Editing Film noir (section)

==Sources==
{{Refbegin|30em}}
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* Aziz, Jamaluddin Bin (2005). "Future Noir", chap. in "Transgressing Women: Investigating Space and the Body in Contemporary Noir Thrillers". Ph.D. dissertation, Department of English and Creative Writing, Lancaster University (chapter available [https://web.archive.org/web/20081202113605/http://www.crimeculture.com/Contents/Articles-Summer05/JemAziz1.html online]).
* Ballinger, Alexander, and Danny Graydon (2007). ''The Rough Guide to Film Noir''. London: Rough Guides. {{ISBN|978-1-84353-474-7}}
* Bernstein, Matthew (1995). "A Tale of Three Cities: The Banning of ''Scarlet Street''", ''Cinema Journal'' 35, no. 1.
* Biesen, Sheri Chinen (2005). ''Blackout: World War II and the Origins of Film Noir''. Baltimore: Johns Hopkins University Press. {{ISBN|978-0-8018-8217-3}}
* Borde, Raymond, and Etienne Chaumeton (2002 [1955]). ''A Panorama of American Film Noir, 1941–1953'', trans. Paul Hammond. San Francisco: City Lights Books. {{ISBN|978-0-87286-412-2}}
* Bould, Mark (2005). ''Film Noir: From Berlin to Sin City''. London and New York: Wallflower. {{ISBN|978-1-904764-50-2}}
* Butler, David (2002). ''Jazz Noir: Listening to Music from'' Phantom Lady ''to'' The Last Seduction. Westport, Conn.: Greenwood. {{ISBN|978-0-275-97301-8}}
* Cameron, Ian, ed. (1993). ''The Book of Film Noir''. New York: Continuum. {{ISBN|978-0-8264-0589-0}}
* Christopher, Nicholas (1998 [1997]). ''Somewhere in the Night: Film Noir and the American City'', 1st paperback ed. New York: Owl/Henry Holt. {{ISBN|978-0-8050-5699-0}}
* Clarens, Carlos (1980). ''Crime Movies: An Illustrated History''. New York: W.W. Norton. {{ISBN|978-0-393-01262-0}}
* Conard, Mark T. (2007). ''The Philosophy of Neo-Noir''. Lexington: University Press of Kentucky. {{ISBN|978-0-8131-2422-3}}
* Copjec, Joan, ed. (1993). ''Shades of Noir''. London and New York: Verso. {{ISBN|978-0-86091-625-3}}
* Creeber, Glen (2007). ''The Singing Detective''. London: BFI Publishing. {{ISBN|978-1-84457-198-7}}
* [[Ken Dancyger|Dancyger, Ken]], and Jeff Rush (2002). ''Alternative Scriptwriting: Successfully Breaking the Rules'', 3d ed. Boston and Oxford: Focal Press. {{ISBN|978-0-240-80477-4}}
* Dargis, Manohla (2004). "Philosophizing Sex Dolls amid Film Noir Intrigue", ''The New York Times'', September 17 (available [https://movies.nytimes.com/2004/09/17/movies/17GHOS.html online] {{Webarchive|url=https://web.archive.org/web/20230901080247/https://www.nytimes.com/2004/09/17/movies/philosophizing-sex-dolls-amid-film-noir-intrigue.html |date=2023-09-01 }}).
* Davis, Blair (2004). "Horror Meets Noir: The Evolution of Cinematic Style, 1931–1958", in ''Horror Film: Creating and Marketing Fear'', ed. Steffen Hantke. Jackson: University Press of Mississippi. {{ISBN|978-1-57806-692-6}}
* Downs, Jacqueline (2002). "Richard Fleischer", in ''Contemporary North American Film Directors: A Wallflower Critical Guide'', 2d ed., ed. Yoram Allon, Del Cullen, and Hannah Patterson. London and New York: Wallflower. {{ISBN|978-1-903364-52-9}}
* [[Raymond Durgnat|Durgnat, Raymond]] (1970). "Paint It Black: The Family Tree of the ''Film Noir''", ''Cinema'' 6/7 (collected in Gorman et al., ''The Big Book of Noir'', and Silver and Ursini, ''Film Noir Reader [1]'').
* Erickson, Glenn (2004). "Fate Seeks the Loser: Edgar G. Ulmer's ''Detour''", in Silver and Ursini, ''Film Noir Reader 4'', pp.&nbsp;25–31.
* Gorman, Ed, Lee Server, and Martin H. Greenberg, eds. (1998). ''The Big Book of Noir''. New York: Carroll & Graf. {{ISBN|978-0-7867-0574-0}}
* Greene, Naomi (1999). ''Landscapes of Loss: The National Past in Postwar French Cinema''. Princeton, N.J.: Princeton University Press. {{ISBN|978-0-691-00475-4}}
* Greenspun, Roger (1973). "Mike Hodges's 'Pulp' Opens; A Private Eye Parody Is Parody of Itself", ''The New York Times'', February 9 (available [https://movies.nytimes.com/movie/review?res=9B05E3D71738EF3ABC4153DFB4668388669EDE online] {{Webarchive|url=https://web.archive.org/web/20230901080244/https://www.nytimes.com/1973/02/09/archives/screen-mike-hodgess-pulp-opensa-private-eye-parody-is-parody-of.html |date=2023-09-01 }}).
* Hanson, Helen (2008). ''Hollywood Heroines: Women in Film Noir and the Female Gothic Film''. London and New York: I.B. Tauris. {{ISBN|978-1-84511-561-6}}
* Hayde, Michael J. (2001). ''My Name's Friday: The Unauthorized But True Story of Dragnet and the Films of Jack Webb''. Nashville, Tenn.: Cumberland House. {{ISBN|978-1-58182-190-1}}
* [[Foster Hirsch|Hirsch, Foster]] (1999). ''Detours and Lost Highways: A Map of Neo-Noir''. Pompton Plains, N.J.: Limelight. {{ISBN|978-0-87910-288-3}}
* Hirsch, Foster (2001 [1981]). ''The Dark Side of the Screen: Film Noir''. New York: Da Capo. {{ISBN|978-0-306-81039-8}}
* Holden, Stephen (1999). "Hard-Boiled as a Two-Day-Old Egg at a Two-Bit Diner", ''The New York Times'', October 8 (available [https://movies.nytimes.com/movie/review?res=9C07E6D61231F93BA35753C1A96F958260 online] {{Webarchive|url=https://web.archive.org/web/20230901081257/https://www.nytimes.com/1999/10/08/movies/film-festival-review-hard-boiled-as-a-two-day-old-egg-at-a-two-bit-diner.html |date=2023-09-01 }}).
* [[D. K. Holm|Holm, D. K.]] (2005). ''Film Soleil''. Harpenden, UK: Pocket Essentials. {{ISBN|978-1-904048-50-3}}
* Hunter, Stephen (1982). "''Blade Runner''", in his ''Violent Screen: A Critic's 13 Years on the Front Lines of Movie Mayhem'' (1995), pp.&nbsp;196–99. Baltimore: Bancroft. {{ISBN|978-0-9635376-4-5}}
* Irwin, John T. (2006). ''Unless the Threat of Death is Behind Them: Hard-Boiled Fiction and Film Noir''. Baltimore: Johns Hopkins University Press. {{ISBN|978-0-8018-8435-1}}
* James, Nick (2002). "Back to the Brats", in ''Contemporary North American Film Directors'', 2d ed., ed. Yoram Allon, Del Cullen, and Hannah Patterson, pp. xvi–xx. London: Wallflower. {{ISBN|978-1-903364-52-9}}
* Jones, Kristin M. (2009). "Dark Cynicism, British Style", ''Wall Street Journal'', August 18 (available [https://www.wsj.com/articles/SB10001424052970203863204574346821061307860 online] {{Webarchive|url=https://web.archive.org/web/20170710084435/https://www.wsj.com/articles/SB10001424052970203863204574346821061307860 |date=2017-07-10 }}).
* Kennedy, Harlan (1982). "Twenty-First Century Nervous Breakdown", ''Film Comment'', July/August.
* Kirgo, Julie (1980). "''Farewell, My Lovely'' (1975)", in Silver and Ward, ''Film Noir: An Encyclopedic Reference'', pp.&nbsp;101–2.
* Kolker, Robert (2000). ''A Cinema of Loneliness'', 3d ed. Oxford and New York: Oxford University Press. {{ISBN|978-0-19-512350-0}}
* Krutnik, Frank, Steve Neale, and Brian Neve (2008). ''"Un-American" Hollywood: Politics and Film in the Blacklist Era''. New Brunswick, N.J.: Rutgers University Press. {{ISBN|978-0-8135-4198-3}}
* Lynch, David, and Chris Rodley (2005). ''Lynch on Lynch'', rev. ed. New York and London: Faber and Faber. {{ISBN|978-0-571-22018-2}}
* Lyons, Arthur (2000). ''Death on the Cheap: The Lost B Movies of Film Noir''. New York: Da Capo. {{ISBN|978-0-306-80996-5}}
* [[Carl Macek|Macek, Carl]] (1980). "''City Streets'' (1931)", in Silver and Ward, ''Film Noir: An Encyclopedic Reference'', pp.&nbsp;59–60.
* Macek, Carl, and Alain Silver (1980). "''House on 92nd Street'' (1945)", in Silver and Ward, ''Film Noir: An Encyclopedic Reference'', pp.&nbsp;134–35.
* Mackendrick, Alexander (2006). ''On Film-making: An Introduction to the Craft of the Director''. New York: Macmillan. {{ISBN|978-0-571-21125-8}}
* Marshman, Donald (1947). "Mister 'See'-Odd-Mack'", ''Life'', August 25.
* Martin, Richard (1997). ''Mean Streets and Raging Bulls: The Legacy of Film Noir in Contemporary American Cinema''. Lanham, Md.: Scarecrow Press. {{ISBN|0-8108-3337-9}}
* Maslin, Janet (1996). "Deadly Plot by a Milquetoast Villain", ''The New York Times'', March 8 (available [https://movies.nytimes.com/movie/review?res=9803E1DA1F39F93BA35750C0A960958260 online] {{Webarchive|url=https://web.archive.org/web/20120808194808/http://movies.nytimes.com/movie/review?res=9803e1da1f39f93ba35750c0a960958260 |date=2012-08-08 }}).
* McGilligan, Patrick (1997). ''Fritz Lang: The Nature of the Beast''. New York and London: Faber and Faber. {{ISBN|978-0-571-19375-2}}
* [[Eddie Muller|Muller, Eddie]] (1998). ''Dark City: The Lost World of Film Noir''. New York: St. Martin's. {{ISBN|978-0-312-18076-8}}
* Naremore, James (2008). ''More Than Night: Film Noir in Its Contexts'', 2d ed. Berkeley, Los Angeles, and London: University of California Press. {{ISBN|978-0-520-25402-2}}
* Neale, Steve (2000). ''Genre and Hollywood''. London and New York: Routledge. {{ISBN|978-0-415-02606-2}}
* Ottoson, Robert (1981). ''A Reference Guide to the American Film Noir: 1940–1958''. Metuchen, N.J., and London: Scarecrow Press. {{ISBN|978-0-8108-1363-2}}
* Palmer, R. Barton (2004). "The Sociological Turn of Adaptation Studies: The Example of ''Film Noir''", in ''A Companion To Literature And Film'', ed. Robert Stam and Alessandra Raengo, pp.&nbsp;258–77. Maiden, Mass., Oxford, and Carlton, Australia: Blackwell. {{ISBN|978-0-631-23053-3}}
* Place, Janey, and Lowell Peterson (1974). "Some Visual Motifs of ''Film Noir''", ''Film Comment'' 10, no. 1 (collected in Silver and Ursini, ''Film Noir Reader [1]'').
* Porfirio, Robert (1980). "''Stranger on the Third Floor'' (1940)", in Silver and Ward, ''Film Noir: An Encyclopedic Reference'', p.&nbsp;269.
* Ray, Robert B. (1985). ''A Certain Tendency of the Hollywood Cinema, 1930–1980''. Princeton, N.J.: Princeton University Press. {{ISBN|978-0-691-10174-3}}
* Richardson, Carl (1992). ''Autopsy: An Element of Realism in Film Noir''. Metuchen, N.J., and London: Scarecrow Press. {{ISBN|978-0-8108-2496-6}}
* Sanders, Steven M. (2006). "Film Noir and the Meaning of Life", in ''The Philosophy of Film Noir'', ed. Mark T. Conard, pp.&nbsp;91–106. Lexington: University Press of Kentucky. {{ISBN|978-0-8131-9181-2}}
* Sarris, Andrew (1996 [1968]). ''The American Cinema: Directors and Directions, 1929–1968''. Cambridge, Massachusetts: Da Capo. {{ISBN|978-0-306-80728-2}}
* Schatz, Thomas (1981). ''Hollywood Genres: Formulas, Filmmaking, and the Studio System''. New York: Random House. {{ISBN|978-0-07-553623-9}}
* Schatz, Thomas (1998 [1996]). ''The Genius of the System: Hollywood Filmmaking in the Studio Era'', new ed. London: Faber and Faber. {{ISBN|978-0-571-19596-1}}
* [[Paul Schrader|Schrader, Paul]] (1972). "Notes on Film Noir", ''Film Comment'' 8, no. 1 (collected in Silver and Ursini, ''Film Noir Reader [1]'').
* Server, Lee (2002). ''Robert Mitchum: "Baby I Don't Care"''. New York: Macmillan. {{ISBN|978-0-312-28543-2}}
* Server, Lee (2006). ''Ava Gardner: "Love Is Nothing"''. New York: Macmillan. {{ISBN|978-0-312-31209-1}}
* Silver, Alain (1996 [1975]). "''Kiss Me Deadly'': Evidence of a Style", rev. versions in Silver and Ursini, ''Film Noir Reader [1]'', pp.&nbsp;209–35 and ''Film Noir Compendium'' (newest with remastered frame captures, 2016), pp.&nbsp;302–325.
* Silver, Alain (1996). "Introduction", in Silver and Ursini, ''Film Noir Reader [1]'', pp.&nbsp;3–15, rev. ver. in Silver and Ursini, ''Film Noir Compendium'' (2016), pp.&nbsp;10–25.
* Silver, Alain, and [[James Ursini]] (and Robert Porfirio—vol. 3), eds. (2004 [1996–2004]). ''Film Noir Reader'', vols. 1–4. Pompton Plains, N.J.: Limelight.
* Silver, Alain, and Elizabeth Ward (1992). ''Film Noir: An Encyclopedic Reference to the American Style'', 3d ed. Woodstock, N.Y.: Overlook Press. {{ISBN|978-0-87951-479-2}} (See also: Silver, Ursini, Ward, and Porfirio [2010]. ''Film Noir: The Encyclopedia'', 4th rev., exp. ed. Overlook. {{ISBN|978-1-59020-144-2}})
* Slocum, J. David (2001). ''Violence and American Cinema''. London and New York: Routledge. {{ISBN|978-0-415-92810-6}}
* Spicer, Andrew (2007). ''European Film Noir''. Manchester, UK: Manchester University Press. {{ISBN|978-0-7190-6791-4}}
* Telotte, J. P. (1989). ''Voices in the Dark: The Narrative Patterns of Film Noir''. Urbana and Chicago: University of Illinois Press. {{ISBN|978-0-252-06056-4}}
* Thomson, David (1998). ''A Biographical Dictionary of Film'', 3rd ed. New York: Knopf. {{ISBN|978-0-679-75564-7}}
* Turan, Kenneth (2008). "UCLA's Pre-Code Series", ''Los Angeles Times'', January 27 (available [https://www.latimes.com/archives/la-xpm-2008-jan-27-ca-precode27-story.html online] ).
* Tuska, Jon (1984). ''Dark Cinema: American Film Noir in Cultural Perspective''. Westport, Conn., and London: Greenwood. {{ISBN|978-0-313-23045-5}}
* Tyree, J. M., and Ben Walters (2007). ''The Big Lebowski''. London: BFI Publishing. {{ISBN|978-1-84457-173-4}}
* Ursini, James (1995). "Angst at Sixty Fields per Second", in Silver and Ursini, ''Film Noir Reader [1]'', pp.&nbsp;275–87.
* "''Variety'' staff" (anon.) (1940). "''Stranger on the Third Floor''" [review], ''Variety'' (excerpted [https://variety.com/1939/film/reviews/stranger-on-the-third-floor-1200413001/ online]).
* "''Variety'' staff" (anon.) (1955). "''Kiss Me Deadly''" [review], ''Variety'' (excerpted [https://variety.com/1954/film/reviews/kiss-me-deadly-1200417889/ online] {{Webarchive|url=https://web.archive.org/web/20180707173117/https://variety.com/1954/film/reviews/kiss-me-deadly-1200417889/ |date=2018-07-07 }}).
* Vernet, Marc (1993). "''Film Noir'' on the Edge of Doom", in Copjec, ''Shades of Noir'', pp.&nbsp;1–31.
* Wager, Jans B. (2005). ''Dames in the Driver's Seat: Rereading Film Noir''. Austin: University of Texas Press. {{ISBN|978-0-292-70966-9}}
* Walker, Michael (1992). "Robert Siodmak", in Cameron, ''The Book of Film Noir'', pp.&nbsp;110–51.
* White, Dennis L. (1980). "''Beast of the City'' (1932)", in Silver and Ward, ''Film Noir: An Encyclopedic Reference'', pp.&nbsp;16–17.
* Widdicombe, Toby (2001). ''A Reader's Guide to Raymond Chandler''. Westport, Conn.: Greenwood. {{ISBN|978-0-313-30767-6}}
* Williams, Linda Ruth (2005). ''The Erotic Thriller in Contemporary Cinema''. Bloomington: Indiana University Press. {{ISBN|978-0-253-34713-8}}
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