Editing Madame Bovary (section)

==Style==
The book was in some ways inspired by the life of a schoolfriend of the author who became a doctor. Flaubert's friend and mentor, [[Louis Bouilhet]], had suggested to him that this might be a suitably "down-to-earth" subject for a novel and that Flaubert should attempt to write in a "natural way," without digressions.<ref>Flaubert, ''Oeuvres'', vol. 1, Bibliothèque de la Pléiade, 1972, p. 305.</ref> The writing style was of supreme importance to Flaubert. While writing the novel, he wrote that it would be "a book about nothing, a book dependent on nothing external, which would be held together by the internal strength of its style",<ref>{{cite news |last=Byatt |first=A. S. |author-link=A. S. Byatt |title=Scenes from a provincial life |url=https://www.theguardian.com/books/2002/jul/27/classics.asbyatt |newspaper=The Guardian |date=26 July 2002 |access-date=5 December 2015}}</ref> an aim which, for the critic [[Jean Rousset]], made Flaubert "the first in date of the non-figurative novelists", such as [[James Joyce]] and [[Virginia Woolf]].<ref>Quoted in ''Madame Bovary: a Reference Guide'', Laurence M. Porter, Eugene F Gray, 2002, p. 130.</ref> Though Flaubert avowed no liking for the style of [[Honoré de Balzac|Balzac]], the novel he produced became arguably a prime example and an enhancement of [[literary realism]] in the vein of Balzac. The "realism" in the novel was to prove an important element in the trial for obscenity: the lead prosecutor argued that not only was the novel immoral, but that realism in literature was an offence against art and decency.<ref>{{cite web |last=Lalouette |first=Jacqueline |title=Le procès de Madame Bovary |url=http://www.archivesdefrance.culture.gouv.fr/action-culturelle/celebrations-nationales/2007/litterature-et-sciences-humaines/le-proces-de-madame-bovary |website=Archives de France |date=2007 |access-date=5 December 2015 |language=fr}}</ref>

The realist movement was, in part, a reaction against romanticism. Emma may be said to be the embodiment of a romantic: in her mental and emotional process, she has no relation to the realities of her world. Although in some ways he may seem to identify with Emma,<ref name="larousse">{{cite encyclopedia |encyclopedia=Encyclopédie Larousse en ligne |title=Gustave Flaubert |url=http://www.larousse.fr/encyclopedie/personnage/Gustave_Flaubert/119630|language=fr|access-date=5 December 2015}}</ref> Flaubert frequently mocks her romantic daydreaming and taste in literature. The accuracy of Flaubert's supposed assertion that "Madame Bovary, c'est moi" ("Madame Bovary is me") has been questioned.<ref name="larousse"/><ref name="univ-rouen.fr">{{cite web|url=http://flaubert.univ-rouen.fr/ressources/mb_cestmoi.php|title=" Madame Bovary, c'est moi ", formule apocryphe|language=fr|work=Le Centre Flaubert|publisher=l'Université de Rouen|author=Yvan Leclerc|date=February 2014|access-date=5 December 2015}}</ref><ref>{{cite web|title=Madame Bovary, c'est qui?|url=http://passouline.blog.lemonde.fr/2009/10/25/madame-bovary-cest-qui/|work=La République des Livres|author=Pierre Assouline|date=25 October 2009|archive-date=28 October 2009|archive-url=https://web.archive.org/web/20091028002140/http://passouline.blog.lemonde.fr/2009/10/25/madame-bovary-cest-qui}}</ref> In [[Flaubert's letters|his letters]], he distanced himself from the sentiments in the novel. To Edma Roger des Genettes, he wrote, "Tout ce que j'aime n'y est pas" ("all that I love is not there") and to Marie-Sophie Leroyer de Chantepie, "je n'y ai rien mis ni de mes sentiments ni de mon existence" ("I have used nothing of my feelings or of my life").<ref name="univ-rouen.fr"/> For [[Mario Vargas Llosa]], "If Emma Bovary had not read all those novels, it is possible that her fate might have been different."<ref>Vargas Llosa quoted in {{cite web|url=http://flaubert.univ-rouen.fr/article.php?id=5|title=Lectures d'Emma Bovary et Teresa Uzeda: deux cas de boulimie littéraire|author=Zuzanna Krasnopolska|language=fr|work=Le Centre Flaubert|publisher=l'Université de Rouen|date=November 2010|access-date=5 December 2015}}</ref>

''Madame Bovary'' has been seen as a commentary on the [[bourgeoisie]], the folly of aspirations that can never be realized or a belief in the validity of a self-satisfied, deluded personal culture, associated with Flaubert's period, especially during the reign of Louis Philippe, when the middle class grew to become more identifiable in contrast to the working class and the nobility. Flaubert despised the bourgeoisie. In his [[Dictionary of Received Ideas]], the bourgeoisie is characterized by intellectual and spiritual superficiality, raw ambition, shallow culture, a love of material things, greed, and above all a mindless parroting of sentiments and beliefs.<ref>{{cite book |last1=Davis |first1=Lydia |title=Madame Bovary |date=2010 |publisher=Viking |location=London |page=xii}}</ref>

For Vargas Llosa, "Emma's drama is the gap between illusion and reality, the distance between desire and its fulfillment" and shows "the first signs of alienation that a century later will take hold of men and women in industrial societies."<ref>{{cite web |last=Jong |first=Erica |author-link=Erica Jong |title=Fiction Victim |url=http://www.salon.com/1997/09/15/bovary/ |work=Salon.com |date=15 September 1997 |access-date=5 December 2015}}</ref>