Editing Die Meistersinger von Nürnberg (section)

===Completion and premiere===
Having completed the [[scenario]], Wagner began writing the [[libretto]] while living in Paris in 1862, and followed this by composing the [[overture]]. The overture was publicly performed in [[Leipzig]] on 2 November 1862, conducted by the composer.<ref>Richard Sternfeld, preface to the complete vocal and orchestral score, Dover Publications, 1976</ref> Composition of Act I was begun in spring of 1863 in the Viennese suburb of [[Penzing (Vienna)|Penzing]], but the opera in its entirety was not finished until October 1867, when Wagner was living at [[Tribschen]] near [[Lucerne]]. These years were some of Wagner's most difficult: the 1861 Paris production of [[Tannhäuser (opera)|''Tannhäuser'']] was a fiasco, Wagner gave up hope of completing ''[[Der Ring des Nibelungen]]'', the 1864 Vienna production of ''[[Tristan und Isolde]]'' was abandoned after 77 rehearsals, and finally in 1866 Wagner's first wife, [[Minna Planer|Minna]], died. [[Cosima Wagner]] was later to write: "When future generations seek refreshment in this unique work, may they spare a thought for the tears from which the smiles arose."<ref>source?</ref>

The premiere was given at the [[National Theatre Munich|Königliches Hof- und National-Theater]], Munich, on 21 June 1868. The production was sponsored by [[Ludwig II of Bavaria]] and the conductor was [[Hans von Bülow]]. [[Franz Strauss]], the father of the composer [[Richard Strauss]], played the [[French horn]] at the premiere, despite his often-expressed dislike of Wagner, who was present at many of the rehearsals. Wagner's frequent interruptions and digressions made rehearsals a very long-winded affair. After one 5 hour rehearsal, Franz Strauss led a strike by the orchestra, saying that he could not play any more. Despite these problems, the premiere was a triumph, and the opera was hailed as one of Wagner's most successful works. At the end of the first performance, the audience called for Wagner, who appeared at the front of the Royal box, which he had been sharing with King Ludwig. Wagner bowed to the crowd, breaking court protocol, which dictated that only the monarch could address an audience from the box.<ref>Gregor-Dellin, Martin (1983) ''Richard Wagner: his life, his work, his Century''. William Collins, {{ISBN|0-00-216669-0}} page 376</ref>