Editing Ritual (section)

===As a form of communication===
Whereas Victor Turner saw in ritual the potential to release people from the binding structures of their lives into a liberating anti-structure or communitas, Maurice Bloch argued that ritual produced conformity.<ref>{{cite book|editor-last=Hughes-Freeland|editor-first=Felicia |title=Ritual, Performance, Media|publisher=Routledge|location=London|page=2}}</ref>

[[Maurice Bloch]] argued that ritual communication is unusual in that it uses a special, restricted vocabulary, a small number of permissible illustrations, and a restrictive grammar. As a result, ritual utterances become very predictable, and the speaker is made anonymous in that they have little choice in what to say. The restrictive syntax reduces the ability of the speaker to make propositional arguments, and they are left, instead, with utterances that cannot be contradicted such as "I do thee wed" in a wedding. These kinds of utterances, known as [[performatives]], prevent speakers from making political arguments through logical argument, and are typical of what Weber called [[traditional authority]] instead.<ref>{{cite journal|last=Bloch|first=Maurice|title=Symbols, Song, Dance and Features of Articulation: Is Religion an Extreme Form of Traditional Authority?|journal=Archives Européennes de Sociologie|year=1974|volume=15|issue=1|pages=55–84|doi=10.1017/s0003975600002824|s2cid=145170270 }}</ref>

Bloch's model of ritual language denies the possibility of creativity. Thomas Csordas, in contrast, analyzes how ritual language can be used to innovate. Csordas looks at groups of rituals that share performative elements ("genres" of ritual with a shared "poetics"). These rituals may fall along the spectrum of formality, with some less, others more formal and restrictive. Csordas argues that innovations may be introduced in less formalized rituals. As these innovations become more accepted and standardized, they are slowly adopted in more formal rituals. In this way, even the most formal of rituals are potential avenues for creative expression.<ref>{{cite book|last=Csordas|first=Thomas J.|title=Language, Charisma, & Creativity: Ritual Life in the Catholic Charismatic Renewal|year=2001 |orig-year=1997|publisher=Palgrave|location=Basingstoke|pages=255–65}}</ref>