Editing Suburb (section)

==In popular culture==
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Suburbs and suburban living have been the subject for a wide variety of films, books, television shows and songs.

French songs like ''La Zone'' by [[Fréhel]] (1933), ''Aux quatre coins de la banlieue'' by [[Marie-Louise Damien|Damia]] (1936), ''Ma banlieue'' by [[Reda Caire]] (1937), or ''Banlieue'' by [[Robert Lamoureux]] (1953), evoke the suburbs of Paris explicitly since the 1930s.<ref>{{cite web|url=http://www.fremeaux.com/index.php?page=shop.product_details&category_id=74&flypage=shop.flypage&product_id=506&option=com_virtuemart|title=Chanson francaise La banlieue 1931–1953 Anthologie|website=Fremeaux.com|access-date=2 January 2018}}</ref> Those singers give a sunny festive, almost bucolic, image of the suburbs, yet still few urbanized. During the fifties and the sixties, French singer-songwriter [[Léo Ferré]] evokes in his songs popular and proletarian suburbs of Paris, to oppose them to the city, considered by comparison as a bourgeois and conservative place.

[[French cinema]] was although soon interested in urban changes in the suburbs, with such movies as ''[[Mon oncle]]'' by [[Jacques Tati]] (1958), ''[[L'Amour existe]]'' by [[Maurice Pialat]] (1961) or ''[[Two or Three Things I Know About Her]]'' by [[Jean-Luc Godard]] (1967).

In his one-act opera ''[[Trouble in Tahiti]]'' (1952), [[Leonard Bernstein]] skewers American suburbia, which produces misery instead of happiness.

The American [[photojournalist]] [[Bill Owens (photographer)|Bill Owens]] documented the culture of suburbia in the 1970s, most notably in his book ''[[Suburbia (book)|Suburbia]]''. The 1962 song "[[Little Boxes]]" by [[Malvina Reynolds]] lampoons the development of suburbia and its perceived [[bourgeois]] and [[Conformity|conformist]] values,<ref>{{cite book |title=[[Little Boxes: The Architecture of a Classic Midcentury Suburb]] |first=Rob |last=Keil |location=Daly City, CA |publisher=Advection Media |year=2006 |isbn=0-9779236-4-9}}</ref> while the 1982 song ''[[Subdivisions (song)|Subdivisions]]'' by the Canadian band [[Rush (band)|Rush]] also discusses suburbia, as does [[Rockin' the Suburbs]] by [[Ben Folds]]. The 2010 album ''[[The Suburbs (album)|The Suburbs]]'' by the Canadian-based alternative band [[Arcade Fire]] dealt with aspects of growing up in suburbia, suggesting aimlessness, apathy and endless rushing are ingrained into the suburban culture and mentality. ''Suburb The Musical,'' was written by Robert S. Cohen and David Javerbaum. ''[[Over the Hedge (comic strip)|Over the Hedge]]'' is a syndicated comic strip written and drawn by Michael Fry and T. Lewis. It tells the story of a raccoon, turtle, a squirrel, and their friends who come to terms with their woodlands being taken over by suburbia, trying to survive the increasing flow of humanity and technology while becoming enticed by it at the same time. A [[Over the Hedge|film adaptation of ''Over the Hedge'']] was produced in 2006.

British television series such as ''[[The Good Life (1975 TV series)|The Good Life]]'', ''[[Butterflies (TV series)|Butterflies]]'' and ''[[The Fall and Rise of Reginald Perrin]]'' have depicted suburbia as well-manicured but relentlessly boring, and its residents as either overly conforming or prone to going [[Stir crazy (condition)|stir crazy]]. In contrast, U.S. shows such as ''[[Knots Landing]]'', ''[[Desperate Housewives]]'' and ''[[Weeds (TV series)|Weeds]]'' portray the suburbs as concealing darker secrets behind a façade of manicured lawns, friendly people, and beautifully kept houses. Films such as ''[[The 'Burbs]]'' and ''[[Disturbia (film)|Disturbia]]'' have brought this theme to the cinema.