Editing Rosa Bonheur (section)

==Patronage and the market for her work==
[[Image:Rosa Bonheur with Bull , by E L Dubufe.jpg|thumb|left|[[Edouard Louis Dubufe]], ''Portrait of Rosa Bonheur'' 1857. Symbolic of her work as an ''Animalière'', the bull was painted by Bonheur herself.<ref>Stammers, Tom (5 November 2020). "Twenty Kicks in the Backside". ''London Review of Books'' '''42''' (21): 17–20.</ref>]]

Bonheur was represented by the art dealer [[Ernest Gambart]] (1814–1902). In 1855 he brought Bonheur to the United Kingdom,<ref>{{Cite book|title=50 women artists you should know|last=Christiane|first=Weidemann|date=2008|publisher=Prestel|others=Larass, Petra., Klier, Melanie, 1970-|isbn=9783791339566|location=Munich|oclc=195744889|url-access=registration|url=https://archive.org/details/50womenartistsyo0000weid}}</ref> and he purchased the reproduction rights to her work.<ref>{{cite web|url=http://www.goodallartists.ca/ernest.htm|title=Ernest Gambart|work=goodallartists.ca}}</ref> Many engravings of Bonheur's work were created from reproductions by [[Charles George Lewis]] (1808–1880), one of the finest engravers of the day.

In 1859 her success enabled her to move to the [[Château de By]] near [[Fontainebleau]], not far from Paris, where she lived for the rest of her life. The house is now a museum dedicated to her.