Editing Hardcore punk (section)

====Emo and post-hardcore====
The 1980s saw the development of [[post-hardcore]], which took the hardcore style in a more complex and dynamic direction, with a focus on singing rather than screaming. The post-hardcore style first took shape in Chicago, with bands such as [[Big Black]], [[the Effigies]] and [[Naked Raygun]].<ref>{{cite web |url=https://www.allmusic.com/artist/effigies-p23913/biography |title=Effigies – Biography |author=Huey, Steve |work=[[AllMusic]] |access-date=March 28, 2011 |url-status=live |archive-url=https://web.archive.org/web/20101228045014/http://www.allmusic.com/artist/effigies-p23913/biography |archive-date=December 28, 2010 }}</ref> It later developed in Washington, D.C., within the community of bands on [[Ian MacKaye]]'s [[Dischord Records]], with bands such as [[Fugazi]], [[the Nation of Ulysses]], and [[Jawbox]].<ref name="PosthardcoreAllmusic">{{AllMusic |class=explore |id=style/d12962 |label=Post-Hardcore}}</ref> The style extended until the late 2000s.<ref name="PosthardcoreAllmusic"/> The mid-'80s Washington, D.C., [[Revolution Summer (music)|Revolution Summer]] movement and post-hardcore scene would also see the birth of [[emo]]. [[Guy Picciotto]] formed [[Rites of Spring]] in 1984, breaking free of hardcore's self-imposed boundaries in favor of melodic guitars, varied rhythms, and deeply personal, impassioned lyrics dealing with nostalgia, romantic bitterness, and poetic desperation.<ref>Greenwald, p. 12-13.</ref> Other D.C. bands such as [[Gray Matter (band)|Gray Matter]], [[Beefeater (band)|Beefeater]], [[Fire Party]], [[Dag Nasty]], also became connected to this movement.<ref name="Blush, 157">{{cite book|last = Blush|first = Steven|author-link = Steven Blush|title = American Hardcore: A Tribal History|publisher = [[Feral House]]|year = 2001|location = [[New York City|New York]]|isbn = 0-922915-71-7|page = [https://archive.org/details/americanhardcore00stev/page/157 157]|title-link = American Hardcore: A Tribal History}}</ref><ref name="Greenwald, 14">Greenwald, p. 14.</ref> The style was dubbed "emo", "emo-core",<ref name="azerrad, 380">{{cite book|last =Azerrad|first = Michael|author-link =Michael Azerrad|title =Our Band Could Be Your Life: Scenes from the American Indie Underground 1981–1991|publisher =[[Little, Brown and Company]]|year =2001|location =[[New York City|New York]]|page =[https://archive.org/details/ourbandcouldbeyo00mich/page/380 380]|isbn =0-316-78753-1|title-link = Our Band Could Be Your Life}}</ref> or "post-harDCore"<ref>{{cite book |title=POST: A Look at the Influence of Post-Hardcore-1985–2007 |last=Grubbs |first=Eric |year=2008 |publisher=[[iUniverse|iUniverse, Inc.]] |location=[[Bloomington, Indiana|Bloomington, IN]] |isbn=978-0-595-51835-7 |url=https://books.google.com/books?id=Ku91l_blqCUC&pg=PP1 |page=27 |access-date= March 25, 2011}}</ref> (in reference to one of the names given to the Washington, D.C. hardcore scene).<ref>Grubbs, p. 14.</ref>