Editing Marcel Dupré (section)

==Teaching==
In 1926, he was appointed professor of organ performance and improvisation at the [[Paris Conservatoire]], a position he held until 1954. From 1947 to 1954, Dupré was director of the [[American Conservatory]], which occupies the [[Louis XV]] wing of the [[Château de Fontainebleau]] near Paris. In 1954, after the death of [[Claude Delvincourt]] in a traffic accident, Dupré became director of the [[Paris Conservatoire]]; he held this post for only two years before the prevailing national laws forced him to retire at the age of 70.

He taught two generations of well-known organists such as [[Jehan Alain]] and [[Marie-Claire Alain]], [[Jean-Marie Beaudet]], [[Pierre Cochereau]], [[Françoise Renet]], [[Jeanne Demessieux]], [[Rolande Falcinelli|Rolande Ginabat-Falcinelli]], [[Jean-Jacques Grunenwald]], [[Odile Pierre]], [[Jean Guillou]], [[Jean Langlais]], [[Carl Weinrich]], [[Clarence Watters]] and, most famously, [[Olivier Messiaen]], to name only a few.

He prepared study editions of the organ works of [[Johann Sebastian Bach|Bach]], [[Handel]], [[Mozart]], [[Liszt]], [[Felix Mendelssohn|Mendelssohn]], [[Robert Schumann|Schumann]], [[César Franck]], and [[Alexander Glazunov]]. He also wrote a method for organ <ref>{{Cite web |title=Méthode d'orgue (Dupré, Marcel) - IMSLP: Free Sheet Music PDF Download |url=https://imslp.org/wiki/M%C3%A9thode_d%27orgue_(Dupr%C3%A9,_Marcel) |access-date=2023-05-03 |website=imslp.org}}</ref> (1927), two treatises on organ improvisation (1926 and 1937), and books on harmonic analysis (1936), counterpoint (1938), fugue (1938), and accompaniment of Gregorian chant (1937), in addition to essays on organ building, acoustics, and philosophy of music.