Editing Musique concrète (section)

==References==
{{reflist|20em}}

===Sources===
{{Refbegin|30em|indent=yes}}
* {{Cite book |last=Albiez |first=Sean |title=Bloomsbury Encyclopedia of Popular Music of the World Vol. XI: Genres: Europe |date=2017 |publisher=Bloomsbury Academic |isbn=978-1-501-32610-3 |editor-last=Horn |editor-first=David |pages=36–38 |chapter=Avant-pop |doi=10.5040/9781501326110-0111}}
* {{wikicite|ref={{harvid|Anon.|2010}}|reference=Anon. (2010). "[http://www.inagrm.com/categories/un-orchestre-de-haut-parleurs Un orchestre de Haut-Parleurs]". INA–GRM website (accessed 30 June 2014).}}
* {{Cite journal |last=Austin |first=Larry |last2=Smalley |first2=Denis |year=2000 |title=Sound Diffusion in Composition and Performance: An Interview with Denis Smalley |journal=Computer Music Journal |volume=24 |issue=2 |pages=10–21 |issn=0148-9267 |jstor=3681923}}
* {{wikicite|ref={{harvid|Battier|2007}}|reference=Battier, Marc (2007). "What the GRM Brought to Music: From Musique Concrète to Acousmatic Music". ''Organised Sound'' 12, no. 3 (December: Musique Concrète's 60th and GRM's 50th birthday—A Celebration): 189–202.}}
* {{Cite book |last=Kim-Cohen |first=Seth |title=In the Blink of an Ear: Toward a Non-Cochlear Sonic Art |date=2009 |publisher=The Continuum International Publishing Group |isbn=978-0-826-42970-4 |location=New York}}
* {{Cite book |last=Bayle |first=François |title=Musique acousmatique, propositions&nbsp;... positions |date=1993 |publisher=INA-GRM Buche/Chastel |location=Paris |lang=fr}}
* {{Cite book |last=Chion |first=Michel |title=Guide des objets sonores, Pierre Schaeffer et la recherche musicale |date=1983 |publisher=Ina-GRM/Buchet-Chastel |location=Paris |lang=fr}}
* {{Cite book |last=Cœuroy |first=André |title=Panorama de la musique contemporaine |date=1928 |publisher=Kra |edition=rev. |location=Paris |lang=fr}}
* {{wikicite|ref={{harvid|Dack|1994}}|reference=Dack, John (1994). "Pierre Schaeffer and the Significance of Radiophonic Art". ''Contemporary Music Review'' 10, no.&nbsp;2:3–11.}}
* {{wikicite|ref={{harvid|Dack|2002}}|reference=Dack, John (2002). "[https://web.archive.org/web/20110716201357/http://www.cea.mdx.ac.uk/local/media/downloads/Dack/Technology_and_the_Instrument.pdf Technology and the Instrument]". In ''Musik Netz Werke: Konturen der neuen Musikkultur'', edited by Lydia Grün and Frank Wiegand, 39–54. Bielefeld: Transcript Verlag. {{ISBN|3-933127-98-X}}.}}
* {{Cite web |last=Dalton |first=Stephen |date=3 June 2005 |title=Kraftwerk |url=https://www.thetimes.com/travel/destinations/europe-travel/that-was-now-this-is-then-jvxg8lh9jmz |access-date=23 February 2023 |website=The Times}}
* {{Cite web |last=Daniels |first=Drew |date=1 May 2003 |title=Matmos: Musique Concrète Smash Hits |url=https://pitchfork.com/features/guest-lists/5907-matmos-musique-concrete-smash-hits/ |access-date=21 February 2023 |website=Pitchfork}}
* {{Cite journal |last=Diliberto |first=John |date=February 1989 |title=The A-A-Art of Noi-N-N-Noise |url=https://worldradiohistory.com/hd2/IDX-Business/Music/Music-Technology/IDX/Music-Technologyy-1989-02-IDX-50.pdf#search=%22musique%20concrete%22 |journal=Music Technology |page=46 |access-date=21 February 2023}}
* {{cite book |last=Eddy |first=Chuck |title=Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe |date=1991 |publisher=Harmony Books |isbn= 0-517-57541-8 |location=New York City, NY}}
* {{Cite book |title=Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped Our Culture |date=2013 |publisher=ABC-CLIO |isbn=978-0-313-39348-8 |editor-last=Edmondson |editor-first=Jacqueline |location=Santa Barbara, CA}}
* {{wikicite|ref={{harvid|Gayou|2007a}}|reference=Gayou, Évelyne. (2007a). "The GRM: Landmarks on a Historic Route". ''Organised Sound'' 12, no. 3:203–11.}}
* {{Cite book |last=Gendron |first=Bernard |title=Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde |date=2002 |publisher=University of Chicago Press |isbn=0-226-28737-8 |page=322}}
* {{Cite book |last=Goehr |first=Lydia |title=Elective Affinities: Musical Essays on the History of Aesthetic Theory |date=2008 |publisher=Columbia University Press |isbn=978-0-231-14481-0}}
* {{wikicite|ref={{harvid|Gradenwitz|1953}}|reference=Gradenwitz, Peter (1953). "Experiments in Sound: Ten-Day Demonstrationin Paris Offers the Latest in 'Musique Concrète'". ''The New York Times'' (9 August).}}
* {{Cite web |last=Hodgkinson |first=Will |author-link=Will Hodgkinson |date=15 February 2003 |title=Soundtrack of her life |url=https://www.theguardian.com/music/2003/aug/15/2 |access-date=21 February 2023 |website=[[The Guardian]]}}
* {{Cite book |last=Holmes |first=Thom |url=https://books.google.com/books?id=hCthQ-bec-QC&pg=PA156 |title=Electronic and experimental music: technology, music, and culture |date=2008 |publisher=[[Taylor & Francis]] |isbn=978-0-415-95781-6 |edition=3rd |access-date=2011-06-04}}
* {{Cite book |last=Huckvale |first=David |title=Hammer Film Scores and the Musical Avant-Garde |date=2014 |publisher=McFarland |isbn=978-0-7864-5166-1 |location=Jefferson, NC}}
* {{Cite book |last=Inglis |first=Ian |title=Performance and Popular Music: History, Place and Time |date=2016 |publisher=Taylor & Francis |isbn=978-1-351-55473-2 |location=Milton Park}}
* {{wikicite|ref={{harvid|James|1981}}|reference=James, Richard S. (1981). Interview with Pierre Henry, cited in "Expansion of Sound Resources in France, 1913–1940, and Its Relationship to Electronic Music". doctoral thesis, University of Michigan, note 91, p.&nbsp;79.}}
* {{Cite web |last=Jones |first=Chris |date=2002 |title=Review of Faust – Patchwork |url=https://www.bbc.co.uk/music/reviews/94gb/ |publisher=BBC}}
* {{Cite book |last=Kane |first=Brian |title=Sound Unseen: Acousmatic Sound in Theory and Practice |date=2014 |publisher=Oxford University Press |isbn=978-0-19-934784-1 |pages=15–42 |chapter=Pierre Schaeffer, the Sound Object, and the Acousmatic Reduction |doi=10.1093/acprof:oso/9780199347841.003.0002}}
* {{Cite book |title=The Oxford Dictionary of Music |publisher=Oxford University Press |year=2012 |isbn=978-0-199-57810-8 |editor-last=Kennedy |editor-first=Joyce |edition=6th |chapter=Musique concrète |doi=10.1093/acref/9780199578108.001.0001 |editor-last2=Kennedy |editor-first2=Michael |editor-link2=Michael Kennedy (music critic) |editor-last3=Rutherford-Johnson |editor-first3=Tim}}
* {{wikicite|ref={{harvid|Lange|2009}}|reference=Lange, A. (2009). "Musique concrète and Early Electronic Music". In ''The Wire Primers: A Guide To Modern Music'', edited by Rob Young, 173–180. London: Verso.}}
* {{Cite book |title=Music in the Horror Film: Listening to Fear |date=2009 |publisher=Routledge |isbn=978-1-135-28044-4 |editor-last=Lerner |editor-first=Neil |location=New York |page=56}}
* {{Cite book |last=McLeod |first=Kembrew |author-link=Kembrew McLeod |title=Creative License: The Law and Culture of Digital Sampling |last2=DiCola |first2=Peter |date=2011 |publisher=Duke University Press |isbn=978-0-822-34875-7 |location=Durham, NC |chapter=Legal and Cultural History of Sound Collage}}
* {{Cite web |last=Niimi |first=J. |date=29 December 2005 |title=Diplo, Books |url=https://chicagoreader.com/arts-culture/diplo-books/ |access-date=23 February 2023 |website=Chicago Reader}}
* {{Cite journal |last=Palombini |first=Carlos |year=1993 |title=Machine Songs V: Pierre Schaeffer: From Research into Noises to Experimental Music |journal=Computer Music Journal |volume=17 |issue=3 |pages=14 |jstor=3680939}}
* {{wikicite|ref={{harvid|Palombini|1999}}|reference=Palombini, Carlos (1999). "[http://www.rem.ufpr.br/_REM/REMv4/vol4/arti-palombini.htm Musique Concrète Revisited]". ''Electronic Musicological Review'' 4 (June):{{Page needed|date=September 2009}}.}}
* {{Cite journal |last=Peignot |first=Jerome |year=1960 |title=De la musique concrète à l'acousmatique |journal=Esprit |volume=280 |issue=1 |pages=111–120 |issn=0014-0759 |jstor=24255077 |lang=fr}}
* {{wikicite|ref={{harvid|Poullin|1957}}|reference=Poullin, Jacques (1957) ''The Application of Recording Techniques to the Production of New Musical Materials and Forms. Applications to 'Musique Concrete{{'}}''. National Research Council of Canada Technical Translation TT-646, translated by D. A. Sinclair from the original in ''L'Onde Électrique'' 34, no. 324 (1954): 282–291. Ottawa: National Research Council of Canada.}}
* {{wikicite|ref={{harvid|Poullin|1999}}|reference=Poullin, Jacques (1999). "[http://www.ars-sonora.org/html/numeros/numero09/09f.htm L'apport des techniques d'enregistrement dans la fabrication de matieres et de formes musicales nouvelles: applications à la musique concrete]". ''Ars Sonora'', no. 9. [this appears to be the text of the original 1954 article]}}
* {{Cite magazine |last=Pouncey |first=Edwin |author-link=Edwin Pouncey |date=July 1999 |title=Undercurrents #7: Fables of the Deconstruction |url=https://www.rocksbackpages.com/Library/Article/undercurrents-7-fables-of-the-deconstruction |access-date=21 February 2023 |magazine=[[The Wire (magazine)|The Wire]]}}
* {{Cite book |last=Rehding |first=Alexander |author-link=Alexander Rehding |title=The Oxford Handbook of Timbre |last2=Dolan |first2=Emily |publisher=Oxford University Press |year=2021 |isbn=978-0-190-63722-4}}
* {{Cite book |last=Roads |first=Curtis |title=Composing Electronic Music: A New Aesthetic |date=2015 |publisher=Oxford University Press |isbn=978-0-195-37324-0}}
* {{Cite journal |last=Reydellet |first=Jean de |year=1996 |title=Pierre Schaeffer, 1910-1995: The Founder of "Musique Concrète" |journal=Computer Music Journal |volume=20 |issue=2 |pages=10–11 |issn=0148-9267 |jstor=3681324}}
* {{Cite web |last=Reynolds |first=Simon |author-link=Simon Reynolds |date=15 May 2021 |title=Tapeheads: The History and Legacy of Musique Concrète |url=https://tidal.com/magazine/article/musique-concrete/1-78792 |access-date=21 February 2023 |website=[[Tidal (service)|Tidal]]}}
* {{Cite book |last=Schaeffer |first=Pierre |author-link=Pierre Schaeffer |title=A la recherche d'une musique concrète |date=1952a |publisher=Éditions du Seuil |location=Paris}}
* {{Cite book |last=Schaeffer |first=Pierre |title=Traité des objets musicaux |date=1966 |publisher=Le Seuil |location=Paris |author-mask=3 |lang=fr}}
* {{Cite book |last=Schaeffer |first=Pierre |title=In Search of a Concrete Music |date=2012 |publisher=University of California Press |isbn=978-0-520-26574-5 |pages=ix–xiv |translator-last=North |translator-first=Christine |chapter=Translators' Note |author-mask=3 |orig-date=1952 |translator-last2=Dack |translator-first2=John}}
* {{wikicite|ref={{harvid|Schaeffer|Reibel|1967}} |reference=Schaeffer, Pierre, and Guy Reibel (1967). ''Solfege de l'objet sonore'', reprint edition 1998, with a preface by Daniel Teruggi, Guy Reibel, and Beatriz Ferreyra. Paris: Coedition Ina-Publications.}}
* {{Cite book |last=Taylor |first=Steve |title=The A to X of Alternative Music |date=2006 |publisher=Bloomsbury |isbn=978-0-8264-8217-4 |location=London |page=11}}
* {{wikicite|ref={{harvid|Teruggi|2007}}|reference=Teruggi, Daniel (2007). "Technology and Musique Concrete: The Technical Developments of the Groupe de Recherches Musicales and Their Implication in Musical Composition". ''Organised Sound'' 12, no. 3:213–231.}}
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