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=== Rise of dance music === {{Main|Electronic dance music}} Synth-pop continued into the late 1980s, with a format that moved closer to dance music, including the work of acts such as British duos [[Pet Shop Boys]], [[Erasure (duo)|Erasure]] and [[The Communards]], achieving success along much of the 1990s. The trend has continued to the present day with modern nightclubs worldwide regularly playing electronic dance music (EDM). Today, electronic dance music has radio stations,<ref>{{cite web|url=http://www.siriusxm.com/electricarea|title=Electric Area|work=SiriusXM|date=21 September 2023 }}</ref> websites,<ref>{{cite web|url=http://www.dancingastronaut.com/|title=Dancing Astronaut β EDM, trap, techno, deep house, dubstep|work=Dancing Astronaut}}</ref> and publications like ''[[Mixmag]]'' dedicated solely to the genre. Despite the industry's attempt to create a specific EDM brand, the initialism remains in use as an umbrella term for multiple genres, including [[dance-pop]], [[House music|house]], [[techno]], [[Electro (music)|electro]], and [[Trance music|trance]], as well as their respective subgenres.<ref name="genres">{{cite journal|date=2001|title=Genres, Subgenres, Sub-Subgenres and More: Musical and Social Difference Within Electronic/Dance Music Communities|url=http://ir.uiowa.edu/cgi/viewcontent.cgi?article=1001&context=commstud_pubs|format=PDF|journal=Journal of Popular Music Studies|volume=13|pages=59β75|doi=10.1111/j.1533-1598.2001.tb00013.x|author=Kembrew McLeod}}</ref><ref name="burgess115">[[Richard James Burgess]] (2014), ''The History of Music Production'', [https://books.google.com/books?id=qMKiAwAAQBAJ&pg=PA115 page 115], [[Oxford University Press]]</ref><ref name="armada">[https://www.armadamusic.com/edm-electronic-dance-music EDM β Electronic Dance Music], [[Armada Music]]</ref> Moreover, the genre has found commercial and cultural significance in the United States and North America, thanks to the wildly popular [[big room house]]/EDM sound that has been incorporated into the U.S. pop music<ref>[http://www.huffingtonpost.com/2011/08/11/house-music-pop-music_n_922912.html "House Music: How It Sneaked Its Way Into Mainstream Pop"] by Kia Makarechi, ''[[The Huffington Post]]'', 11 August 2011</ref> and the rise of large-scale commercial [[rave]]s such as [[Electric Daisy Carnival]], [[Tomorrowland (festival)|Tomorrowland]] and [[Ultra Music Festival]].
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