[Newspapers.com]]
* Ingram, James, and Paul Roberts. 2008. "Über das Unsichtbarsein: Ein E-mail Interview mit James Ingram zu seiner Tätigkeit als Stockhausens Notenkopist", translated by Gisela Gronemeyer. ''MusikTexte'', no. 117 (May): 43–52. Expanded English text, as "[http://james-ingram-act-two.de/stockhausen/OnBeingInvisible/onBeingInvisible.html On Being Invisible]" (April 2009). James Ingram: Act Two website. Accessed 27 July 2010.
* Jones, Stephen. 2004. "[[Philippa Cullen]]: Dancing the Music". ''[[Leonardo Music Journal]]'' 14 (Composers Inside Electronics: Music After David Tudor): 64–73.
* {{ill|Hans-Klaus Jungheinrich|de|lt=Jungheinrich, Hans-Klaus}}. 2005. "Eötvös und Stockhausen". In ''Identitäten: Der Komponist und Dirigent Peter Eötvös: Symposion, 19. September 2004, Alte Oper Frankfurt am Main'', edited by Hans-Klaus Jungheinrich, 48–56. Edition [[Neue Zeitschrift für Musik]]. Mainz: Schott Musik International. {{ISBN|978-3-7957-0534-3}}.
* [[John Kelsall|Kelsall, John]]. 1975. "[http://theses.gla.ac.uk/1306/ Compositional Techniques in the Music of Stockhausen (1951–1970)]". PhD diss. Glasgow: University of Glasgow.
* [[Helmut Kirchmeyer|Kirchmeyer, Helmut]]. 2009. "Stockhausens Elektronische Messe nebst einem Vorspann unveröffentlichter Briefe aus seiner Pariser Zeit an Herbert Eimert". ''[[Archiv für Musikwissenschaft]]'' 66, no. 3:234–359.
* [[Jerome Kohl|Kohl, Jerome]]. 2008. Programme notes in the programme booklet for the Klang Festival, (1–9 November), Southbank Centre, London: 12–13, 16–17, 20–21, 24–25.
* Kohl, Jerome. 2009a. "''Klang''/''Som'': Die 24 Stunden des Tages/As 24 horas do dia". ''Temporada Gulbenkian de Música 2009–2010'' (October): 13–14.
* Kohl, Jerome. 2009b. "''Hoffnung''/''Esperança'', para violino, viola e violoncelo (2007): 9ª hora de ''Klang'', as 24 horas do dia". ''Temporada Gulbenkian de Música 2009–2010'' (October): 18.
* Kohl, Jerome. 2009c. "''Schönheit''/''Beleza'', para clarinete baixo, flauta e trompete (2006): 6ª hora de ''Klang'', as 24 horas do dia". ''Temporada Gulbenkian de Música 2009–2010'' (October): 22.
* Kohl, Jerome. 2010. "A Child of the Radio Age". In ''Cut & Splice: Transmission'', edited by Daniela Cascella and Lucia Farinati, 135–139. London: Sound and Music. {{ISBN|978-1-907378-03-4}}.
* Kohl, Jerome. 2012a. "A Gedenkschrift for Karlheinz Stockhausen: Guest Editor's Introduction". ''[[Perspectives of New Music]]'' 50, nos. 1 & 2 (Winter–Summer): 306–312.
* Kohl, Jerome. 2012b. "Harmonies and the Path from Beauty to Awakening: Hours 5 to 12 of Stockhausen's ''Klang''". ''[[Perspectives of New Music]]'' 50, nos. 1 & 2 (Winter–Summer): 476–523.
* Krause, Peter. 2008. "Elektro-Esoterik: Uraufführung von Stockhausen-Klang". ''[[Die Welt]]'' (8 August).
* [[Robin Maconie|Maconie, Robin]]. 2016. ''Other Planets: The Complete Works of Karlheinz Stockhausen 1950–2007'', updated edition. Lanham, Maryland, and London: Rowman & Littlefield. {{ISBN|978-1-4422-7267-5}}.
* Mießgang, Thomas, and Robert Baumanns. 1997. "[http://www.zeit.de/1997/17/Schlagsahne_Irrengesang_Kirmesgeister Schlagsahne, Irrengesang, Kirmesgeister: Karlheinz Stockhausen testet Krautrock]". ''[[Die Zeit]]'', 1997, no. 17 (18 April).
* Miller, Paul. 2009. "Stockhausen and the Serial Shaping of Space". PhD diss. Rochester: Eastman School of Music.
* Miller, Paul. 2012. "An Adventure into Outer Space: Stockhausen's ''Lichter—Wasser'' and the Analysis of Spatialized Music". ''[[Perspectives of New Music]]'' 50, nos. 1 & 2 (Winter–Summer): 342–392.
* Misch, Imke, and Markus Bandur (eds.). 2001. ''Karlheinz Stockhausen bei den Internationalen Ferienkursen für Neue Musik in Darmstadt 1951–1996: Dokumente und Briefe''. Kürten: Stockhausen-Verlag. {{ISBN|978-3-00-007290-1}}.
* Mischke, Joachim. 8 August 2008. "SHMF: Neue Musik, visionär, von heute und wie von gestern". ''[[Hamburger Abendblatt]]''.
* Morreau, Annette. 6 March 2001. "Where Herzog Met Portishead: Only Connect, Barbican, London". ''[[The Independent]]''.
* Mowitz, Michael. 2010. ''Die Form der Klänge. Stockhausens ›Konzeption einer einheitlichen musikalischen Zeit‹ am Beispiel der Komposition "Kontakte"''. Osnabrück: [http://www.epos.uni-osnabrueck.de/ epOs-Music]. {{ISBN|978-3-940255-08-2}}.
* Normandeau, Robert. 2009. "Influence de Stockhausen chez les compositeurs électroacoustiques québécois: Sondage courriel et entrevues". ''Circuit: Musiques Contemporaines'' 19, no. 2:51–55.
* Parsons, Ian Lawrence. 2019. "The Phenomenology of ''Light'': an Interpretation of Stockhausen's Opera Cycle Drawing on Heidegger's Fourfold and Lacanian Psychoanalysis". PhD diss. Melbourne: Monash University.
* Rea, John. 2009. "[http://id.erudit.org/iderudit/037453ar On Stockhausen's ''Kontakte'' (1959–60) for Tape, Piano and Percussion: A Lecture/Analysis by John Rea Given at the University of Toronto, March 1968]". ''Circuit: Musiques Contemporaines'' 19, no. 2:77–86.
* Rigoni, Michel. 1998. ''Stockhausen: ... un vaisseau lancé vers le ciel'', second edition, revised, corrected, and enlarged. Lillebonne: Millénaire III Editions. {{ISBN|978-2-911906-02-2}}.
* Rigoni, Michel. 2001. ''Le rêve de Lucifer de Karlheinz Stockhausen''. La trace des silences. [Paris]: M. de Maule. {{ISBN|978-2-87623-103-0}}.
* [[Curtis Roads|Roads, Curtis]]. 2001. ''Microsound''. Cambridge: MIT Press. {{ISBN|978-0-262-18215-7}}.
* Romney, Jonathan. 3 March 2001. "[https://www.theguardian.com/culture/2001/mar/03/artsfeatures The Barbican's Musical Jellyfish: Sound on Film Live]". ''[[The Guardian]]''.
* Rudi, Jøran (editor), [[Asbjørn Blokkum Flø]], and Asbjørn Schaathun. 2008. ''Karlheinz Stockhausen – A Pioneer in Utopia''. Oslo: Notam. {{ISBN|978-82-996867-2-3}}.
* Sandner, Wolfgang, and [[Péter Eötvös]]. 2005. "Klangbildeaufnahmen wie von einem Fotografen". In ''Identitäten: Der Komponist und Dirigent Péter Eötvös: Symposion, 19. September 2004, Alte Oper Frankfurt am Main'', edited by Hans-Klaus Jungheinrich, 59–67. Edition [[Neue Zeitschrift für Musik]]. Mainz: Schott Musik International. {{ISBN|978-3-7957-0534-3}}.
* Shimizu, Minoru. 1999. "Stockhausen und Japan, Licht und Schatten". In ''Internationales Stockhausen-Symposion 1998: Musikwissenschaftliches Institut der Universität zu Köln, 11. bis 14. November 1998. Tagungsbericht'', edited by Imke Misch and [[Christoph von Blumröder]], 87–94. Signale aus Köln: Beiträge zur Musik der Zeit 4. Saarbrücken: PFAU-Verlag. {{ISBN|978-3-89727-050-3}}.
* Sigel, Paul. 2000. "Der deutsche Beitrag auf der Expo70 in Osaka." ''Arch plus'' no. 149–150 (April): 116–133. Reprinted online [http://www.cloud-cuckoo.net/openarchive/wolke/deu/Themen/001/Sigel/sigel.htm ''Thema'' 5, no. 1 (July 2000)].
* Smalley, John. 2000."[http://sites.music.columbia.edu/masterpieces/notes/stockhausen/GesangHistoryandAnalysis.pdf ''Gesang der Jünglinge'': History and Analysis]". Programme note for concert series, Masterpieces of 20th-Century Electronic Music: A Multimedia Perspective. The Columbia University Computer Music Center, presented by Lincoln Center (July) .
* Stenzl, Jürg. 1991. "York Höller's 'The Master and Margarita': A German Opera." Translated by Sue Rose. ''[[Tempo (journal)|Tempo]]'' New Series, no. 179 (December): 8–15.
* [[Suzanne Stephens|Stephens, Suzanne]], and [[Kathinka Pasveer]] (eds.). 2008. ''Gedenkschrift für Stockhausen''. Kürten: Stockhausen-Stiftung für Musik. {{ISBN|978-3-00-023528-3}}.
* Stockhausen, Karlheinz. 1998. "Bildung ist große Arbeit: Karlheinz Stockhausen im Gespräch mit Studierenden des Musikwissenschaftlichen Instituts der Universität zu Köln am 5. Februar 1997." In ''Stockhausen 70: Das Programmbuch Köln 1998''. Signale aus Köln: Musik der Zeit 1, edited by Imke Misch and [[Christoph von Blumröder]], 1–36. Saarbrücken: Pfau-Verlag.
* Stockhausen, Karlheinz. 2007b. "Harmonien/Harmonies for Bass Clarinet (2006)". In ''2007 Stockhausen-Kurse Kürten: Programm zu den Interpretations- und Kompositionskursen und Konzerten der Musik von / Programme for the Interpretation and Composition Courses and Concerts of the Music of Karlheinz Stockhausen, 7. Juli bis 15. Juli 2007 in Kürten / from {{sic|July| 7|hide=y}}<!-- hide from bots -->th<!--NB: This date format is how it is printed on the title page of the book, never mind what Wikipedia date formats are. Please do not change.--> to 15th<!--NB: This date format is how it is printed on the title page of the book, never mind what Wikipedia date formats are. Please do not change.--> 2007 in Kuerten'', notes for the German première on 11 July 2007, pp.&nbsp;33–34. Kürten: Stockhausen-Verlag.
* Stockhausen, Karlheinz. 2007c. "Harmonien/Harmonies for Flute (2006): 5th Hour of Klang / Sound, The 24 Hours of the Day". In ''2007 Stockhausen-Kurse Kürten: Programm zu den Interpretations- und Kompositionskursen und Konzerten der Musik von / Programme for the Interpretation and Composition Courses and Concerts of the Music of Karlheinz Stockhausen, 7. Juli bis 15. Juli 2007 in Kürten / from {{sic|July| 7th|hide=y}}<!--NB: This date format is how it is printed on the title page of the book, never mind what Wikipedia date formats are. Please do not change.--> to 15th<!--NB: This date format is how it is printed on the title page of the book, never mind what Wikipedia date formats are. Please do not change.--> 2007 in Kuerten'', notes for the German première on 13 July 2007, p.&nbsp;36. Kürten: Stockhausen-Verlag.
* Stockhausen, Karlheinz. 2012. ''Jahreskreis—Circle of the Year: Immerwährender Kalendar mit Stockhausen-Zitaten und -Abbildungen'' / ''Perpetual Calendar with Stockhausen Quotes and Illustrations'', edited by [[Kathinka Pasveer]], translations by [[Suzanne Stephens]], Jayne Obst, Tim Nevill, [[Jerome Kohl]], Thomas von Steinaecker, and Imke Misch. Kürten: Stockhausen-Verlag. {{ISBN|978-3-00-037545-3}}.
* Stockhausen, Karlheinz, and Maryvonne Kendergi. 2009. "[http://id.erudit.org/iderudit/037452ar La mesure du temps: un entretien inédit avec Stockhausen (1958)]". ''Circuit: Musiques Contemporaines'' 19, no. 2:63–76.
* Stockhausen-Stiftung. 2008. ''[http://www.stockhausen.org/2008_performances_update.pdf Stockhausen Aufführungen/Performances 2008]''. Kürten: Stockhausen-Stiftung.
* Straus, Joseph N. 1997. "Babbitt and Stravinsky under the Serial 'Regime'" ''[[Perspectives of New Music]]'' 35, no. 2 (Summer): 17–32.
* Straus, Joseph N. 2001. ''Stravinsky's Late Music''. Cambridge Studies in Music Theory and Analysis 16. New York: Cambridge University Press 33–35. {{ISBN|978-0-521-80220-8}}.
* [[Stravinsky, Igor]], and [[Robert Craft]]. 1960. ''Memories and Commentaries''. Berkeley and Los Angeles: University of California Press.
* Telford, James. 2011. "Reconciling Opposing Forces: The Young James Macmillan—A Performance History". ''[[Tempo (journal)|Tempo]]'' 65, no. 257 (July): 40–51.
* [[Anthony Tommasini|Tommasini, Anthony]]. 30 September 2001. "[https://query.nytimes.com/gst/fullpage.html?res=9B05E2D8123AF933A0575AC0A9679C8B63 The Devil Made Him Do It]". ''[[The New York Times]]''.
* [[John Tilbury|Tilbury, John]]. 2008. ''Cornelius Cardew (1936–1981) – A Life Unfinished''. Harlow: Copula.
* [[Toop, Richard]]. 2008. "Kulturelle Dissidenten: Die Stockhausen-Klasse der Jahre 1973 und 1974". ''MusikTexte: Zeitschrift für neue Musik'', no. 116 (February): 46–49.
* Toop, Richard. 2012. "''Himmels-Tür'': Crossing to the Other Side". ''[[Perspectives of New Music]]'' 50, nos. 1 & 2 (Winter–Summer): 425–475.
* Truelove, Stephen. 1984. "Karlheinz Stockhausen's ''Klavierstück XI'': An Analysis of Its Composition via a Matrix System of Serial Polyphony and the Translation of Rhythm into Pitch." DMA diss. Norman: University of Oklahoma.
* Truelove, Stephen. 1998. "The Translation of Rhythm into Pitch in Stockhausen's ''Klavierstück XI''." ''[[Perspectives of New Music]]'' 36, no. 1 (Winter): 189–220.
* Ulrich, Thomas. 2006. ''Neue Musik aus religiösem Geist: theologisches Denken im Werk von Karlheinz Stockhausen und John Cage''. Saarbrücken: Pfau. {{ISBN|978-3-89727-328-3}}.
* Ulrich, Thomas. 2012a. "Lucifer and Morality in Stockhausen's Opera Cycle ''Licht''", translated by [[Jerome Kohl]]. ''[[Perspectives of New Music]]'' 50, nos. 1 & 2 (Winter–Summer): 313–341.
* Ulrich, Thomas. 2012b. ''Stockhausen: A Theological Interpretation'', translated by Jayne Obst. Kürten: Stockhausen-Stiftung für Musik. {{ISBN|978-3-9815317-0-1}}.
* Ulrich, Thomas. 2017. ''Stockhausens Zyklus LICHT: Ein Opernführer''. Cologne, Weimar, and Vienna: Böhlau Verlag. {{ISBN|978-3-412-50577-6}}.
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* [[Gregg Wager|Wager, Gregg]]. 1998. ''Symbolism as a Compositional Method in the Works of Karlheinz Stockhausen''. College Park, Maryland: Gtrgg Wager. English translation of "Symbolik als kompositorische Methode in den Werken von Karlheinz Stockhausen". PhD diss. Berlin: Free University Berlin, 1996.
* Wolfson, Richard. 5 March 2001. "[https://www.telegraph.co.uk/culture/4722023/Hit-and-mismatch.html Hit and mismatch]" ''[[The Daily Telegraph|The Telegraph]]'', London.
* Welsh, Tom. 2019. "Ballad for a Child: The Discovery of an Unknown Song by Karlheinz Stockhausen Provides a Humanising Footnote to His Barnstorming 1958 Lecture Tour of the US". ''[[The Wire (magazine)|The Wire]]'', no. 425 (July): 20–21.
* Woodward, Roger (2014). "Karlheinz Stockhausen". ''Beyond Black and White''. HarperCollins. pp.&nbsp;419–437. {{ISBN|9780733323034}}
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