Editing Frankenchrist (section)

==="Landscape #XX"===
The album was a subject of controversy because the original record sleeve included a poster featuring the painting ''Landscape #XX'', or ''[[Penis Landscape]]'', by [[H. R. Giger]], depicting rows of copulating [[human penis|penis]]es and [[vulva]]e. The choice of the painting came as the result of a comment by Jello Biafra to his then-roommate and Dead Kennedys artist, Jayed Scotti, art partner of Winston Smith. Biafra showed Scotti a copy of ''[[Omni (magazine)|Omni]]'' magazine showing several works of art by Giger, including "Penis Landscape", printed in 1977, for a Paris art collection. Biafra said he wanted to use the piece on the upcoming album cover. Scotti phoned New York agent Les Barany and explained the project. Barany contacted Giger to ask permission, then contacted Mike Bonanno of [[Alternative Tentacles|Alternative Tentacles Records]]; Giger agreed to let the label use a reproduction chrome of the artwork for $600, half the usual price. Biafra presented the idea to the other members of the band, but the idea was rejected as the album cover and as an interior gatefold double LP album. Finally it was accepted as an inserted poster. Jayed Scotti created the production mechanicals by hand for the poster. The poster was printed and inserted in the ''Frankenchrist'' album with an additional sticker on the outside shrinkwrap, warning buyers of the contents.<ref name=WishniaNation>Wishnia, Steven. "Of Punk and Pornography: Rockin' With the First Amendment". ''The Nation''. October 24, 1987.</ref>

Biafra was brought to trial for distributing harmful matter to minors, and though the case did not result in a conviction, Alternative Tentacles was almost driven to bankruptcy.  It was only through the support of fans that the label was able to stay alive. Biafra gained attention as a champion of free speech, and was subsequently one of the most active opponents of the [[Parents Music Resource Center]].