Editing Karlheinz Stockhausen (section)

==References==
===Citations===
{{reflist|20em}}

===Sources===
{{div col|colwidth=45em}}
{{refbegin}}
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* {{wikicite|ref={{harvid|Anon.|1969}}|reference=Anon. 1969. "[http://www.spiegel.de/spiegel/print/d-45317857.html Stockhausen: Zuviel verlangt]". ''Der Spiegel'', no. 49 (1 December): 218.}}
* {{wikicite|ref={{harvid|Anon.|1971}}|reference=Anon. 1971. "[http://www.spiegel.de/spiegel/print/d-43334679.html Stockhausen: Immer höher]". ''Der Spiegel'', 1971 no. 9 (22 February): 130, 132, 134.}}
* {{wikicite|ref={{harvid|Anon.|2001}}|reference=Anon. 2001. "[https://www.telegraph.co.uk/culture/4721739/Brief-liaisons-give-haunting-results.html Brief Liaisons Give Haunting Results: Visionary Fusion: ''In Absentia'', Directed by Identical Twins Stephen and Timothy Quay with Music by Karlheinz Stockhausen]". ''The Telegraph'' (17 February).}}
* {{wikicite|ref={{harvid|Anon.|2007a}}|reference=Anon. 2007a. "[https://web.archive.org/web/20100615000000*/http://www.cbc.ca/arts/music/story/2007/12/07/stockhausen-obit.html Avant-garde Composer Karlheinz Stockhausen Dies at 79] (archive from 15 June 2010; accessed 18 March 2016)". CBCnews.ca (7 December) (accessed 7 April 2008).}}
* {{wikicite|ref={{harvid|Anon.|2007b}}|reference=Anon. 2007b. "[http://www.smh.com.au/news/arts/pioneer-of-electronica-stockhausen-dead-at-79/2007/12/09/1197135280573.html Pioneer of Electronica Stockhausen Dead at 79]". ''[[The Sydney Morning Herald]]''. 10 December.}}
* {{wikicite|ref={{harvid|Anon.|2014}}|reference=Anon. 2014. "[http://in-gl.de/2014/01/29/ein-stolperstein-fuer-gertrud-stockhausen-in-baerbroich/ Ein Stolperstein für Gertrud Stockhausen in Bärbroich]". Press Office of the City of Bergisch-Gladbach, Bürgerportal Bergisch Gladbach (29 January) (accessed 30 January 2014).}}
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* {{wikicite|ref={{harvid|Ballantine|1977}}|reference=Ballantine, Christopher. 1977. "Towards an Aesthetic of Experimental Music". ''[[The Musical Quarterly]]'' 63, no. 2 (April): 224–246.}}
* {{wikicite|ref={{harvid|Barrett|1988}}|reference=[[Richard Barrett (composer)|Barrett, Richard]]. 1988. "First Performances: ''Montag aus LICHT'' at the Holland Festival". ''[[Tempo (journal)|Tempo]]'', new series, no. 166 (September): 43–45.}}
* {{wikicite|ref={{harvid|Barrett|1998}}|reference=Barrett, Richard. 1998. "Not Necessarily Anything to Do with Karlheinz Stockhausen (Excavated from Diary Entries 20 February – 10 November 1994)". ''[[Leonardo Music Journal]]'' 8 ("Ghosts and Monsters: Technology and Personality in Contemporary Music"): 17–19.}}
* {{wikicite|ref={{harvid|Bäumer|2007}}|reference=Bäumer, Ingrid. 2007. "'Eine ganz neue Zeit fängt an': Karlheinz Stockhausen arbeitete bis zum letzten Atemzug". ''[[Kölner Stadt-Anzeiger]]'' (9 December).}}
* {{wikicite|ref={{harvid|Bäumer|2008}}|reference=Bäumer, Ingrid. 2008. "'Ehrung von Karlheinz Stockhausen: Rathausvorplatz trägt seinen Namen". ''Kölner Stadt-Anzeiger'' (19 June).}}
* {{wikicite|ref={{harvid|Bayles|1996}}|reference=Bayles, Martha. 1996. ''Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music''. Chicago: University of Chicago Press. {{ISBN|978-0-226-03959-6}}.}}
* {{wikicite|ref={{harvid|Bergstein|1992}}|reference=Bergstein, Barry. 1992. "Miles Davis and Karlheinz Stockhausen: A Reciprocal Relationship." ''[[The Musical Quarterly]]'' 76, no. 4. (Winter): 502–525.}}
* {{wikicite|ref={{harvid|Björk|1996}}|reference=[[Björk]]. 1996. "Compose Yourself" [http://www.stockhausen.org/bjork.html Interview of Stockhausen by Björk] ''Dazed and Confused'' 23 (August 1996).}}
* {{wikicite|ref={{harvid|Blumröder|1982}}|reference=[[Christoph von Blumröder|Blumröder, Christoph von]]. 1982. "Formel-Komposition—Minimal Music—Neue Einfachheit: Musikalische Konzeptionen der siebziger Jahre." In ''Neuland Jahrbuch'' 2 (1981/82), edited by Herbert Henck, 160–178. Bergisch Gladbach: Neuland Verlag.}}
*{{wikicite|ref={{harvid|Bos|2017}}|reference=Bos, Christian. 2017. "[http://www.ksta.de/kultur/exklusiv-zurueck-in-stockhausens-wiege-28018522 Zurück in Stockhausens Wiege]". ''[[Kölner Stadt-Anzeiger]]'' (24 July); accessed 13 August 2017).}}
* {{wikicite|ref={{harvid|Boulez|1976}}|reference=[[Pierre Boulez|Boulez, Pierre]]. 1976. ''Conversations with Célestin Deliège''. London: Eulenburg Books.}}
* {{wikicite|ref={{harvid|Broyles|2004}}|reference=Broyles, Michael. 2004. ''Mavericks and Other Traditions in American Music''. New Haven and London: Yale University Press. {{ISBN|978-0-300-10045-7}}.}}
* {{wikicite|ref={{harvid|Bruno|1999}}|reference=Bruno, Pascal. 1999. "''Donnerstag aus Licht'': A New Myth, or Simply an Updating of a Knowledge?" ''[[Perspectives of New Music]]'' 37, no. 1 (Winter): 133–156.}}
* {{wikicite|ref={{harvid|Conen|1991}}|reference=Conen, Hermann. 1991. ''Formel-Komposition: Zu Karlheinz Stockhausens Musik der siebziger Jahre''. Kölner Schriften zur Neuen Musik 1, ed. [[Johannes Fritsch]] and [[Dietrich Kämper]]. Mainz: Schott's Söhne. {{ISBN|978-3-7957-1890-9}}.}}
* {{wikicite|ref={{harvid|Cott|1973}}|reference=Cott, Jonathan. 1973. ''Stockhausen: Conversations with the Composer''. New York: Simon and Schuster. {{ISBN|978-0-671-21495-1}}.}}
* {{wikicite|ref={{harvid|[Craft]|1968}}|reference=[[Robert Craft|[Craft, Robert]]]. 1968. "Side Effects: An Interview with Stravinsky". ''[[The New York Review of Books]]'' (14 March): 3–8.}}
* {{wikicite|ref={{harvid|Craft|2002}}|reference=Craft, Robert. 2002. ''An Improbable Life: Memoirs''. Nashville: Vanderbilt University Press.}}
* {{wikicite|ref={{harvid|Craft and Stravinsky|1960}}|reference=Craft, Robert, and [[Igor Stravinsky]]. 1960. ''Memories and Commentaries'' Garden City, NY: Doubleday.}}
* {{wikicite|ref={{harvid|Cross|2000}}|reference=Cross, Jonathan. 2000. ''Harrison Birtwistle: Man, Mind, Music''. Ithaca: Cornell University Press. {{ISBN|978-0-8014-8672-2}}.}}
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* [[Hugh Davies (composer)|Davies, Hugh]]. 1968. "Working with Stockhausen." ''The Composer'' no. 27:8–11.
* {{wikicite|ref={{harvid|Decroupet and Ungeheuer|1998}}|reference=Decroupet, Pascal, and Elena Ungeheuer. 1998. "Through the Sensory Looking-Glass: The Aesthetic and Serial Foundations of ''Gesang der Jünglinge''". Translated from the French by [[Jerome Kohl]]. ''[[Perspectives of New Music]]'' 36, no. 1 (Winter): 97–142.}}
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* {{wikicite|ref={{harvid|Druskin|1974}}|reference=Druskin, Mikhail Semenovich. 1974. ''Igor Stravinskii: Lichnost, Tvorchestvo, Vzgliady'' [Igor Stravinsky: Personality, Works, Opinions]. Leningrad, Moscow: Izdatelstvo "Sovietska kompozitor".}}
* {{wikicite|ref={{harvid|Éloy|2008}}|reference=[[Jean-Claude Éloy|Eloy, Jean-Claude]]. 2008. "I Owe to Him ...". In ''Gedenkschrift für Stockhausen'', edited by [[Suzanne Stephens]] and [[Kathinka Pasveer]], 58. Kürten: Stockhausen-Stiftung für Musik.}}
*{{wikicite|ref={{harvid|Ernst von Siemens Music Foundation|n.d.}}|reference=Ernst von Siemens Music Foundation. n.d. [https://www.evs-musikstiftung.ch/en/prize/prize/archive/prize-winner-archive.html Prize-Winner Archive]. EVS-Musikstiftung.ch website (accessed 20 August 2018).}}
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* {{wikicite|ref={{harvid|Felder|1977}}|reference=Felder, David. 1977. "An Interview with Karlheinz Stockhausen." ''[[Perspectives of New Music]]'' 16, no. 1 (Fall-Winter): 85–101.}}
* {{wikicite|ref={{harvid|Ferneyhough|1988}}|reference=[[Brian Ferneyhough|Ferneyhough, Brian]]. 1988. "[https://web.archive.org/web/20081210194443/http://www.festival-automne.com/public/ressourc/publicat/1988stoc/stfe018.htm Témoignage]", translated by Jacques Demierre. In ''Karlheinz Stockhausen'' (Livre-programme), 18–19. Paris: Edition Contrechamps/Festival d'Automne à Paris (archive from 10 December 2008; accessed 18 March 2016).}}
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* {{wikicite|ref={{harvid|Föllmer|1996}}|reference=Föllmer, Golo. 1996. "Osaka: Technik für das Kugelauditorium." In ''Musik..., verwandelt. Das Elektronische Studio der TU Berlin 1953–1995'', edited by Frank Gertich, Julia Gerlach, and Golo Föllmer, 195–211. Hofheim: Wolke-Verlag. {{ISBN|978-3-923997-68-8}}.}}
* {{cite web|last=Freckmann|first=Yvonne|url=https://yvonnefreckmann.com/2014/10/01/introduction-to-karlheinz-stockhausen-studio/|title=Introduction to Karlheinz Stockhausen Studio|date=1 October 2014}}
* {{wikicite|ref={{harvid|Fritsch|1979}}|reference=[[Johannes Fritsch|Fritsch, Johannes]]. 1979. "Prozessplanung". In ''Improvisation und neue Musik. Acht Kongressreferate'', edited by Reinhold Brinkmann, 108–117. Veröffentlichungen des Instituts für Neue Musik und Musikerziehung Darmstadt 20. Mainz: Schott Musik International.}}
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* {{wikicite|ref={{harvid|Harvey|1975b}}|reference=[[Jonathan Harvey (composer)|Harvey, Jonathan]]. 1975b. "Stockhausen's 'Hymnen'". ''[[The Musical Times]]'', 116, no. 1590 (August): 705+707.}}
* {{wikicite|ref={{harvid|Heuger|1998}}|reference=Heuger, Markus. 1998. "Stockhausen Goes to Town: Der öffentliche Stockhausen". ''[[Neue Zeitschrift für Musik]]'' 159, no. 4 (July–August): 10–15.}}
* {{wikicite|ref={{harvid|Hewett|2007}}|reference=Hewett, Ivan. 2007. "[http://music.guardian.co.uk/obituaries/story/0,,2224081,00.html Karlheinz Stockhausen: Both a Rationalist and a Mystic, the Composer's Influence Stretched from Boulez to the Beatles ''Guardian Unlimited'']" (Friday 7 December).}}
* {{wikicite|ref={{harvid|Hopkins|1972}}|reference=[[Bill Hopkins (composer)|Hopkins, Bill]]. 1972. "Stockhausen and Others". ''Tempo'', new series, no. 98:32–34.}}
* {{wikicite|ref={{harvid|Iddon|2004}}|reference=Iddon, Martin. 2004. "The Haus that Karlheinz Built". ''[[The Musical Quarterly]]'' 87, no. 1:87–118.}}
* {{wikicite|ref={{harvid|Kaletha|2004}}|reference=Kaletha, Holger. 2004. "Decomposition of the Sound Continuum: Serialism and Development from a Genetic-Phenomenological Perspective", translated by [[Jerome Kohl]]. ''[[Perspectives of New Music]]'' 42, no. 1 (Winter): 84–128.}}
* {{wikicite|ref={{harvid|Klein|1968}}|reference=Klein, Lothar. 1968. "Twentieth-Century Analysis: Essays in Miniature". ''Music Educators Journal'' 54, no. 6 (February): 117–19.}}
* {{wikicite|ref={{harvid|Kohl|1981}}|reference=[[Jerome Kohl|Kohl, Jerome]]. 1981. "Serial and Non-Serial Techniques in the Music of Karlheinz Stockhausen from 1962–1968." PhD diss. Seattle: University of Washington.}}
* {{wikicite|ref={{harvid|Kohl|1983–84a}}|reference=Kohl, Jerome. 1983–84a. "The Evolution of Macro- and Micro-Time Relations in Stockhausen's Recent Music". ''[[Perspectives of New Music]]'' 22, nos. 1 and 2:147–185.}}
* {{wikicite|ref={{harvid|Kohl|1983–84b}}|reference=Kohl, Jerome. 1983–84b. "Stockhausen at La Scala: Semper idem sed non eodem modo". ''[[Perspectives of New Music]]'' 22, nos. 1 and 2:483–501.}}
* {{wikicite|ref={{harvid|Kohl|1990}}|reference=Kohl, Jerome. 1990. "Into the Middleground: Formula Syntax in Stockhausen's ''Licht''". ''[[Perspectives of New Music]]'' 28, no. 2 (Summer): 262–291.}}
* {{wikicite|ref={{harvid|Kohl|1993}}|reference=Kohl, Jerome. 1993. "Time and ''Light''." ''Contemporary Music Review'' 7, no. 2:203–219.}}
* {{wikicite|ref={{harvid|Kohl|1998a}}|reference=Kohl, Jerome. 1998a. "A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part One): Guest Editor's Introduction". ''[[Perspectives of New Music]]'' 36, no. 1 (Winter): 59–64.}}
* {{wikicite|ref={{harvid|Kohl|1998b}}|reference=Kohl, Jerome. 1998b. "A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part Two): Guest Editor's Introduction". ''[[Perspectives of New Music]]'' 36, no. 2 (Summer): 5–10.}}
*{{wikicite|ref={{harvid|Kohl|2002}}|reference= Kohl, Jerome. 2002. "Serial Composition, Serial Form, and Process in Karlheinz Stockhausen's ''Telemusik''." In ''Electroacoustic Music: Analytical Perspectives'', ed. Thomas Licata, 91–118. Westport, Conn. and London: Greenwood Press.}}
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* {{wikicite|ref={{harvid|Kohl|2017}}|reference=Kohl, Jerome. 2017. ''Karlheinz Stockhausen: Zeitmaße''. Landmarks in Music Since 1950, edited by Wyndham Thomas. Abingdon, Oxon; London; New York: Routledge, 2017. {{ISBN|978-0-7546-5334-9}} (cloth); {{ISBN|978-0-367-88243-3}} (pbk).}}
* {{wikicite|ref={{harvid|Kramer|1998}}|reference=[[Jonathan Kramer|Kramer, Jonathan]]. 1998. "Karlheinz in California." ''[[Perspectives of New Music]]'' 36, no. 1 (Winter): 247–261.}}
* {{wikicite|ref={{harvid|Kurtz|1992}}|reference=Kurtz, Michael. 1992. ''Stockhausen: A Biography'', translated by [[Richard Toop]]. London and Boston: Faber and Faber. {{ISBN|978-0-571-14323-8}} (cloth) {{ISBN|978-0-571-17146-0}} (pbk).}}
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* {{wikicite|ref={{harvid|Lebrecht|1985}}|reference=[[Norman Lebrecht#Books|Lebrecht, Norman]]. 1985. ''The Book of Musical Anecdotes''. New York: Simon and Schuster; London: Sphere Books. {{ISBN|978-0-02-918710-4}}.}}
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* {{wikicite|ref={{harvid|Maconie|1990}}|reference=Maconie, Robin. 1990. ''The Works of Karlheinz Stockhausen'', second edition. Oxford: Clarendon Press. {{ISBN|978-0-19-315477-3}}.}}
* {{wikicite|ref={{harvid|Maconie|2005}}|reference=Maconie, Robin. 2005. ''Other Planets: The Music of Karlheinz Stockhausen''. Lanham, Maryland, Toronto, Oxford: The Scarecrow Press, Inc. {{ISBN|978-0-8108-5356-0}}.}}
* {{wikicite|ref={{harvid|Morawska-Büngeler|1988}}|reference=Morawska-Büngeler, Marietta. 1988. ''Schwingende Elektronen: Eine Dokumentation über das [[Studio for Electronic Music (WDR)|Studio für elektronische Musik (Köln) des Westdeutschen Rundfunks in Köln]], 1951–1986''. Köln-Rodenkirchen: P. J. Tonger Musikverlag.}}
* {{wikicite|ref={{harvid|Morgan|1975}}|reference=Morgan, Robert. 1975. "Stockhausen's Writings on Music". ''[[The Musical Quarterly]]'' 61, no. 1 (January): 1–16. Reprinted in ''The Musical Quarterly'' 75, no. 4 (Winter 1991): 194–206.}}
* {{wikicite|ref={{harvid|Moritz|2005}}|reference=Moritz, Albrecht. 2005. "[http://home.earthlink.net/~almoritz/lichterwasser.htm Stockhausen: LICHTER-WASSER (LIGHTS-WATERS), 1998–99]". (Record review)}}
* {{wikicite|ref={{harvid|Neidhöfer|2005}}|reference=Neidhöfer, Christoph. 2005. "Joseph N. Straus. Stravinsky's Late Music". ''Music Theory Spectrum'' 27:336–53.}}
* {{wikicite|ref={{harvid|Nordin|2004}}|reference=Nordin, Ingvar Loco. 2004. "[http://www.sonoloco.com/rev/mode/modeframes.html George Crumb, ''Makrokosmos'' Books 1 and 2: 24 Fantasy Pieces after the Zodiac for Amplified Piano: Margaret Leng Tan (amplified piano)—Alex Nowitz (whistling). Mode 142]". (Accessed 7 April 2008) Also found at [http://www.moderecords.com/catalog/142crumb.html Mode Records website].}}
* {{wikicite|ref={{harvid|O'Mahony|2001}}|reference=O'Mahony, John. 2001. "[https://www.theguardian.com/education/2001/sep/29/arts.highereducation3 The Sound of Discord]". ''[[The Guardian]]'' (29 September) (Accessed 8 May 2011).}}
* {{wikicite|ref={{harvid|Pace|1996}}|reference=Pace, Ian. 1996. "'Secret Theatres': The Harrison Birtwistle Retrospective, 12 April – 4 May 1996". ''[[Tempo (journal)|Tempo]]'', new series, no. 197. (July): 25–27.}}
* {{wikicite|ref={{harvid|Perle|1960}}|reference=[[George Perle|Perle, George]]. 1960. "Book Review: ''Die Reihe III: Musical Craftsmanship''". ''[[Journal of Music Theory]]'' 4, no. 1 (April): 102–104.}}
* {{wikicite|ref={{harvid|Peters|1992}}|reference=Peters, Günter. 1992. "Meditations Modulated: H. Heissenbüttel's 'Einfache Grammatische Meditationen' in K. Stockhausen's ''Mikrophonie II''". In ''German Literature and Music—An Aesthetic Fusion: 1890–1989'', edited by C. Reschke and H. Pollock, Houston Germanic Studies 8, 247–261. Munich: Wilhelm Fink Verlag. Revised German edition 1993: "Die ringmodulierte Meditation: Helmut Heissenbüttels 'Einfache grammatische Meditationen' in Karlheinz Stockhausens ''Mikrophonie II''." In ''Musik-Konzepte 81: Autoren-Musik. Sprache im Grenzbereich der Künste'', 16–40. Munich: Edition Text+Kritik. Reprinted in Peters 2003, 27–62 (German) and 163–198 (English).}}
* {{wikicite|ref={{harvid|Peters|2003}}|reference=Peters, Günter. 2003. ''Heiliger Ernst im Spiel—Texte zur Musik von Karlheinz Stockhausen'' / ''Holy Seriousness in the Play—Essays on the Music of Karlheinz Stockhausen'' (bilingual edition, German and English). Kürten: Stockhausen-Stiftung für Musik. {{ISBN|978-3-00-009182-7}}.}}
* {{wikicite|ref={{harvid|Power|1990}}|reference=Power, David. 1990. "Book Reviews: ''Towards a Cosmic Music'', Karlheinz Stockhausen; Tim Nevill". ''Tempo'', new series, no. 175. (December): 30–31.}}
* {{wikicite|ref={{harvid|Prendergast|2000}}|reference=Prendergast, Mark. 2000. ''[[The Ambient Century: From Mahler to Trance – The Evolution of Sound in the Electronic Age]]''. London and New York: Bloomsbury Publishing. {{ISBN|978-1-58234-134-7}} (London); {{ISBN|978-0-7475-4213-1}} (New York).}}
* {{wikicite|ref={{harvid|Pynchon|1999}}|reference=[[Thomas Pynchon|Pynchon, Thomas]]. 1999. ''The Crying of Lot 49'' New York: HarperPerennial.}}
* {{wikicite|ref={{harvid|Radano|1993}}|reference=Radano, Ronald M. 1993. ''New Musical Figurations: Anthony Braxton's Cultural Critique'' Chicago: University of Chicago Press.}}
* {{wikicite|ref={{harvid|Rathert|2013}}|reference=Rathert, Wolfgang. 2013. "Stockhausen, Karlheinz". ''[[Neue Deutsche Biographie]]'', edited by the Historical Committee at the [[Bavarian Academy of Sciences and Humanities]], vol. 25 (Stadion–Tecklenborg). Berlin: Duncker und Humblot. {{ISBN|978-3-428-11206-7}} (cloth); {{ISBN|978-3-428-11294-4}} (leather).}}
* {{wikicite|ref={{harvid|Reier|2007}}|reference=Reier, Sebastian. 2007. "[http://www.zeit.de/online/2007/50/stockhausen-nachruf/komplettansicht Im Rhythmus der Sterne]". ''[[Die Zeit]]'' (9 December).}}
* {{wikicite|ref={{harvid|Ritzel|1970}}|reference=Ritzel, Fred. 1970. ''Musik für ein Haus: Kompositionsstudio Karlheinz Stockhausen, Internationale Ferienkurse für Neue Musik, Darmstadt 1968''. Darmstädter Beiträge zur Neuen Musik 12, edited by Ernst Thomas. Mainz: B. Schott's Söhne.}}
* {{wikicite|ref={{harvid|Ross|2004}}|reference=[[Alex Ross (music critic)|Ross, Alex]]. 2004. "[https://web.archive.org/web/20080419153951/http://www.therestisnoise.com/2004/10/alex_ross_bjrk.html Björk's Saga]". ''[[The New Yorker]]'' 80, no. 23 (23 August): 49–53, 55–59 (archive from 19 April 2008; accessed 18 March 2016).}}
* {{wikicite|ref={{harvid|Sabbe|1981}}|reference=Sabbe, Herman. 1981. "Die Einheit der Stockhausen-Zeit ...: Neue Erkenntnismöglichkeiten der seriellen Entwicklung anhand des frühen Wirkens von Stockhausen und Goeyvaerts. Dargestellt aufgrund der Briefe Stockhausens an Goevaerts". In ''Musik-Konzepte 19: Karlheinz Stockhausen: ... wie die Zeit verging ...'', edited by Heinz-Klaus Metzger and Rainer Riehn, 5–96. Munich: Edition Text + Kritik.}}
* {{wikicite|ref={{harvid|Santschi|1982}}|reference=Santschi, Madeleine. 1982. ''Voyage avec Michel Butor''. Lausanne: Éditions L'Age d'Homme.}}
* {{wikicite|ref={{harvid|Schönberger|2001}}|reference=Schönberger, Elmer. 2001. "Andriessen: (4) Louis Andriessen". ''The New Grove Dictionary of Music and Musicians'', edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.}}
* {{wikicite|ref={{harvid|Schwartz, Childs, and Fox|1998}}|reference=[[Elliott Schwartz|Schwartz, Elliott]], and [[Barney Childs]], with [[Jim Fox (composer)|Jim Fox]]. 1998. ''Contemporary Composers on Contemporary Music''. Expanded edition. New York: Da Capo Press. {{ISBN|978-0-306-80819-7}}.}}
* {{wikicite|ref={{harvid|Skowron|1981}}|reference=Skowron, Zbigniew. 1981. "Muzyka elektroniczna Karlheinza Stockhausena. Okres prób i doswiadczen" [Karlheinz Stockhausen's electronic music. A period of trials and experiences]. ''Muzyka: Kwartalnik Instytutu Sztuki Polskiej Akademii Nauk'' 26, nos. 3–4:17–40.}}
* {{wikicite|ref={{harvid|C. Stockhausen|1978}}|reference=Stockhausen, Christel. 1978. "Stockhausens ''Tierkreis'': Einführung und Hinweise zur praktischen Aufführung." ''Melos'' 45/''[[Neue Zeitschrift für Musik]]'' 139 (July/August): 283–287. Reprinted together with an English translation as "Stockhausen's ZODIAC, Introduction and Instructions for Performance Practice", in a booklet now included with the score of ''Tierkreis''.}}
* {{wikicite|ref={{harvid|Stockhausen ''Texte''}}|reference=Stockhausen, Karlheinz. 1963–2014 ''Texte zur Musik''. {{OCLC|6571675}} 17 vols. Vols. 1–3 edited by [[Dieter Schnebel]]; vols. 4–10 edited by [[Christoph von Blumröder]]. Vols. 1–3, Cologne: Verlag M. DuMont Schauberg (1963, 1964, 1971); vols. 4–6 DuMont Buchverlag (1978, 1989, 1989). Vols. 7–10 Kürten: Stockhausen-Verlag (1998). Vols. 11–17 Kürten: Stockhausen-Verlag (2014). English edition, as ''Texts on Music'', edited by [[Jerome Kohl]], with translations by Jerome Kohl, [[Richard Toop]], Tim Nevill, [[Suzanne Stephens]], et al. Kürten: Stockhausen-Verlag, in preparation.}}
* {{wikicite|ref={{harvid|Stockhausen|1962}}|reference=Stockhausen, Karlheinz. 1962. "The Concept of Unity in Electronic Music". Translated by Elaine Barkin. ''[[Perspectives of New Music]]'' 1, no. 1 (Autumn): 39–48.}}
* {{wikicite|ref={{harvid|Stockhausen|1989a}}|reference=Stockhausen, Karlheinz. 1989a. ''Stockhausen on Music: Lectures and Interviews'', edited by Robin Maconie. London and New York: Marion Boyars. {{ISBN|978-0-7145-2887-8}} (cloth) {{ISBN|978-0-7145-2918-9}} (pbk).}}
* {{wikicite|ref={{harvid|Stockhausen|1989b}}|reference=Stockhausen, Karlheinz. 1989b. ''Towards a Cosmic Music''. Texts selected and translated by Tim Nevill. Shaftsbury: Element Books. {{ISBN|978-1-85230-084-5}}.}}
* {{wikicite|ref={{harvid|Stockhausen|1996a}}|reference=Stockhausen, Karlheinz. 1996a. "Electroacoustic Performance Practice". ''[[Perspectives of New Music]]'' 34, no. 1 (Fall): 74–105.}}
* {{wikicite|ref={{harvid|Stockhausen|1996b}}|reference=Stockhausen, Karlheinz. 1996b. "Kino-Bilder". In ''Bilder vom Kino: Literarische Kabinettstücke'', edited by Wolfram Schütte, 138–140. Frankfurt am Main: Suhrkamp Verlag.}}
* {{wikicite|ref={{harvid|Stockhausen|1996c}}|reference=Stockhausen, Karlheinz. 1996c. "Helikopter-Streichquartett". ''Grand Street'' 14, no. 4 (Spring, "Grand Street 56: Dreams"):213–225. {{ISBN|978-1-885490-07-0}}. Online [https://web.archive.org/web/20141117125904/http://www.stockhausen.org/helicopter_intro.html Variant of this text] (some omissions, some supplements, different illustrations).}}
* {{wikicite|ref={{harvid|Stockhausen|1999}}|reference=Stockhausen, Karlheinz. 1999. ''Stockhausen-Kurse Kürten 1999: Kompositions-Kurs: Skizzen von'' Welt-Parlament'' (1995) für Chor a cappella (mit singenden Dirigenten/Klangregisseur (1. Szene vom Mittwoch aus Licht)''. Kürten: Stockhausen-Verlag.}}
* {{wikicite|ref={{harvid|Stockhausen|2001a}}|reference=Stockhausen, Karlheinz. 2001a. "[http://www.stockhausen.org/message_from_karlheinz.html Message from Professor Karlheinz Stockhausen]" (Accessed 27 December 2007).}}
* {{wikicite|ref={{harvid|Stockhausen|2001b}}|reference=Stockhausen, Karlheinz. 2001b. ''Stockhausen Courses Kürten 2001: Composition Course on'' Lights-Waters (Sunday Greeting)'' for Soprano, Tenor, and orchestra with synthesizer (1999)''. Kürten: Stockhausen-Verlag.}}
* {{wikicite|ref={{harvid|Stockhausen|2002}}|reference=Stockhausen, Karlheinz. 2002. "[http://www.stockhausen.org/hamburg.pdf "Huuuh!" Das Pressegespräch am 16. September 2001 im Senatszimmer des Hotel Atlantic in Hamburg]". ''MusikTexte'' no. 91:69–77.}}
* {{wikicite|ref={{harvid|Stockhausen|2003}}|reference=Stockhausen, Karlheinz. 2003. ''Stockhausen Courses Kürten 2003: Composition Course on'' Hoch-Zeiten (of Sunday from Light)'' for Choir (2001/02)''. Kürten: Stockhausen-Verlag.}}
* {{wikicite|ref={{harvid|Stockhausen|2004}}|reference=Stockhausen, Karlheinz. 2004. "Electronic and Instrumental Music", translated by [[Jerome Kohl]], with [[Suzanne Stephens]] and John McGuire. In ''Audio Culture: Readings in Modern Music'', edited by Christoph Cox and Daniel Warner, 370–380. New York: Continuum. {{ISBN|978-0-8264-1614-8}}; {{ISBN|978-0-8264-1615-5}}.}}
* {{wikicite|ref={{harvid|Stockhausen|2007a}}|reference=Stockhausen, Karlheinz. 2007a. "[http://www.stockhausen.org/cosmic_pulses_prog.pdf ''Cosmic Pulses'': Electronic Music]." (Accessed 30 March 2008) In programme book for the world première. Rome (8 May). Slightly expanded version in ''2007 Stockhausen-Kurse Kürten: Programm zu den Interpretations- und Kompositionskursen und Konzerten der Musik von / Programme for the Interpretation and Composition Courses and Concerts of the Music of Karlheinz Stockhausen, 7. Juli bis 15. Juli 2007 in Kürten / from {{sic|July| 7|hide=y}}<!-- hide from bots -->th<!--NB: This date format is the way it is printed on the title page of the book, never mind what Wikipedia date formats are. Please do not change.--> to 15th<!--NB: This date format is how it is printed on the title page of the book, never mind what Wikipedia date formats are. Please do not change.--> 2007 in Kuerten'', notes for the German première on 13 July 2007, pp.&nbsp;22 (German text) and 40 (English text), with illustrations divided between those pages and the programme cover. Kürten: Stockhausen-Verlag.}}
* {{wikicite|ref={{harvid|Stockhausen|2009}}|reference=Stockhausen, Karlheinz. 2009. ''Kompositorische Grundlagen Neuer Musik: Sechs Seminare für die Darmstädter Ferienkurse 1970'', edited by Imke Misch. Kürten: Stockhausen-Stiftung für Musik. {{ISBN|978-3-00-027313-1}}.}}
* {{wikicite|ref={{harvid|Stockhausen, Conen, and Hennlich|1989}}|reference=Stockhausen, Karlheinz, Hermann Conen, and Jochen Hennlich. 1989. "Before and After ''Samstag aus Licht'': Conversation of 24 May 1984, in Milan." Translated by Karin von Abrams. ''Contemporary Music Review'' 5, no. 1:267–297.}}
* {{wikicite|ref={{harvid|M. Stockhausen|1998}}|reference=[[Markus Stockhausen|Stockhausen, Markus]]. 1998. "Markus Stockhausen plays Karlheinz Stockhausen", notes on pp.&nbsp;13–17 of booklet to CD recording, ''Markus Stockhausen plays Karlheinz Stockhausen: Aries, In Freundschaft, Halt, Pietà''. EMI Classics 7243 5 56645 2 5.}}
* {{wikicite|ref={{harvid|Stockhausen-Stiftung|2007}}|reference=Stockhausen-Stiftung. 2007. ''[http://www.stockhausen.org/2007_performances_update.pdf Stockhausen Aufführungen/Performances 2007]''. Kürten: Stockhausen-Stiftung.}}
* {{wikicite|ref={{harvid|Stockhausen-Verlag|2010}}|reference=Stockhausen-Verlag. 2010. ''Stockhausen {{sic|August| 22|hide=y}}<!-- hide from bots -->nd<!--NB: This date format is the way it is printed on the title page of the book, never mind what Wikipedia date formats are. Please do not change.--> 1928 – 5 December 5<!-- hide from bots -->th<!--NB: This date format is the way it is printed on the title page of the book, never mind what Wikipedia date formats are. Please do not change.--> 2007'', English edition of brochure with official worklist and list of CDs. Kürten: Stockhausen-Verlag. [http://www.karlheinzstockhausen.org/complete_list_of_works_english.htm Online version.]}}
* {{wikicite|ref={{harvid|Stravinsky|1984}}|reference=[[Igor Stravinsky|Stravinsky, Igor]]. 1984. ''Selected Correspondence'', vol. 2. Edited and with commentaries by [[Robert Craft]]. New York: Alfred A. Knopf.}}
* {{wikicite|ref={{harvid|Stravinsky and Craft|1980}}|reference=Stravinsky, Igor, and Robert Craft. 1980. ''Conversations with Stravinsky''. Berkeley and Los Angeles: University of California Press. {{ISBN|978-0-520-04040-3}} (Reprint of the 1959 Doubleday edition).}}
* {{wikicite|ref={{harvid|Tannenbaum|1987}}|reference=Tannenbaum, Mya. 1987. ''Conversations with Stockhausen'', translated from the Italian by David Butchart. Oxford: Clarendon Press; New York: Oxford University Press. {{ISBN|978-0-19-315467-4}}.}}
* {{wikicite|ref={{harvid|Toop|1998}}|reference=[[Toop, Richard]]. 1998. "Mondrian, Fibonacci ... und Stockhausen: Mass und Zahl in ''Adieu''". ''[[Neue Zeitschrift für Musik]]'' 159, no. 4 (July–August): 31–35.}}
* {{wikicite|ref={{harvid|Toop|2001}}|reference=Toop, Richard. 2001. "Karlheinz Stockhausen". ''[[The New Grove Dictionary of Music and Musicians]]'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (musicologist)|John Tyrrell]]. London: Macmillan Publishers.}}
* {{wikicite|ref={{harvid|Toop|2005}}|reference=Toop, Richard. 2005. ''Six Lectures from the Stockhausen Courses Kürten 2002''. Stockhausen-Verlag. {{ISBN|978-3-00-016185-8}}.}}
* {{wikicite|ref={{harvid|Tsahar|2006}}|reference=[[Assif Tsahar|Tsahar, Assif]]. 2006. "Gentle Giant". ''[[Haaretz]]'' [Tel Aviv] (17 March).}}
* {{wikicite|ref={{harvid|Ulrich|2001}}|reference=Ulrich, Thomas. 2001. "Sternklang: Karlheinz Stockhausens astronische Musik". ''Positionen: Beiträge zur neuen Musik'' 46 (February): 25–28.}}
* {{wikicite|ref={{harvid|Williams|2006}}|reference=Williams, Alastair. 2006. "Swaying with Schumann: Subjectivity and Tradition in Wolfgang Rihm's ''Fremde Szenen'' I–III and Related Scores". ''[[Music & Letters]]'' 87, no. 3:379–397.}}
* {{wikicite|ref={{harvid|Witts|1995a}}|reference=[[Dick Witts|Witts, Dick]]. 1995. "[https://web.archive.org/web/20130529064851/https://www.thewire.co.uk/in-writing/interviews/karlheinz-stockhausen_advice-to-clever-children Karlheinz Stockhausen: Advice to Clever Children ...]". ''[[The Wire (magazine)|The Wire]]'', issue 141 (November) (archive from 29 May 2013, accessed 2 May 2017).}}
* {{cite news|last=Witts|first=Dick|url=https://www.independent.co.uk/arts-entertainment/techno-s-well-weird-grandad-1578997.html|title=Techno's 'well weird' grandad|date=23 October 1995|work=[[The Independent]]|ref={{harvid|Witts|1995b}}}}{{registration required}}
* {{wikicite|ref={{harvid|Wörner|1973}}|reference={{ill|Karl Heinrich Wörner|de|lt=Wörner, Karl Heinrich}}. 1973. ''Stockhausen: Life and Work''. Translated by [[Bill Hopkins (composer)|Bill Hopkins]]. Berkeley: University of California Press. {{ISBN|0520021436|9780520021433}}}}
* {{cite web|last=Zamboni|first=Sara|url=https://www.sarazambonimusic.com/news|title=Three presentations in the 'Stockhausen Analogue Studio'|date=January 2020}}
* {{cite web | url = https://lokhalle-mainz.de/fileadmin/user_upload/Ouvertuere_Rheingau_Musik_Festival_2017.pdf | title = Ouvertüre | publisher = [[Rheingau Musik Festival]] | date = 2017 | language = de | access-date = 24 February 2021 | ref = {{sfnref|Rheingau Musik Festival|2017}} | archive-date = 8 March 2022 | archive-url = https://web.archive.org/web/20220308012641/https://lokhalle-mainz.de/fileadmin/user_upload/Ouvertuere_Rheingau_Musik_Festival_2017.pdf | url-status = dead }}
{{refend}}
{{div col end}}

===Further reading===
{{div col|colwidth=45em}}
{{refbegin}}
* Adamenko, Victoria. 2007. ''Neo-mythologism in Music: From Scriabin and Schoenberg to Schnittke and Crumb''. Interplay Series 5. Hillsdale, New York: Pendragon Press. {{ISBN|978-1-57647-125-8}}.
* Anon. 2008. "Karlheinz Stockhausen—a Romantic Discovering the Universe" [radio transcript]. In ''Talking to Kinky and Karlheinz—170 musicians get vocal on The Music Show'', edited by Anni Heino, 283–291. Sydney: ABC Books. {{ISBN|978-0-7333-2008-8}}.
* Assis, Gustavo Oliveira Alfaix. 2011. ''Em busca do som: A música de Karlheinz Stockhausen nos anos 1950''. São Paulo: Editora UNESP. {{ISBN|978-85-393-0207-9}}.
* [[Richard Barrett (composer)|Barrett, Richard]]. 2012. "[http://richardbarrettmusic.com/Stockhausen2012.html Stockhausen Today and Tomorrow]". Revised version of a paper presented at the Festival of Light, University of Birmingham/Birmingham Conservatoire/mac Birmingham (20 August). Richardbarrettmusic.com (Accessed 11 September 2012).
* Bauer, Christian. 2008. ''Sacrificium intellectus: Das Opfer des Verstandes in der Kunst von Karlheinz Stockhausen, [[Botho Strauß]] und [[Anselm Kiefer]]''. Munich: Wilhelm Fink Verlag. {{ISBN|978-3-7705-4596-4}}.
* [[Mary Bauermeister|Bauermeister, Mary]]. 2011. ''Ich hänge im Triolengitter: Mein Leben mit Karlheinz Stockhausen''. Munich: Edition [[Elke Heidenreich]] bei C. Bertelsmann. {{ISBN|978-3-570-58024-0}}.
* Beaucage, Réjean. 2005. "[http://www.scena.org/lsm/sm11-3/Stockhausen_fr.htm Contact avec] / [http://www.scena.org/lsm/sm11-3/Stockhausen_en.htm Contact with Stockhausen]", English translation by [[Jane Brierley]]. [http://www.scena.org/pdf-files/SM11-3.pdf ''La Scena Musicale'' 11, no. 3] (November): 18–25.
* Beer, Roland de. 2008. "Magistraal klinkend in memoriam". ''[[De Volkskrant]]'' (21 June).
*Betsill, Daniel Joseph. 2007. [http://betsillworkshop.com/door.htm The Construction of Stockhausen's Heaven's Door].
* [[Christoph von Blumröder|Blumröder, Christoph von]]. 1993. ''Die Grundlegung der Musik Karlheinz Stockhausens''. Supplement to the ''[[Archiv für Musikwissenschaft]]'' 32, ed. [[Hans Heinrich Eggebrecht]]. Stuttgart: Franz Steiner Verlag.
*Blumröder, Christoph von. 2017. ''Die elektroakustische Musik: Eine kompositorische Revolution und ihre Folgen''. Signale aus Köln: Beiträge zur Musik der Zeit 22. Vienna; Verlag Der Apfel. {{isbn|978-3-85450-422-1}}.
*Bos, Christian. 2007. "[http://www.ksta.de/-synthesizer-sind-etwas-sinnliches--13154700 Synthesizer sind etwas Sinnliches]", ''[[Kölner Stadt-Anzeiger]]'' (28 November; accessed 5 April 2017).
* Bridoux-Michel, Séverine. 2006. "Architecture et musique: croisements de pensées après 1950 (la collaboration de l'architecte et du musicien, de la conception à l'oeuvre)". PhD diss., l'Université Charles de Gaulle–Lille.
* Brümmer, Ludger. 2008. "Stockhausen on Electronics, 2004". ''[[Computer Music Journal]]'' 32, no. 4:10–16.
* [[Cornelius Cardew|Cardew, Cornelius]]. 1974. ''Stockhausen Serves Imperialism''. London: Latimer New Directions. Reprinted in ''Cornelius Cardew (1936–1981) – A Reader'', edited by E Prévost. Harlow: Copula, 2006.
* Chaplygina, Marina. 1993. Карлхайнц Штокхаузен: когда-нибудь речь станет пением ["Karlheinz Stockhausen: Some Day Speech Will Become Singing" (interview)]. ''Музыкальная жизнь'' [Musical Life], nos. 15–16:24–26.
* Côté, Michel F. 2009. "Considérations en provenance de Sirius". ''Circuit: Musiques Contemporaines'' 19, no. 2:57–62.
*Covell, Grant Chu. 2000. "[http://www.lafolia.com/archive/covell/covell200011stockhausen.html Stockhausen Is Invisible] {{Webarchive|url=https://web.archive.org/web/20120219062652/http://www.lafolia.com/archive/covell/covell200011stockhausen.html |date=19 February 2012 }}". ''La Folia'' 3/1 (November).
*Covell, Grant Chu. 2007. "[http://www.lafolia.com/archive/covell/covell200704grubbygruppen.html Ferneyhough & Stockhausen: Grubby and Gruppen] {{Webarchive|url=https://web.archive.org/web/20120219062657/http://www.lafolia.com/archive/covell/covell200704grubbygruppen.html |date=19 February 2012 }}". ''La Folia'' (April).
* Custodis, Michael. 2004. ''Die soziale Isolation der neuen Musik: Zum Kölner Musikleben nach 1945''. Supplement to the ''Archiv für Musikwissenschaft'' 54, edited by [[Albrecht Riethmüller]], with Reinhold Brinkmann, [[Ludwig Finscher]], [[Hans-Joachim Hinrichsen]], [[Wolfgang Osthoff]], and [[Wolfram Steinbeck]]. Stuttgart: Franz Steiner Verlag. {{ISBN|978-3-515-08375-1}}.
* [[Paul Dirmeikis|Dirmeikis, Paul]]. 1999. ''Le Souffle du temps: Quodlibet pour Karlheinz Stockhausen''. [La Seyne-sur-Mer]: Éditions Telo Martius. {{ISBN|978-2-905023-37-7}}
*Dousson, Lambert. 2020. ''« La plus grande œuvre d'art pour le cosmos tout entier ». Stockhausen et le 11 septembre (Essai sur la musique et la violence)'', Paris, éditions MF, coll. « Répercussions », 2020, 240 p.
*Essl, Karlheinz. 1989. "[http://www.essl.at/bibliogr/stockhausen.html Aspekte des Seriellen bei Karlheinz Stockhausen]". First appeared in Lothar Knessl (Ed.) ''WIEN MODERN '89'': 90–97. Vienna.
* Feß, Eike. 2004. "Die Wirkung der Informationstheorie auf das Werk Karlheinz Stockhausens". In ''Kompositorische Stationen des 20. Jahrhunderts. Debussy, Webern, Messiaen, Boulez, Cage, Ligeti, Stockhausen, Höller, Bayle''. Signale aus Köln. Beiträge zur Musik der Zeit 7, edited by [[Christoph von Blumröder]], 116–128. Münster: Lit-Verlag, 2004. {{ISBN|978-3-8258-7212-0}}.
*Föllmer, Golo. [n.d.] "[http://www.medienkunstnetz.de/works/stockhausen-im-kugelauditorium Karlheinz Stockhausen: "Spherical Concert Hall"]" (Osaka World Expo, 1970). Medien Kunst Net / Media Art Net.
*Fox, Edward. 1993. "[https://www.newspapers.com/clip/51729440/stockhausen-licht/ Licht Fantastic]". ''[[The Age]]'', Melbourne (9 October): 173. via [[Newspapers.com]]
* Frisius, Rudolf. 1996. ''Karlheinz Stockhausen I: Einführung in das Gesamtwerk; Gespräche mit Karlheinz Stockhausen''. Mainz: Schott Musik International. {{ISBN|978-3-7957-0248-9}}.
* Frisius, Rudolf. 2008. ''Karlheinz Stockhausen II: Die Werke 1950–1977; Gespräch mit Karlheinz Stockhausen, "Es geht aufwärts"''. Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto: Schott Musik International. {{ISBN|978-3-7957-0249-6}}.
* Frisius, Rudolf. 2013. ''Karlheinz Stockhausen III: Die Werkzyklen 1977–2007''. Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto: Schott Music. {{ISBN|978-3-7957-0772-9}}.
* [[Johannes Fritsch|Fritsch, Johannes]], with [[Richard Toop]]. 2008. "Versuch, eine Grenze zu überschreiten ... Johannes Fritsch im Gespräch über die Aufführungspraxis von Werken Karlheinz Stockhausens". ''MusikTexte: Zeitschrift für neue Musik'', no. 116 (February): 31–40.
*[[Simon Hattenstone|Hattenstone, Simon]]. 2001. "[https://www.newspapers.com/clip/51728972/stockhausen-review/ Listen without Prejudice]". ''[[The Guardian]]'', London (6 October): 62. via [[Newspapers.com]]
* Gather, John Philipp. 2003. "The Origins of Synthetic Timbre Serialism and the Parisian Confluence, 1949–52". PhD diss. Buffalo: State University of New York, Buffalo.
* [[Bob Gilmore|Gilmore, Bob]]. 2009. "Claude Vivier and Karlheinz Stockhausen: Moments from a Double Portrait". ''Circuit: musiques contemporaines'' 19, no. 2:35–49.
* Grant, M[orag] J[osephine], and Imke Misch (eds.). 2016. ''The Musical Legacy of Karlheinz Stockhausen: Looking Back and Forward''. Hofheim: Wolke Verlag. {{ISBN|978-3-95593-068-4}}.
* Grohmann, Katerina. 2010. ''Karlheinz Stockhausen: Oper MITTWOCH aus LICHT''. Kölner Beiträge zur Musikwissenschaft 12, edited by [[Christoph von Blumröder]], [[Wolfram Steinbeck]]. Kassel: Bosse Verlag. {{ISBN|978-3-7649-2712-7}}.
* Gutkin, David. 2012. "[https://www.academia.edu/1934849/Drastic_or_Plastic_Threads_from_Karlheinz_Stockhausens_Musik_und_Graphik_1959 Drastic or Plastic? Threads from Karlheinz Stockhausen's 'Musik und Graphik', 1959]". ''[[Perspectives of New Music]]'' 50, nos. 1 & 2 (Winter–Summer): 255–305. {{subscription required}}
* Habib, André. 15 January 2002. "[https://web.archive.org/web/20110518061930/http://archive.sensesofcinema.com/contents/01/19/quay.html Through a Glass Darkly: Interview with the Quay Brothers]". ''Senses of Cinema'' (February) (archive from 18 May 2011; accessed 18 March 2016). French translation previously published in the Montreal-based online journal ''Hors Champ''.
* Hänggi, Christian. 2011. [http://fillip.ca/content/stockhausen-at-ground-zero Stockhausen at Ground Zero.] ''[[Fillip]]''. {{ISBN|978-0-9868326-5-9}}.
* Hartwell, Robin. 2012. "Threats and Promises: Lucifer, Hell, and Stockhausen's ''Sunday from Light''". ''[[Perspectives of New Music]]'' 50, nos. 1 & 2 (Winter–Summer): 393–424.
* Heikinheimo, Seppo. 1972. ''The Electronic Music of Karlheinz Stockhausen: Studies on the Esthetical and Formal Problems of Its First Phase'', translated by Brad Absetz. Acta Musicologica Fennica 6 ({{ISSN|0587-2448}}). Helsinki: Suomen Musiikkitieteellinen Seura / Musikvetenskapliga Sällskapet i Finland. (Doctoral thesis, Helsinki University.)
* Henkel, Georg. 2012. ''Kosmisches Lachen: Synthi-Fou und der närrische Humor in Karlheinz Stockhausens Opernzyklus Licht''. Hamburg: Tredition GmbH. {{ISBN|978-3-8491-1646-0}}.
* [[Jonathan Harvey (composer)|Harvey, Jonathan]]. 1975a. ''The Music of Stockhausen: An Introduction''. Berkeley and Los Angeles: University of California Press. {{ISBN|978-0-520-02311-6}}.
* [[Peter Heyworth|Heyworth, Peter]]. 1971. "[https://www.newspapers.com/clip/51729652/stockhausen-composer-prophet/ Composer-Prophet]". ''[[The Observer]]'', London (25 April): 9. via [[Newspapers.com]]
* Heyworth, Peter. 1985. "[https://www.newspapers.com/clip/51728397/stockhausen-profile/ Alchemist of the avant-garde]" and "[https://www.newspapers.com/clip/51728600/stockhausen-donnerstag/ Thursday's child goes far]". ''[[The Observer]]'', London (22 September): 9, 23. via [[Newspapers.com]]
* Holbein, Ulrich. 2008. "Karlheinz Stockhausen: Elektroniker, Neutöner, Klang-Avantgardist, Lichtgestalt, Mythenverdünner". In his ''Narratorium: 255 Lebensbilder'', 916–920. Zürich: Ammann Verlag. {{ISBN|978-3-250-10523-7}}.
* Hollings, Ken. May 1999. "[https://web.archive.org/web/20081120093416/http://www.thewire.co.uk/articles/140/ Lost in the Stars]: Karlheinz Stockhausen in Conversation with Ken Hollings, Kürten, Germany, 12 March 1999". ''[[The Wire (magazine)|The Wire]]'', no. 184.
* Hopp, Winrich. 1998. ''Kurzwellen von Karlheinz Stockhausen: Konzeption und musikalische Poiesis''. Kölner Schriften zur neuen Musik 6. With CD recording. Mainz and New York: Schott. {{ISBN|978-3-7957-1895-4}}.
* Howland, Patricia L. 2010. "Formal Processes in Post-Tonal Music: A Study of Selected Works by Babbitt, Stockhausen, and Carter". PhD diss. New York: City University of New York.
*[[Harold C. Schonberg|Schonberg, Harlold C.]] 1971. "[https://www.newspapers.com/clip/51730087/stockhausen-schonberg/ Stockhausen Does the Twist]". ''[[The Baltimore Sun]]'' (7 March): 96. via [[Newspapers.com]]
* Ingram, James, and Paul Roberts. 2008. "Über das Unsichtbarsein: Ein E-mail Interview mit James Ingram zu seiner Tätigkeit als Stockhausens Notenkopist", translated by Gisela Gronemeyer. ''MusikTexte'', no. 117 (May): 43–52. Expanded English text, as "[http://james-ingram-act-two.de/stockhausen/OnBeingInvisible/onBeingInvisible.html On Being Invisible]" (April 2009). James Ingram: Act Two website. Accessed 27 July 2010.
* Jones, Stephen. 2004. "[[Philippa Cullen]]: Dancing the Music". ''[[Leonardo Music Journal]]'' 14 (Composers Inside Electronics: Music After David Tudor): 64–73.
* {{ill|Hans-Klaus Jungheinrich|de|lt=Jungheinrich, Hans-Klaus}}. 2005. "Eötvös und Stockhausen". In ''Identitäten: Der Komponist und Dirigent Peter Eötvös: Symposion, 19. September 2004, Alte Oper Frankfurt am Main'', edited by Hans-Klaus Jungheinrich, 48–56. Edition [[Neue Zeitschrift für Musik]]. Mainz: Schott Musik International. {{ISBN|978-3-7957-0534-3}}.
* [[John Kelsall|Kelsall, John]]. 1975. "[http://theses.gla.ac.uk/1306/ Compositional Techniques in the Music of Stockhausen (1951–1970)]". PhD diss. Glasgow: University of Glasgow.
* [[Helmut Kirchmeyer|Kirchmeyer, Helmut]]. 2009. "Stockhausens Elektronische Messe nebst einem Vorspann unveröffentlichter Briefe aus seiner Pariser Zeit an Herbert Eimert". ''[[Archiv für Musikwissenschaft]]'' 66, no. 3:234–359.
* [[Jerome Kohl|Kohl, Jerome]]. 2008. Programme notes in the programme booklet for the Klang Festival, (1–9 November), Southbank Centre, London: 12–13, 16–17, 20–21, 24–25.
* Kohl, Jerome. 2009a. "''Klang''/''Som'': Die 24 Stunden des Tages/As 24 horas do dia". ''Temporada Gulbenkian de Música 2009–2010'' (October): 13–14.
* Kohl, Jerome. 2009b. "''Hoffnung''/''Esperança'', para violino, viola e violoncelo (2007): 9ª hora de ''Klang'', as 24 horas do dia". ''Temporada Gulbenkian de Música 2009–2010'' (October): 18.
* Kohl, Jerome. 2009c. "''Schönheit''/''Beleza'', para clarinete baixo, flauta e trompete (2006): 6ª hora de ''Klang'', as 24 horas do dia". ''Temporada Gulbenkian de Música 2009–2010'' (October): 22.
* Kohl, Jerome. 2010. "A Child of the Radio Age". In ''Cut & Splice: Transmission'', edited by Daniela Cascella and Lucia Farinati, 135–139. London: Sound and Music. {{ISBN|978-1-907378-03-4}}.
* Kohl, Jerome. 2012a. "A Gedenkschrift for Karlheinz Stockhausen: Guest Editor's Introduction". ''[[Perspectives of New Music]]'' 50, nos. 1 & 2 (Winter–Summer): 306–312.
* Kohl, Jerome. 2012b. "Harmonies and the Path from Beauty to Awakening: Hours 5 to 12 of Stockhausen's ''Klang''". ''[[Perspectives of New Music]]'' 50, nos. 1 & 2 (Winter–Summer): 476–523.
* Krause, Peter. 2008. "Elektro-Esoterik: Uraufführung von Stockhausen-Klang". ''[[Die Welt]]'' (8 August).
* [[Robin Maconie|Maconie, Robin]]. 2016. ''Other Planets: The Complete Works of Karlheinz Stockhausen 1950–2007'', updated edition. Lanham, Maryland, and London: Rowman & Littlefield. {{ISBN|978-1-4422-7267-5}}.
* Mießgang, Thomas, and Robert Baumanns. 1997. "[http://www.zeit.de/1997/17/Schlagsahne_Irrengesang_Kirmesgeister Schlagsahne, Irrengesang, Kirmesgeister: Karlheinz Stockhausen testet Krautrock]". ''[[Die Zeit]]'', 1997, no. 17 (18 April).
* Miller, Paul. 2009. "Stockhausen and the Serial Shaping of Space". PhD diss. Rochester: Eastman School of Music.
* Miller, Paul. 2012. "An Adventure into Outer Space: Stockhausen's ''Lichter—Wasser'' and the Analysis of Spatialized Music". ''[[Perspectives of New Music]]'' 50, nos. 1 & 2 (Winter–Summer): 342–392.
* Misch, Imke, and Markus Bandur (eds.). 2001. ''Karlheinz Stockhausen bei den Internationalen Ferienkursen für Neue Musik in Darmstadt 1951–1996: Dokumente und Briefe''. Kürten: Stockhausen-Verlag. {{ISBN|978-3-00-007290-1}}.
* Mischke, Joachim. 8 August 2008. "SHMF: Neue Musik, visionär, von heute und wie von gestern". ''[[Hamburger Abendblatt]]''.
* Morreau, Annette. 6 March 2001. "Where Herzog Met Portishead: Only Connect, Barbican, London". ''[[The Independent]]''.
* Mowitz, Michael. 2010. ''Die Form der Klänge. Stockhausens ›Konzeption einer einheitlichen musikalischen Zeit‹ am Beispiel der Komposition "Kontakte"''. Osnabrück: [http://www.epos.uni-osnabrueck.de/ epOs-Music]. {{ISBN|978-3-940255-08-2}}.
* Normandeau, Robert. 2009. "Influence de Stockhausen chez les compositeurs électroacoustiques québécois: Sondage courriel et entrevues". ''Circuit: Musiques Contemporaines'' 19, no. 2:51–55.
* Parsons, Ian Lawrence. 2019. "The Phenomenology of ''Light'': an Interpretation of Stockhausen's Opera Cycle Drawing on Heidegger's Fourfold and Lacanian Psychoanalysis". PhD diss. Melbourne: Monash University.
* Rea, John. 2009. "[http://id.erudit.org/iderudit/037453ar On Stockhausen's ''Kontakte'' (1959–60) for Tape, Piano and Percussion: A Lecture/Analysis by John Rea Given at the University of Toronto, March 1968]". ''Circuit: Musiques Contemporaines'' 19, no. 2:77–86.
* Rigoni, Michel. 1998. ''Stockhausen: ... un vaisseau lancé vers le ciel'', second edition, revised, corrected, and enlarged. Lillebonne: Millénaire III Editions. {{ISBN|978-2-911906-02-2}}.
* Rigoni, Michel. 2001. ''Le rêve de Lucifer de Karlheinz Stockhausen''. La trace des silences. [Paris]: M. de Maule. {{ISBN|978-2-87623-103-0}}.
* [[Curtis Roads|Roads, Curtis]]. 2001. ''Microsound''. Cambridge: MIT Press. {{ISBN|978-0-262-18215-7}}.
* Romney, Jonathan. 3 March 2001. "[https://www.theguardian.com/culture/2001/mar/03/artsfeatures The Barbican's Musical Jellyfish: Sound on Film Live]". ''[[The Guardian]]''.
* Rudi, Jøran (editor), [[Asbjørn Blokkum Flø]], and Asbjørn Schaathun. 2008. ''Karlheinz Stockhausen – A Pioneer in Utopia''. Oslo: Notam. {{ISBN|978-82-996867-2-3}}.
* Sandner, Wolfgang, and [[Péter Eötvös]]. 2005. "Klangbildeaufnahmen wie von einem Fotografen". In ''Identitäten: Der Komponist und Dirigent Péter Eötvös: Symposion, 19. September 2004, Alte Oper Frankfurt am Main'', edited by Hans-Klaus Jungheinrich, 59–67. Edition [[Neue Zeitschrift für Musik]]. Mainz: Schott Musik International. {{ISBN|978-3-7957-0534-3}}.
* Shimizu, Minoru. 1999. "Stockhausen und Japan, Licht und Schatten". In ''Internationales Stockhausen-Symposion 1998: Musikwissenschaftliches Institut der Universität zu Köln, 11. bis 14. November 1998. Tagungsbericht'', edited by Imke Misch and [[Christoph von Blumröder]], 87–94. Signale aus Köln: Beiträge zur Musik der Zeit 4. Saarbrücken: PFAU-Verlag. {{ISBN|978-3-89727-050-3}}.
* Sigel, Paul. 2000. "Der deutsche Beitrag auf der Expo70 in Osaka." ''Arch plus'' no. 149–150 (April): 116–133. Reprinted online [http://www.cloud-cuckoo.net/openarchive/wolke/deu/Themen/001/Sigel/sigel.htm ''Thema'' 5, no. 1 (July 2000)].
* Smalley, John. 2000."[http://sites.music.columbia.edu/masterpieces/notes/stockhausen/GesangHistoryandAnalysis.pdf ''Gesang der Jünglinge'': History and Analysis]". Programme note for concert series, Masterpieces of 20th-Century Electronic Music: A Multimedia Perspective. The Columbia University Computer Music Center, presented by Lincoln Center (July) .
* Stenzl, Jürg. 1991. "York Höller's 'The Master and Margarita': A German Opera." Translated by Sue Rose. ''[[Tempo (journal)|Tempo]]'' New Series, no. 179 (December): 8–15.
* [[Suzanne Stephens|Stephens, Suzanne]], and [[Kathinka Pasveer]] (eds.). 2008. ''Gedenkschrift für Stockhausen''. Kürten: Stockhausen-Stiftung für Musik. {{ISBN|978-3-00-023528-3}}.
* Stockhausen, Karlheinz. 1998. "Bildung ist große Arbeit: Karlheinz Stockhausen im Gespräch mit Studierenden des Musikwissenschaftlichen Instituts der Universität zu Köln am 5. Februar 1997." In ''Stockhausen 70: Das Programmbuch Köln 1998''. Signale aus Köln: Musik der Zeit 1, edited by Imke Misch and [[Christoph von Blumröder]], 1–36. Saarbrücken: Pfau-Verlag.
* Stockhausen, Karlheinz. 2007b. "Harmonien/Harmonies for Bass Clarinet (2006)". In ''2007 Stockhausen-Kurse Kürten: Programm zu den Interpretations- und Kompositionskursen und Konzerten der Musik von / Programme for the Interpretation and Composition Courses and Concerts of the Music of Karlheinz Stockhausen, 7. Juli bis 15. Juli 2007 in Kürten / from {{sic|July| 7|hide=y}}<!-- hide from bots -->th<!--NB: This date format is how it is printed on the title page of the book, never mind what Wikipedia date formats are. Please do not change.--> to 15th<!--NB: This date format is how it is printed on the title page of the book, never mind what Wikipedia date formats are. Please do not change.--> 2007 in Kuerten'', notes for the German première on 11 July 2007, pp.&nbsp;33–34. Kürten: Stockhausen-Verlag.
* Stockhausen, Karlheinz. 2007c. "Harmonien/Harmonies for Flute (2006): 5th Hour of Klang / Sound, The 24 Hours of the Day". In ''2007 Stockhausen-Kurse Kürten: Programm zu den Interpretations- und Kompositionskursen und Konzerten der Musik von / Programme for the Interpretation and Composition Courses and Concerts of the Music of Karlheinz Stockhausen, 7. Juli bis 15. Juli 2007 in Kürten / from {{sic|July| 7th|hide=y}}<!--NB: This date format is how it is printed on the title page of the book, never mind what Wikipedia date formats are. Please do not change.--> to 15th<!--NB: This date format is how it is printed on the title page of the book, never mind what Wikipedia date formats are. Please do not change.--> 2007 in Kuerten'', notes for the German première on 13 July 2007, p.&nbsp;36. Kürten: Stockhausen-Verlag.
* Stockhausen, Karlheinz. 2012. ''Jahreskreis—Circle of the Year: Immerwährender Kalendar mit Stockhausen-Zitaten und -Abbildungen'' / ''Perpetual Calendar with Stockhausen Quotes and Illustrations'', edited by [[Kathinka Pasveer]], translations by [[Suzanne Stephens]], Jayne Obst, Tim Nevill, [[Jerome Kohl]], Thomas von Steinaecker, and Imke Misch. Kürten: Stockhausen-Verlag. {{ISBN|978-3-00-037545-3}}.
* Stockhausen, Karlheinz, and Maryvonne Kendergi. 2009. "[http://id.erudit.org/iderudit/037452ar La mesure du temps: un entretien inédit avec Stockhausen (1958)]". ''Circuit: Musiques Contemporaines'' 19, no. 2:63–76.
* Stockhausen-Stiftung. 2008. ''[http://www.stockhausen.org/2008_performances_update.pdf Stockhausen Aufführungen/Performances 2008]''. Kürten: Stockhausen-Stiftung.
* Straus, Joseph N. 1997. "Babbitt and Stravinsky under the Serial 'Regime'" ''[[Perspectives of New Music]]'' 35, no. 2 (Summer): 17–32.
* Straus, Joseph N. 2001. ''Stravinsky's Late Music''. Cambridge Studies in Music Theory and Analysis 16. New York: Cambridge University Press 33–35. {{ISBN|978-0-521-80220-8}}.
* [[Stravinsky, Igor]], and [[Robert Craft]]. 1960. ''Memories and Commentaries''. Berkeley and Los Angeles: University of California Press.
* Telford, James. 2011. "Reconciling Opposing Forces: The Young James Macmillan—A Performance History". ''[[Tempo (journal)|Tempo]]'' 65, no. 257 (July): 40–51.
* [[Anthony Tommasini|Tommasini, Anthony]]. 30 September 2001. "[https://query.nytimes.com/gst/fullpage.html?res=9B05E2D8123AF933A0575AC0A9679C8B63 The Devil Made Him Do It]". ''[[The New York Times]]''.
* [[John Tilbury|Tilbury, John]]. 2008. ''Cornelius Cardew (1936–1981) – A Life Unfinished''. Harlow: Copula.
* [[Toop, Richard]]. 2008. "Kulturelle Dissidenten: Die Stockhausen-Klasse der Jahre 1973 und 1974". ''MusikTexte: Zeitschrift für neue Musik'', no. 116 (February): 46–49.
* Toop, Richard. 2012. "''Himmels-Tür'': Crossing to the Other Side". ''[[Perspectives of New Music]]'' 50, nos. 1 & 2 (Winter–Summer): 425–475.
* Truelove, Stephen. 1984. "Karlheinz Stockhausen's ''Klavierstück XI'': An Analysis of Its Composition via a Matrix System of Serial Polyphony and the Translation of Rhythm into Pitch." DMA diss. Norman: University of Oklahoma.
* Truelove, Stephen. 1998. "The Translation of Rhythm into Pitch in Stockhausen's ''Klavierstück XI''." ''[[Perspectives of New Music]]'' 36, no. 1 (Winter): 189–220.
* Ulrich, Thomas. 2006. ''Neue Musik aus religiösem Geist: theologisches Denken im Werk von Karlheinz Stockhausen und John Cage''. Saarbrücken: Pfau. {{ISBN|978-3-89727-328-3}}.
* Ulrich, Thomas. 2012a. "Lucifer and Morality in Stockhausen's Opera Cycle ''Licht''", translated by [[Jerome Kohl]]. ''[[Perspectives of New Music]]'' 50, nos. 1 & 2 (Winter–Summer): 313–341.
* Ulrich, Thomas. 2012b. ''Stockhausen: A Theological Interpretation'', translated by Jayne Obst. Kürten: Stockhausen-Stiftung für Musik. {{ISBN|978-3-9815317-0-1}}.
* Ulrich, Thomas. 2017. ''Stockhausens Zyklus LICHT: Ein Opernführer''. Cologne, Weimar, and Vienna: Böhlau Verlag. {{ISBN|978-3-412-50577-6}}.
* Vermeil, Jean. 1996. ''Conversations with Boulez: Thoughts on Conducting'', translated by Camille Nash, with a selection of programs conducted by Boulez and a discography by Paul Griffiths. Portland, Oregon: Amadeus Press.
* Viel, Massimiliano. 1990. "Formeltechnik, ponte tra intuito e memoria. Incontro con K.Stockhausen". ''Sonus'' 2, no 1: 51–68.
* Voermans, Erik. 2008. "Besluit van een machtig oeuvre". ''[[Het Parool]]'' (20 June).
* [[Gregg Wager|Wager, Gregg]]. 1998. ''Symbolism as a Compositional Method in the Works of Karlheinz Stockhausen''. College Park, Maryland: Gtrgg Wager. English translation of "Symbolik als kompositorische Methode in den Werken von Karlheinz Stockhausen". PhD diss. Berlin: Free University Berlin, 1996.
* Wolfson, Richard. 5 March 2001. "[https://www.telegraph.co.uk/culture/4722023/Hit-and-mismatch.html Hit and mismatch]" ''[[The Daily Telegraph|The Telegraph]]'', London.
* Welsh, Tom. 2019. "Ballad for a Child: The Discovery of an Unknown Song by Karlheinz Stockhausen Provides a Humanising Footnote to His Barnstorming 1958 Lecture Tour of the US". ''[[The Wire (magazine)|The Wire]]'', no. 425 (July): 20–21.
* Woodward, Roger (2014). "Karlheinz Stockhausen". ''Beyond Black and White''. HarperCollins. pp.&nbsp;419–437. {{ISBN|9780733323034}}
{{refend}}
{{div col end}}

===Obituaries===
* Anon. 2007. "[https://web.archive.org/web/20110814062050/http://www.timesonline.co.uk/tol/comment/obituaries/article3018939.ece Karlheinz Stockhausen: Influential and Controversial German Composer Who Pursued His Uncompromising Avant-Garde Vision through Six Decades]". ''[[The Times]]'' (10 December) (archive from 14 August 2011, accessed 20 May 2020).
* Nonnenmann, Rainer. 2007. "[https://www.ksta.de/in-kuerten-zu-hause---und-im-universum-13221226 In Kürten zu Hause—und im Universum]". ''[[Kölner Stadt-Anzeiger]]'' (7 December) (in German).
*Swed, Mark 2007. "[https://www.newspapers.com/clip/51731265/karlheinz-stockhausen-obituary/ Karlheinz Stockhausen, Avant-Garde Composer; at 79]". ''[[The Boston Globe]]'' (8 December): 67. via [[Newspapers.com]]