Editing Hans Baldung (section)

==Life as a student of Dürer==
[[File:Hans Baldung Grien - Die Kreuzigung Christi - Google Art Project.jpg|thumb|Crucifixion (1512)]]

Baldung's earliest training as an artist began around 1500 in the Upper Rhineland with an artist from Strasbourg. Beginning in 1503, during the "Wanderjahre" ("years of wandering") required of artists of the time, Baldung became an assistant in Albrecht Dürer's studio in Nuremberg, where he perfected his art between 1503 and 1507.{{sfn|Kelleher|Bott|1986|p=363}}{{sfn|Térey|1894|pp=33-34}}

Here, he may have been given his nickname "Grien". This name is thought to have come foremost from a preference to the color green: he seems to have worn green clothing. He may also have been given this nickname to distinguish him from at least two other Hanses in Dürer's shop, Hans Schäufelin and Hans Suess von Kulmbach. He later included the name "Grien" in his monogram, and it has also been suggested that the name came from, or consciously echoed, "grienhals", a German word for witch—one of his signature themes. 

Hans quickly picked up Dürer's influence and style, and they became friends. Baldung seems to have managed Dürer's workshop during the latter's second sojourn in Venice. In a later trip to the Netherlands in 1521 Dürer's account book records that he took with him and sold prints by Baldung. Near the end of his Nuremberg years, Grien oversaw the production by Dürer of stained glass, woodcuts and engravings, and therefore developed an affinity for these media and for the Nuremberg master's handing of them. On Dürer's death Baldung was sent a lock of his hair, which suggests a close friendship.