Editing Terracotta (section)

====India====

Terracotta has been a medium for art since the [[Harappan architecture|Harappan]] civilization, although techniques used differed in each time period. In the Mauryan times, they were mainly figures of mother goddesses, indicating a fertility cult. Moulds were used for the face, whereas the body was hand-modelled. In the Shungan times, a single mould was used to make the entire figure and depending upon the baking time, the colour differed from red to light orange. The Satavahanas used two different moulds- one for the front and the other for the back and kept a piece of clay in each mould and joined them together, making some artefacts hollow from within. Some [[Satavahana dynasty|Satavahana]] terracotta artefacts also seem to have a thin strip of clay joining the two moulds. This technique may have been imported from the Romans and is seen nowhere else in the country.<ref>{{Cite web |title=National Museum, New Delhi |url=http://www.nationalmuseumindia.gov.in/en |access-date=2023-05-04 |website=www.nationalmuseumindia.gov.in}}</ref>

[[File:Terracotta horse from Bishnupur Bankura.jpg|thumb|Terracotta horses from [[Bishnupur, Bankura|Bishnupur]], Bankura.]]

Contemporary centres for terracotta figurines include [[West Bengal]], [[Bihar]], [[Jharkhand]], [[Rajasthan]] and [[Tamil Nadu]]. In [[Bishnupur, Bankura|Bishnupur]], West Bengal, the terracotta pattern–panels on the temples are known for their intricate details. The Bankura Horse is also very famous and belongs to the Bengal school of terracotta. [[Madhya Pradesh]] is one of the most prominent production centres of terracotta art today. The tribes of the [[Bastar district|Bastar]] have a rich tradition. They make intricate designs and statues of animals and birds. Hand-painted clay and terracotta products are produced in [[Gujarat]]. The [[Aiyanar]] cult in [[Tamil Nadu]] is associated with life-size terracotta statues.<ref>Shyam Singh Rawat. ''A Historical Journey Of Indian Terracotta From Indus Civilization Up To Contemporary Art.'' European Journal of Molecular & Clinical Medicine. Volume 07, Issue 07, 2020. https://ejmcm.com/article_5016_6156ca1810f72ca7bae4a7de754c9a0e.pdf</ref>

Traditional terracotta sculptures, mainly religious, also continue to be made. The demand for this craft is seasonal, reaching its peak during the harvest festival, when new pottery and votive idols are required. During the rest of the year, the makers rely on agriculture or some other means of income. The designs are often redundant as crafters apply similar reliefs and techniques for different subjects. Customers suggest subjects and uses for each piece.<ref>{{Cite web|url=https://gaatha.org/igaatha/details_craft/Techniques/Terracotta-work/Molela-terracota-detail-research|title=Gaatha.org ~ Craft ~ Molela terracota|website=gaatha.org}}</ref>

To sustain the legacy, the Indian Government has established the [[Sanskriti Museums|Sanskriti Museum of Indian Terracotta]] in [[New Delhi]]. The initiative encourages ongoing work in this medium through displays terracotta from different sub-continent regions and periods. In 2010, the India Post Service issued a stamp commemorating the craft which shows a terracotta doll from the craft museum.{{citation needed|date=July 2024}}