Editing Hardcore punk (section)

==Influence==
{{See also|List of hardcore genres}}
Hardcore punk has spawned a number of subgenres, fusion genres and derivative forms. Key derivatives like {{nowrap|[[post-hardcore]]}},<ref>{{cite web| url = https://www.researchgate.net/publication/232836557| title = "Alternative"; music and the politics of cultural autonomy: The case of Fugazi and the D.C. Scene}}</ref> [[emo]],<ref name=kuhnvolution>{{Cite book|last=Kuhn|first=Gabriel|date=February 1, 2010|title=Sober Living for the Revolution|publisher=PM Press|page=16|isbn=9781604863437}}</ref> and [[skate punk]] have had a major impact on [[alternative rock|alternative music]].<ref>{{cite news| url = https://www.washingtonpost.com/archive/lifestyle/style/1993/08/01/punk-lives-washingtons-fugazi-claims-its-just-a-band-so-why-do-so-many-kids-think-its-god/6c56fef5-780a-4a6e-8411-8c6b407e1eed/| title = Punk Lives! Washington's Fugazi Claims It's Just A Band. So Why Do So Many Kids Think It's God?| newspaper = [[The Washington Post]] |last=Brace |first=Eric |date=August 1, 1993 }}</ref> Other subgenres include [[D-beat]], [[melodic hardcore]], [[crust punk]],<ref name=kuhnvolution/> and [[thrashcore]]. Fusion genres include [[crossover thrash]],<ref name=kuhnvolution/> [[grindcore]],<ref name=kuhnvolution/> and [[metalcore]],<ref name=kuhnvolution/> all of which fuse hardcore punk with [[extreme metal]].

[[Metallica]] and [[Slayer]], pioneers of the heavy metal subgenre [[thrash metal]], were influenced by a number of hardcore bands. Metallica's cover album ''[[Garage Inc.]]'' included covers of two [[Discharge (band)|Discharge]] and three [[Misfits (band)|Misfits]] songs, while Slayer's cover album ''[[Undisputed Attitude]]'' consisted of covers of predominately hardcore punk bands.

The Washington state band [[Melvins]], aside from their influence on grunge, helped create what would be known as [[sludge metal]], which is also a combination between [[Black Sabbath]]-style music and hardcore punk.<ref name="AMG-Eyehategod">{{AllMusic |class=artist |id=p38682/biography |label=Eyehategod |last=Huey |first=Steve |access-date=July 22, 2008}}</ref> This genre developed during the early 1990s, in the [[Southern United States]] (particularly in the [[Music of New Orleans#Heavy metal|New Orleans metal scene]]).<ref name="allmusic-doometal">{{AllMusic |class=explore |id=style/d11956 |label=Doom metal |access-date=July 22, 2008}}</ref><ref name="AMG-Buzzoven">{{AllMusic |class=artist |id=p37696 |label=Buzzov*en |last=York |first=William |access-date=June 21, 2008}}</ref><ref name="AMG-CoC">{{AllMusic |class=artist |id=p3967 |label=Corrosion of Conformity |last=Huey |first=Steve |access-date=June 21, 2008}}</ref> Some of the pioneering bands of sludge metal were [[Eyehategod]],<ref name="AMG-Eyehategod"/> [[Crowbar (American band)|Crowbar]],<ref name="AMG-Crowbar">{{AllMusic |class=artist |id=p12635 |label=Crowbar |last=Huey |first=Steve |access-date=June 22, 2008}}</ref> [[Down (band)|Down]],<ref name="AMG-Down">{{AllMusic |class=artist |id=p168208 |label=Down |last=Prato |first=Greg |access-date=June 21, 2008}}</ref> [[Buzzov*en]],<ref name="AMG-Buzzoven"/> [[Acid Bath]]<ref name="AMG-AcidBath">{{AllMusic |class=artist |id=p44863 |label=Acid Bath |last=York |first=William |access-date=June 21, 2008}}</ref> and [[Corrosion of Conformity]].<ref name="AMG-CoC"/> Later, bands such as [[Isis (band)|Isis]] and [[Neurosis (band)|Neurosis]],<ref name=burst>{{cite web|first=Aaron|last=Burgess|url=http://altpress.com/reviews/173.htm|title=The loveliest album to crush our skull in months|work=[[Alternative Press (music magazine)|Alternative Press]]|access-date=June 22, 2008|date=May 23, 2006|url-status=dead|archive-url=https://web.archive.org/web/20110809212036/http://www.altpress.com/reviews/173.htm|archive-date=August 9, 2011}}</ref> with similar influences, created a style that relies mostly on ambience and atmosphere<ref name="AMG-Isis">{{AllMusic |class=artist |id=p472173 |label=Isis |last=Downey |first=Ryan J. |access-date=June 21, 2008}}</ref> that would eventually be named atmospheric sludge metal or [[post-metal]].<ref name="Altpress-Isis">{{cite web |url=http://altpress.com/reviews/430.htm |title=Post-metal titans sniff, jump into the ether |author=Karan, Tim |date=February 2, 2007 |work=[[Alternative Press (music magazine)|Alternative Press]] |access-date=June 21, 2008 |url-status=dead |archive-url=https://web.archive.org/web/20110809210810/http://www.altpress.com/reviews/430.htm |archive-date=August 9, 2011 }}</ref>

===Fusion and subgenres===
====D-beat====
{{Main|D-beat}}
D-beat (also known as discore or kängpunk) is a hardcore punk subgenre, developed in the early 1980s by imitators of the band [[Discharge (band)|Discharge]], after whom the genre is named, as well as a [[drum beat]] characteristic of this subgenre. The bands Discharge{{sfn|Glasper|2009|p=26}} and [[the Varukers]]{{sfn|Glasper|2004|p=65}} are pioneers of the D-beat genre. Robbie Mackey of ''[[Pitchfork Media]]'' described D-beat as "hardcore drumming set against breakneck riffage and unintelligible howls about anarchy, working-stiffs-as-rats, and banding together to, you know, fight."<ref>{{cite web |url=https://pitchfork.com/reviews/albums/11155-live-the-storm/ |title=Disfear: Live the Storm |publisher=[[Pitchfork Media]] |last=Mackey |first=Robbie |date=February 15, 2008 |url-status=live |archive-url=https://web.archive.org/web/20130624010447/http://pitchfork.com/reviews/albums/11155-live-the-storm/ |archive-date=June 24, 2013 }}</ref>
[[File:Guy Picciotto.jpg|thumb|right|160px|[[Guy Picciotto]] of Rites of Spring and Fugazi]]

====Emo and post-hardcore====
The 1980s saw the development of [[post-hardcore]], which took the hardcore style in a more complex and dynamic direction, with a focus on singing rather than screaming. The post-hardcore style first took shape in Chicago, with bands such as [[Big Black]], [[the Effigies]] and [[Naked Raygun]].<ref>{{cite web |url=https://www.allmusic.com/artist/effigies-p23913/biography |title=Effigies – Biography |author=Huey, Steve |work=[[AllMusic]] |access-date=March 28, 2011 |url-status=live |archive-url=https://web.archive.org/web/20101228045014/http://www.allmusic.com/artist/effigies-p23913/biography |archive-date=December 28, 2010 }}</ref> It later developed in Washington, D.C., within the community of bands on [[Ian MacKaye]]'s [[Dischord Records]], with bands such as [[Fugazi]], [[the Nation of Ulysses]], and [[Jawbox]].<ref name="PosthardcoreAllmusic">{{AllMusic |class=explore |id=style/d12962 |label=Post-Hardcore}}</ref> The style extended until the late 2000s.<ref name="PosthardcoreAllmusic"/> The mid-'80s Washington, D.C., [[Revolution Summer (music)|Revolution Summer]] movement and post-hardcore scene would also see the birth of [[emo]]. [[Guy Picciotto]] formed [[Rites of Spring]] in 1984, breaking free of hardcore's self-imposed boundaries in favor of melodic guitars, varied rhythms, and deeply personal, impassioned lyrics dealing with nostalgia, romantic bitterness, and poetic desperation.<ref>Greenwald, p. 12-13.</ref> Other D.C. bands such as [[Gray Matter (band)|Gray Matter]], [[Beefeater (band)|Beefeater]], [[Fire Party]], [[Dag Nasty]], also became connected to this movement.<ref name="Blush, 157">{{cite book|last = Blush|first = Steven|author-link = Steven Blush|title = American Hardcore: A Tribal History|publisher = [[Feral House]]|year = 2001|location = [[New York City|New York]]|isbn = 0-922915-71-7|page = [https://archive.org/details/americanhardcore00stev/page/157 157]|title-link = American Hardcore: A Tribal History}}</ref><ref name="Greenwald, 14">Greenwald, p. 14.</ref> The style was dubbed "emo", "emo-core",<ref name="azerrad, 380">{{cite book|last =Azerrad|first = Michael|author-link =Michael Azerrad|title =Our Band Could Be Your Life: Scenes from the American Indie Underground 1981–1991|publisher =[[Little, Brown and Company]]|year =2001|location =[[New York City|New York]]|page =[https://archive.org/details/ourbandcouldbeyo00mich/page/380 380]|isbn =0-316-78753-1|title-link = Our Band Could Be Your Life}}</ref> or "post-harDCore"<ref>{{cite book |title=POST: A Look at the Influence of Post-Hardcore-1985–2007 |last=Grubbs |first=Eric |year=2008 |publisher=[[iUniverse|iUniverse, Inc.]] |location=[[Bloomington, Indiana|Bloomington, IN]] |isbn=978-0-595-51835-7 |url=https://books.google.com/books?id=Ku91l_blqCUC&pg=PP1 |page=27 |access-date= March 25, 2011}}</ref> (in reference to one of the names given to the Washington, D.C. hardcore scene).<ref>Grubbs, p. 14.</ref>

====Thrashcore and powerviolence====
Often confused with [[crossover thrash]] and sometimes [[thrash metal]] is [[thrashcore]].<ref name=terrorizer>{{cite journal |title=Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!! |journal=Terrorizer |issue=172 |date=July 2008 |pages=36–37}}</ref> Thrashcore (also known as fastcore<ref name=MW>{{cite journal |title=Interview with Max Ward |journal=[[Maximumrocknroll|Maximum Rock'n'Roll]] |url=http://www.625thrash.com/interviews.shtml |access-date=June 19, 2008 |url-status=dead |archive-url=https://web.archive.org/web/20100330142556/http://www.625thrash.com/interviews.shtml |archive-date=March 30, 2010 }}</ref>) is a subgenre of hardcore punk that emerged in the early 1980s.<ref name=FH>Felix von Havoc. Maximumrocknroll. Issue 219</ref> It is essentially sped-up hardcore punk, with bands often using [[blast beat]]s.<ref name="MW"/> Just as hardcore punk groups distinguished themselves from their punk rock predecessors by their greater intensity and aggression, thrashcore groups (often identified simply as "thrash") sought to play at breakneck tempos that would radicalize the innovations of hardcore. Early American thrashcore groups included [[Cryptic Slaughter]] (Santa Monica), [[Dirty Rotten Imbeciles|D.R.I.]] (Houston), [[Ludichrist]],<ref name=greek>Alexandros Anesiadis, ''Crossover The Edge: Where Hardcore, Punk and Metal Collide'', London: Cherry Red Books, 2019, p. 36.</ref> (Long Island), [[Septic Death]] (Boise) and [[Siege (band)|Siege]] (Weymouth, Massachusetts). Thrashcore spun off into [[powerviolence]], another raw and dissonant subgenre of hardcore punk.<ref name="terrorizer"/> Other notable powerviolence bands include early [[Ceremony (punk band)|Ceremony]], [[Man is the Bastard]] and [[Spazz (band)|Spazz]].<ref>{{Cite web|url=https://pitchfork.com/news/45207-man-is-the-bastard-accuse-akronfamily-of-ripping-off-their-skull-logo-for-t-shirts/|title=Man Is the Bastard Accuse Akron/Family of Ripping Off Their Skull Logo For T-Shirts|first=Carrie|last=Battan|website=Pitchfork.com|date=January 24, 2012|access-date=September 5, 2020}}</ref><ref>{{Cite web|url=https://www.brooklynvegan.com/we-reviewed-all-101-songs-on-short-music-for-short-people-for-its-21st-bday-because-quarantine/|title=We reviewed all 101 songs on 'Short Music For Short People' for its 21st bday because quarantine|website=Brooklynvegan.com|date=May 28, 2020 |access-date=September 5, 2020}}</ref>

====Grindcore====
[[Grindcore]] is an extreme genre of music that began the early to mid-1980s. Grindcore music relies on heavy metal instrumentation and eventually changed into a genre similar to [[death metal]]. Grindcore vocals, according to [[AllMusic]], range "from high-pitched shrieks to low, throat-shredding growls and barks".<ref name=GrindcoreAllMusic>{{cite web |url=https://www.allmusic.com/style/grindcore-ma0000004452 |title=Grindcore |website=[[AllMusic]] |url-status=live |archive-url=https://web.archive.org/web/20160312184115/http://www.allmusic.com/style/grindcore-ma0000004452 |archive-date=March 12, 2016 }}</ref> Grindcore also features blast beats;<ref name=MacGregor>{{cite web |url=http://www.dustedmagazine.com/reviews/2945 |title=Agoraphobic Nosebleed – PCP Torpedo / ANBrx |publisher=Dusted |last=MacGregor |first=Adam |date=June 11, 2006 |url-status=dead |archive-url=https://web.archive.org/web/20081221133749/http://www.dustedmagazine.com/reviews/2945 |archive-date=December 21, 2008 |access-date=March 11, 2016 }}</ref> according to Adam MacGregor of ''Dusted'', "the blast-beat generally comprises a repeated, sixteenth-note figure played at a very fast tempo, and divided uniformly among the kick drum, snare and ride, crash, or hi-hat cymbal."<ref name=MacGregor /> The band [[Napalm Death]] invented the grindcore genre; their debut album ''[[Scum (Napalm Death album)|Scum]]'' was described by [[AllMusic]] as "perhaps the most representative example of" grindcore.<ref name="allmusicrev">{{AllMusic |class=style |id=grindcore-ma0000004452 |label=Grindcore |access-date=February 23, 2014}}</ref>

====Beatdown hardcore====
{{Main|Beatdown hardcore}}
Beatdown hardcore (also known as heavy hardcore, brutal hardcore, toughguy, and moshcore) is a style of hardcore punk and heavy metal which has deep, hoarse vocals, [[down-tuned guitar]]s, [[blast beat]]s, and slow [[breakdown (music)#Heavy metal and punk rock|breakdowns]].<ref name=Radio>{{cite web |url=http://news.radio.com/2013/10/21/5-under-the-radar-metal-bands-that-are-pushing-boundaries/ |title=5 Under the Radar Metal Bands That Are Pushing Boundaries |website=Radio.com |date=October 21, 2013 |access-date=November 11, 2017 |archive-url=https://web.archive.org/web/20140330070834/http://news.radio.com/2013/10/21/5-under-the-radar-metal-bands-that-are-pushing-boundaries/ |archive-date=March 30, 2014 |url-status=dead }}</ref><ref name="Best" /> More [[heavy metal music|heavy metal]]-influenced than traditional hardcore punk,<ref>{{cite web |url=http://exclaim.ca/music/article/shutdown-few_far_between |title=Shutdown Few and Far Between |work=[[Exclaim!]] |last=Gramlich |first=Chris |date=October 1, 2000 |access-date=November 10, 2017}}</ref> [[Rotting Out]], [[Strife (band)|Strife]], [[Shai Hulud]], [[Madball (band)|Madball]] and [[Hatebreed]] all are beatdown hardcore bands.<ref name=River>{{cite web |url=https://www.riverfronttimes.com/stlouis/madball/Content?oid=2495583 |title=Madball |last=Levi |first=Josh |work=[[River Front Times]] |date=August 4, 2011 |access-date=November 12, 2017}}</ref><ref name=Blabbermouth>{{cite news |url=http://www.blabbermouth.net/cdreviews/the-final-beatdown/ |title=CD Reviews – The Final Beatdown Bulldoze |work=[[Blabbermouth.net]] |access-date=November 11, 2017}}</ref><ref name=Best>{{cite web |url=http://www.noecho.net/lists/best-beatdown-hardcore-bands |title=Best Bestdown Hardcore Bands |publisher=No Echo |last=Ramirez |first=Carlos |date=June 28, 2016 |access-date=November 11, 2017}}</ref><ref>{{cite web |url=https://www.allmusic.com/artist/strife-mn0000941516/biography |title=Strife {{!}} Biography & History |website=AllMusic |last=Prato |first=Greg |access-date=November 11, 2017}}</ref>

====Metalcore====
[[Metalcore]] is a fusion genre that merges hardcore punk with [[extreme metal]]. Metalcore has screaming, [[death growl|growling]], heavy guitar riffs, breakdowns, and double bass drumming.<ref name=BowarMetalcore>{{cite web |url=http://heavymetal.about.com/od/heavymetal101/p/metalcore.htm |title=What Is Metalcore? |publisher=[[About.com]] |last=Bowar |first=Chad |url-status=live |archive-url=https://web.archive.org/web/20090619105744/http://heavymetal.about.com/od/heavymetal101/p/metalcore.htm |archive-date=June 19, 2009 }}</ref> Heavy metal–hardcore punk hybrids arose in the mid-1980s and would also radicalize the innovations of hardcore as the two genres and their ideologies intertwined noticeably.<ref name=slayerblood>{{Cite book|last=Ferris|first=D.X.|date=June 1, 2008|title=Slayer's Reign in Blood|publisher=A&C Black|page=146|isbn=9780826429094}}</ref> The term has been used to refer to bands that were not purely hardcore nor purely metal such as [[Earth Crisis]], [[Integrity (band)|Integrity]] and [[Hogan's Heroes (band)|Hogan's Heroes]].<ref>1948–1999 Muze, Inc. Hogan's Heroes. ''Pop Artists Beginning with Hod'', Phonolog, 1999, p. 1. No. 7-278B Section 207.</ref> During the 2000s, there was a metalcore explosion<ref name = Kerrangexpl>[https://www.kerrang.com/features/10-metalcore-deathcore-bands-you-probably-dont-remember/ Kerrang, 10 metalcore/deathcore bands you probably don't remember]</ref> and bands like [[Bullet for My Valentine]], [[Killswitch Engage]], [[Atreyu]], [[Shadows Fall]], and [[As I Lay Dying (band)|As I Lay Dying]] all had some popularity.<ref name=BowarMetalcore />

====Grunge====
In the mid-1980s, bands such as [[Melvins]], [[Flipper (band)|Flipper]] and [[Green River (band)|Green River]] developed a [[Sludge metal|sludgy]], "aggressive sound that melded the slower tempos of heavy metal with the intensity of hardcore," creating an alternative rock subgenre known as [[grunge]].<ref>{{cite book |author-link=Michael Azerrad |last=Azerrad |first=Michael |year=2001 |title=Our Band Could Be Your Life |location=[[New York City|New York]] |publisher=[[Little, Brown and Company|Little, Brown]] |isbn=0-316-78753-1 |page=[https://archive.org/details/ourbandcouldbeyo00mich/page/419 419]|title-link=Our Band Could Be Your Life }}</ref> Grunge evolved from the local Seattle punk rock scene, and it was inspired by bands such as [[the Fartz]], [[10 Minute Warning]] and [[the Accüsed]].<ref>Pray, D., Helvey-Pray Productions (1996). ''Hype!'' Republic Pictures.</ref> Grunge fuses elements of hardcore and heavy metal, although some bands performed with more emphasis on one or the other. Grunge's key guitar influences included Black Flag and the Melvins.<ref name="Prown 1997. p. 242-243">Prown, Pete and Newquist, Harvey P. ''Legends of Rock Guitar: The Essential Reference of Rock's Greatest Guitarists''. Hal Leonard Corporation, 1997. p. 242-243</ref> Black Flag's 1984 record ''[[My War]]'', on which the band combined heavy metal with their traditional sound, made a strong impact in Seattle.<ref name="Azerrad419">[[Michael Azerrad|Azerrad, Michael]]. ''[[Our Band Could Be Your Life|Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981–1991]]''. Boston: [[Little, Brown and Company]], 2001. {{ISBN|0-316-78753-1}}, p. 419.</ref>

====Nintendocore====
[[Nintendocore]], another musical style, fuses hardcore with [[video game music]], [[chiptune]], and [[8-bit music]].<ref name="HorsetheBand">{{cite web|last=Loftus|first=Johnny|title=HORSE the Band – Biography|url=https://www.allmusic.com/artist/horse-the-band-p596753/biography|work=[[AllMusic]]|publisher=[[Rovi Corporation]]|access-date=March 14, 2011}}</ref><ref>{{cite news|last=Payne|first=Will B.|date=February 14, 2006|title=Nintendo Rock: Nostalgia or Sound of the Future|newspaper=[[The Harvard Crimson]]|url=https://www.thecrimson.com/article/2006/2/14/nintendo-rock-nostalgia-or-sound-of/|url-status=dead|access-date=March 14, 2011|archive-url=https://web.archive.org/web/20110604143335/http://www.thecrimson.com/article/2006/2/14/nintendo-rock-nostalgia-or-sound-of/|archive-date=June 4, 2011}}</ref><ref name=Quest>{{cite web|last=Wright |title=Subgenre(s) of the Week: Nintendocore (feat. Holiday Pop) |url=http://www.reedquest.org/2010/12/subgenres-of-the-week-nintendocore-feat-holiday-pop/ |publisher=The Quest |access-date=March 21, 2011 |date=December 9, 2010 |url-status=dead |archive-url=https://web.archive.org/web/20120121070748/http://www.reedquest.org/2010/12/subgenres-of-the-week-nintendocore-feat-holiday-pop/ |archive-date=January 21, 2012 }}</ref>

====Sludgecore====
{{see also|Southern metal}}
[[Eyehategod]] formed in [[Harvey, Louisiana|Harvey]], Louisiana in 1988 and is credited with originating a new style—New Orleans hardcore-edged sludge.<ref>{{cite book|title=New Wave of American Heavy Metal|last1=Sharpe-Young|first1=Garry|publisher=Zonda|year=2005|pages=137|isbn=978-0958268400|url={{Google books|plainurl=yes|id=uIIf03bGyAAC|page=137}}}}</ref> Another viewpoint is that New Orleans was the birthplace of the sludgecore movement, with [[Eyehategod]] being given the most credit for it.<ref name=Bukszpan91>{{cite book|title=The Encyclopedia of Heavy Metal|last1=Bukszpan|first1=Daniel|publisher=Sterling, New York|year=2012|isbn=978-1402792304|page=91|url={{Google books|plainurl=yes|id=WiQKuAAACAAJ|page=}}}}</ref> Sludgecore combines sludge metal with hardcore punk, and possesses a slow pace,<ref name=Bukszpan91/><ref name=Pearson2020>{{cite book|title=Rebel Music in the Triumphant Empire: Punk Rock in the 1990s United States|last1=Pearson|first1=David|publisher=Oxford University Press|year=2020|chapter=Ch3-The Dystopian Sublime of Extreme Hardcore Punk|pages=121|isbn=978-0197534885|url={{Google books|plainurl=yes|id=CooIEAAAQBAJ|page=121}}}}</ref> a [[Downtuned guitar|low guitar tuning]],<ref name=Bukszpan91/><ref name=Pearson2020/> and a grinding dirge-like feel.<ref name=Pearson2020/> Bands regarded as sludgecore include [[Acid Bath]], [[Eyehategod]], and [[Soilent Green]],<ref>{{cite book|title=Hellraisers: A Complete Visual History of Heavy Metal Mayhem|last1=Rosenberg|first1=Axl|last2=Krovatin|first2=Chris|publisher=Race Point Publishing|year=2017|pages=239|isbn=978-1-63106-430-2|url={{Google books|plainurl=yes|id=SlA0DwAAQBAJ|page=239}}}}</ref> and all three formed in Louisiana. Crowbar formed in 1991 and mixed "detuned, lethargic sludged-out metal with hardcore and [[Southern rock|southern elements]]".<ref>{{cite book|title=New Wave of American Heavy Metal|last1=Sharpe-Young|first1=Garry|publisher=Zonda|year=2005|pages=97|isbn=978-0958268400|url={{Google books|plainurl=yes|id=uIIf03bGyAAC|page=97}}}}</ref> According to rock journalist Steve Huey writing in [[AllMusic]], Eyehategod was a sludge metal band that became part of the "Southern sludgecore scene". This scene also included Crowbar and [[Down (band)|Down]], with all three bands being influenced by Black Flag, Black Sabbath, and the [[Melvins]].<ref>{{cite web|url={{AllMusic|class=artist|id=eyehategod-mn0000127103|pure_url=yes}}|title=Eyehategod|author=Huey, Steve|work=[[AllMusic]]|access-date=January 6, 2021}}</ref> Some of these bands incorporated [[Southern rock]] influences.<ref>{{cite web |url={{AllMusic|class=album|id=in-the-name-of-suffering-mw0000103444|pure_url=yes}} |title=Eyehategod – ''In the Name of Suffering'' |author=York, William |work=[[AllMusic]] |access-date=September 12, 2008}}</ref><ref>{{cite web |url={{AllMusic|class=album|id=take-as-needed-for-pain-mw0000646996|pure_url=yes}} |title=Eyehategod – ''Take as Needed for Pain'' |author=York, William |work=[[AllMusic]] |access-date=September 12, 2008}}</ref><ref>{{cite web |url={{AllMusic|class=artist|id=soilent-green-mn0000754513|pure_url=yes}} |title=Soilent Green |author=York, William |work=[[AllMusic]] |access-date=September 2, 2008}}</ref>