Editing The Beach Boys (section)

===Influences===
{{Further|List of songs covered by the Beach Boys}}
The band's earliest influences came primarily from the work of Chuck Berry and the Four Freshmen.{{sfn|Priore|2005|p=16}} Performed by the Four Freshmen, "[[Their Hearts Were Full of Spring]]" (1961) was a particular favorite of the group.{{sfn|Harrison|1997|pp=34, 54}} By analyzing their arrangements of [[pop standards]], Brian educated himself on [[jazz harmony]].{{sfn|Lambert|2007|p=5}} Bearing this in mind, Philip Lambert noted: "If [[Bob Flanigan (singer)|Bob Flanigan]] helped teach Brian how to sing, then [[George Gershwin|Gershwin]], [[Jerome Kern|Kern]], [[Cole Porter|Porter]], and the other members of this pantheon helped him learn how to craft a song."{{sfn|Lambert|2007|p=6}} Other general influences on the group included [[the Hi-Los]],{{sfn|Priore|2005|p=16}} [[the Penguins]], [[the Robins]], [[Bill Haley & His Comets]], [[Otis Williams]], [[the Cadets (doo wop)|the Cadets]], [[the Everly Brothers]], [[the Shirelles]], [[The Regents (doo-wop band)|the Regents]], and [[the Crystals]].{{sfn|Lambert|2007|pp=14–15}}

{{Quote box
|width=25em
|align=right
|quote=Though the Beach Boys are often caricatured as the ultimate white, suburban act, black [[Rhythm and blues|R&B]] was crucial to their sound.
|source= — [[Geoffrey Himes]]<ref name=HimesSurf />}}
The eclectic mix of white and black vocal group influences – ranging from the rock and roll of Berry, the jazz harmonies of the Four Freshmen, the pop of [[the Four Preps]], the folk of [[the Kingston Trio]], the R&B of groups like [[the Coasters]] and [[the Five Satins]], and the doo wop of [[Dion and the Belmonts]] – helped contribute to the Beach Boys' uniqueness in American popular music.{{sfn|Murphy|2015|p=58}} Carl remembered that Love was "really immersed in doo-wop" and likely "influenced Brian to listen to it", adding that the "black artists were so much better in terms of rock records in those days that the white records almost sounded like put-ons".<ref name=HimesSurf />

Another significant influence on Brian's work was [[Burt Bacharach]].{{sfn|Matijas-Mecca|2017|p=37}} He said in the 1960s: "Burt Bacharach and [[Hal David]] are more like me. They're also the best pop team – per se – today. As a producer, Bacharach has a very fresh, new approach."{{sfn|Priore|2005|p=64}} Regarding surf rock pioneer [[Dick Dale]], Brian said that his influence on the group was limited to Carl and his style of guitar playing.<ref>{{cite web|url=http://www.theaquarian.com/2005/08/10/brian-wilson-interview-with-brian-wilson/|title=Interview with Brian Wilson|publisher=theaquarian.com|access-date=November 22, 2009|archive-date=October 2, 2011|archive-url=https://web.archive.org/web/20111002160721/http://www.theaquarian.com/2005/08/10/brian-wilson-interview-with-brian-wilson/|url-status=live}}</ref> Carl credited Chuck Berry, [[the Ventures]], and [[John Walker (musician)|John Walker]] with shaping his guitar style, and that the Beach Boys had learned to play all of the Ventures' songs by ear early in their career.<ref name="Hinsche">{{cite magazine|last1=Hinsche|first1=Billy|author-link1=Billy Hinsche|title=Carl Wilson Interview|magazine=[[Guitar One]]|url=http://www.billyhinsche.com/story4.html|date=November 2001|access-date=May 18, 2015|archive-date=August 24, 2015|archive-url=https://web.archive.org/web/20150824230014/http://www.billyhinsche.com/story4.html|url-status=live}}</ref>

In 1967, [[Lou Reed]] wrote in ''[[Aspen (magazine)|Aspen]]'' that the Beach Boys created a "hybrid sound" out of old rock and the Four Freshmen, explaining that such songs as "Let Him Run Wild", "Don't Worry Baby", "I Get Around", and "Fun, Fun, Fun" were not unlike "Peppermint Stick" by the Elchords.{{sfn|Unterberger|2009|p=122}} Similarly, [[John Sebastian]] of [[the Lovin' Spoonful]] noted: "Brian had control of this vocal palette of which we had no idea. We had never paid attention to the Four Freshmen or doo-wop combos like [[the Crew Cuts]]. Look what gold he mined out of that."{{sfn|Dillon|2012|p=16}}