Editing Il trovatore (section)

===Preoccupations and delays in 1851–1852===

There then arose the question of where the opera would eventually be presented. Verdi had turned down an offer from Naples, but became concerned about the availability of his preferred Azucena, Rita Gabussi-De Bassini. She turned out not to be on the Naples roster, but expressed an interest in the possibility of Rome.

Things were put on hold for several months as Verdi became preoccupied with family matters, which included the illnesses of both his mother (who died in July) and father, the estrangement from his parents with communications conducted only between lawyers, and the administration of his newly acquired property at Sant'Agata (now the [[Villa Verdi]] near his hometown of Busseto), where he had established his parents.{{sfn|Phillips-Matz|1993|p=287}} But his relationship with his parents, albeit legally severed, as well as Strepponi's situation living with the composer in an unmarried state, continued to preoccupy him, as did the deterioration of his relationship with his father-in-law, Antonio Barezzi.{{sfn|Phillips-Matz|1993|pp=293–294}} Finally, in April 1851, agreement was reached with the elder Verdis on the payment of debts mutually owed and the couple were given time to resettle, leaving Sant'Agata for Verdi and Strepponi to occupy for the next fifty years.

May 1851 brought an offer for a new opera from the Venice authorities, and it was followed by an agreement with the Rome Opera company to present ''Trovatore'' during the 1852/1853 Carnival season, specifically in January 1853.<ref name="BUDDto64" />

By November Verdi and Strepponi left Italy to spend the winter of 1851/52 in Paris, where he concluded an agreement with the [[Paris Opéra]] to write what became ''[[Les vêpres siciliennes]]'', his first [[grand opera]], although he had adapted his earlier ''[[I Lombardi]]'' into ''[[Jérusalem]]'' for the stage. Including work on ''Trovatore'', other projects consumed him, but a significant event occurred in February, when the couple attended a performance of ''[[The Lady of the Camellias]]'' by [[Alexandre Dumas fils|Alexandre Dumas ''fils'']]. What followed is reported by Verdi's biographer [[Mary Jane Phillips-Matz]] who states that the composer revealed that, after seeing the play, he immediately began to compose music for what would later become ''La traviata''.{{sfn|Phillips-Matz|1993|p=303}}

The couple returned to Sant'Agata by mid-March 1852 and Verdi immediately began work on ''Trovatore'' after a year's delay.