Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
Help about MediaWiki
Special pages
Niidae Wiki
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Carnatic music
(section)
Page
Discussion
English
Read
Edit
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
View history
General
What links here
Related changes
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
=== Carnatic music outside of South India === From the 18th century, South Indian immigrant communities abroad increased, especially in [[Southeast Asia]] and [[Ceylon|Sri Lanka]]. Communities such as the [[Nattukottai Chettiar]]s participate in the extension of the Carnatic cultural scene abroad, thanks to their rich patronage activity.<ref>{{Cite journal |last=Aravinthon |first=Dr (Mrs) Suhanya |date=2021-06-01 |title=Roots of Carnatic Music in Sri Lanka - Artistic interrelations between Sri Lanka and South India A |url=https://zenodo.org/record/6550640 |journal=Smrti - Department of Indian Music: Annual Journal |volume=1 |issue=1 |pages=90β95 |doi=10.5281/zenodo.6550640}}</ref> Carnatic music artists therefore perform abroad among South Indian communities who request their coming, in order to enliven local community life. For a long time in Sri Lanka, Carnatic music was associated with Indian immigrants, and was often derogatorily referred to as "''thosai kade'' music" ("music from the [[Dosa (food)|dosa]] shop"), in reference to the South Indians-owned restaurants and eateries that typically played this kind of music.<ref name=":0">{{Cite book |last=Daniel |first=E. Valentine |title=Charred lullabies: chapters in an anthropography of violence |date=1996 |publisher=[[Princeton University Press]] |isbn=978-0-691-02774-6 |series=Princeton studies in culture / power / history |location=Princeton, NJ |pages=157, 145 |oclc=34669394}}</ref> From the 20th century, Carnatic music gained significant popularity among certain social strata of the [[Demographics of Sri Lanka|Sri Lankan population]], who were then heavily influenced by a prominent cultural movement known as the Hindu revival.<ref name=":0" /><ref>{{Cite book |last1=OβShea |first1=Janet |title=Choreographies of 21st century wars |last2=Morris |first2=Gay |last3=Giersdorf |first3=Jens Richard |publisher=[[Oxford University Press]] |year=2016 |isbn=978-0-19-020166-1 |pages=119 |language=en |chapter=From Temple to Battlefield: Bharata Natyam in the Sri Lankan Civil War |oclc=915135656}}</ref><ref name=":1">{{Cite book |last=Reed |first=Susan A. |title=Dance and the nation: performance, ritual, and politics in Sri Lanka |publisher=[[University of Wisconsin Press]] |year=2010 |isbn=978-0-299-23164-4 |pages=131β132 |language=en |chapter=Dance, Ethnicity and the State |oclc=317288154}}</ref> Carnatic music was thus appropriated and highly promoted during the 1920s and 1930s as a cultural and identity marker of the [[Colombo]] and [[Jaffna]] bourgeoisies,<ref name=":1" /><ref name=":2">{{Cite book |last=Jeyaratnam Wilson |first=Alfred |title=Sri Lankan Tamil nationalism: its origins and development in the nineteenth and twentieth centuries |publisher=[[University of British Columbia Press]] |year=2000 |isbn=0-7748-0759-8 |pages=36 |language=en |chapter=Language, Poetry; Culture and Tamil Nationalism |oclc=41467484}}</ref> and by extension of the [[Sri Lankan Tamils]]. The place given to Carnatic music in the construction of a modern Sri Lankan Tamil identity has reached significant proportions, such as its rise in the curricula of most Jaffna colleges, where it gradually replaced from the mid-1930s the teaching of [[Western classical music]],<ref name=":1" /> or its high esteem among the upper social classes of Colombo and Jaffna, where the learning of Carnatic music among young women is expected as a sign of good education.<ref name=":0" /><ref name=":1" /><ref name=":2" /><ref>{{Cite web |title=Tamil of Sri Lanka Facts, information, pictures {{!}} Encyclopedia.com articles about Tamil of Sri Lanka |url=http://www.encyclopedia.com/topic/Tamil_of_Sri_Lanka.aspx |access-date=2016-06-10 |website=encyclopedia.com}}</ref> Many people have travelled to India for improving their skills, and the flow of students to India from Sri Lanka or of Sri Lankan Tamil origin is constantly increasing.<ref name=":1" /><ref>{{Cite web |last=Srinivasan |first=Anil |title=Sri Lankan Tamil diaspora: The new force spreading Carnatic music and dance worldwide |url=http://scroll.in/article/769894/sri-lankan-tamil-diaspora-the-new-force-spreading-carnatic-music-and-dance-worldwide |access-date=2016-06-10 |website=Scroll.in |date=20 November 2015 |language=en-US}}</ref>
Summary:
Please note that all contributions to Niidae Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Encyclopedia:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
Carnatic music
(section)
Add topic