Editing Mode (music) (section)

==References==
===Footnotes===
{{Reflist}}

===Bibliography===
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* {{wikicite|ref={{harvid|Anderson and Mathiesen|2001}}|reference=Anderson, Warren, and [[Thomas J. Mathiesen]] (2001). "Ethos". ''[[The New Grove Dictionary of Music and Musicians]]'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (musicologist)|John Tyrrell]]. London: Macmillan Publishers.}}
* {{wikicite|ref={{harvid|Anon.|1896}}|reference=Anon. (1896). "Plain-song". ''Chambers's Encyclopaedia: A Dictionary of Universal Knowledge'', new edition. Volume 8: Peasant to Roumelia. London and Edinburgh: William & Robert Chambers, Ltd.; Philadelphia: J. B. Lippincott Co.}}
*{{cite book|last=Apel|first=Willi|author-link=Willi Apel|title=Harvard Dictionary of Music|url=https://books.google.com/books?id=TMdf1SioFk4C&pg=PA287|year=1969|publisher=Harvard University Press|isbn=978-0-674-37501-7}}
*{{Cite book| title= Aristotle's Politics: A Treatise on Government | author= Aristotle | others=translated from the Greek of Aristotle by William Ellis, MA, with an Introduction by Henry Morley | year=1895| url= https://books.google.com/books?id=UHYWAAAAIAAJ&q=how+variously+it+can+fascinate+it|publisher=George Routledge and Sons, Ltd.|place=London}}
* {{wikicite|ref={{harvid|Barbera|1984}}|reference=Barbera, André (1984). "[[Octave Species]]". ''[[The Journal of Musicology]]'' 3, no. 3 (July): 229–241. {{doi|10.1525/jm.1984.3.3.03a00020}} {{JSTOR|763813}} (Subscription access)}}
* {{wikicite|ref={{harvid|Barker|1984–89}}|reference=[[Andrew Barker (classicist)|Barker, Andrew]] (ed.) (1984–89). ''Greek Musical Writings''. 2 vols. Cambridge & New York: Cambridge University Press. {{ISBN|0-521-23593-6}} (v. 1) {{ISBN|0-521-30220-X}} (v. 2).}}
* {{wikicite|ref={{harvid|Barton|2009}}|reference=Barton, Louis W. G. (2009). "[http://www.scribeserver.com/medieval/byzantin.htm#music § Influence of Byzantium on Western Chant]". ''[http://www.scribeserver.com/medieval/ The Neume Notation Project: Research in Computer Applications to Medieval Chant]''.}}
* {{wikicite|ref={{harvid|Bélis|2001}}|reference=Bélis, Annie (2001). "Aristoxenus". ''[[Grove Music Online]].'' {{doi|10.1093/gmo/9781561592630.article.01248}} {{subscription required}}.}}
* {{wikicite|ref={{harvid|Bower|1984}}|reference=Bower, Calvin M. (1984). "The Modes of Boethius". ''[[The Journal of Musicology]]'' 3, no. 3 (July): 252–263. {{doi|10.1525/jm.1984.3.3.03a00040}} {{JSTOR|763815}} {{subscription required}}.}}
* {{wikicite|ref={{harvid|Boyden|1994}}|reference=Boyden, David D. (1994). "Manual of Counterpoint". Carl Fischer. {{ISBN|9780825827648}}.}}
* {{wikicite|ref={{harvid|Carroll|2002}}|reference=Carroll, Nansi (2002). ''The Walden School Musicianship Course: A Manual for Teachers''. Dublin, New Hampshire, and San Francisco: [[The Walden School]].}}
* {{wikicite|ref={{harvid|Carver|2005}}|reference=Carver, Anthony F. (2005). "Bruckner and the Phrygian Mode". ''[[Music & Letters]]'' 86, no. 1:74–99. {{doi|10.1093/ml/gci004}}}}
* {{wikicite|ref={{harvid|Chafe|1992}}|reference=Chafe, Eric Thomas (1992). ''Monteverdi's Tonal Language''. New York: Schirmer Books. {{ISBN|9780028704951}}.}}
* {{wikicite|ref={{harvid|Cleonides|1965}}|reference=Cleonides (1965). "Harmonic Introduction," translated by Oliver Strunk. In ''Source Readings in Music History'', vol. 1 (Antiquity and the Middle Ages), edited by Oliver Strunk, 34–46. New York: W. W. Norton & Co.}}
* {{wikicite|ref={{harvid|Cooper|1995}}|reference=Cooper, Peter (1995). ''Mel Bay's Complete Irish Fiddle Player''. Pacific, Missouri: Mel Bay Publications. {{ISBN|0-7866-6557-2}}.}}
* {{wikicite|ref={{harvid|Cott|1973}}|reference=Cott, Jonathan (1973). ''[[iarchive:stockhausenconve00cott|Stockhausen: Conversations with the Composer]]''. New York: Simon and Schuster. {{ISBN|0-671-21495-0}}.}}
* {{wikicite|ref={{harvid|Curtis|1997}}|reference=Curtis, Liane (1997). "Mode". In ''Companion to Medieval and Renaissance Music'', edited by Tess Knighton and David Fallows, pp. 255-264. Berkeley: University of California Press. {{ISBN|0-520-21081-6}}.}}
* {{wikicite|ref={{harvid|Dahlhaus|1968}}|reference=[[Carl Dahlhaus|Dahlhaus, Carl]] (1968). ''Untersuchungen über die Entstehung der harmonischen Tonalität''. Kassel.{{Full citation needed|date=September 2014|reason=Publisher and an ISBN are needed.}}}}
* {{wikicite|ref={{harvid|Dahlhaus|1990}}|reference=Dahlhaus, Carl (1990). ''Studies on the Origin of Harmonic Tonality''. Princeton, New Jersey: Princeton University Press. {{ISBN|0-691-09135-8}}.}}
* {{wikicite|ref={{harvid|Fallows|2001}}|reference=Fallows, David (2001). "Tenor §1". ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.}}
* {{wikicite|ref={{harvid|Glareanus|1965}}|reference=[[Heinrich Glarean|Glareanus, Henricus]] (1965). ''Dodecachordon'', Volume 1, translated by Clement Albin Miller. Musicological Studies and Documents 6. [Rome]: [[American Institute of Musicology]].}}
* {{wikicite|ref={{harvid|Gómez, Díaz-Báñez, Gómez, and Mora|2014}}|reference=Gómez, Francisco, José Miguel Díaz-Báñez, Emilia Gómez, and Joaquin Mora (2014). "Flamenco Music and Its Computational Study". In ''Proceedings of Bridges 2014: Mathematics, Music, Art, Architecture, Culture'', edited by Gary Greenfield, George Hart, and Reza Sarhangi, 119–126. Phoenix, Arizona: Tessellations Publishing. {{ISBN|978-1-938664-11-3}}.}}
* {{wikicite|ref={{harvid|Hiley|2002}}|reference=Hiley, David (2002). "Mode". ''The Oxford Companion to Music'', edited by Alison Latham. Oxford and New York: Oxford University Press. {{ISBN|978-0-19-866212-9}}.}}
* {{wikicite|ref={{harvid|Hoppin|1978}}|reference=Hoppin, Richard (1978). ''Medieval Music''. The Norton Introduction to Music History. New York: Norton. {{ISBN|0-393-09090-6}}.}}
* {{wikicite|ref={{harvid|Jones|1974}}|reference=Jones, George Thaddeus (1974). ''Music Theory''. Barnes & Noble College Outline Series 137. New York: Barnes & Noble Books. {{ISBN|0-06-467168-2}}.}}
* {{wikicite|ref={{harvid|Levine|1995}}|reference=Levine, Mark (1995). ''The Jazz Theory Book''. Petaluma, California: Sher Music Co. {{ISBN|1-883217-04-0}}.}}
* {{wikicite|ref={{harvid|Marx|1852}}|reference=Marx, Adolf Bernhard (1852). ''The School of Musical Composition'', translated from the fourth edition of the original German by August Heinrich Wehrhan. London: Robert Cocks and Co.; Leipzig: Breitkopf and Härtel.}}
* {{wikicite|ref={{harvid|Mathiesen|1983}}|reference=Mathiesen, Thomas J. (1983). ''Aristides Quintilianus. On Music''. Translated by Thomas J. Mathiesen. New Haven and London: Yale University Press.}}
* {{wikicite|ref={{harvid|Mathiesen|2001a}}|reference=Mathiesen, Thomas J. (2001a). "Greece, §I: Ancient". ''[[The New Grove Dictionary of Music and Musicians]]'', second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.}}
* {{wikicite|ref={{harvid|Mathiesen|2001b}}|reference=Mathiesen, Thomas J. (2001b). "Harmonia (i)". ''The New Grove Dictionary of Music and Musicians'', edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.}}
* {{wikicite|ref={{harvid|Mathiesen|2001c}}|reference=Mathiesen, Thomas J. (2001c). "Tonos". ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.}}
* {{wikicite|ref={{harvid|Meier|1974}}|reference=Meier, Bernhard (1974). ''Die Tonarten der klassischen Vokalpolyphonie: nach den Quellen dargestellt''. Utrecht.{{Full citation needed|date=September 2014|reason=Publisher needed, and an ISBN, if there is one.}}}}
* {{wikicite|ref={{harvid|Meier|1992}}|reference=Meier, Bernhard (1992). ''Alte Tonarten: dargestellt an der Instrumentalmusik des 16. und 17. Jahrhunderts.'' Kassel: {{Full citation needed|date=September 2014|reason=Publisher and ISBN needed.}}}}
* {{wikicite|ref={{harvid|Nikodēmos 'Agioreitēs|1836}}|reference=Nikodēmos 'Agioreitēs [St Nikodemos of the Holy Mountain] (1836). '''Eortodromion: ētoi 'ermēneia eis tous admatikous kanonas tōn despotikōn kai theomētorikōn 'eortōn'', edited by Benediktos Kralidēs. Venice: N. Gluku. Reprinted, Athens: H.I. Spanos, 1961.}}
* {{wikicite|ref={{harvid|Palisca|1984}}|reference=[[Claude V. Palisca|Palisca, Claude V.]] (1984). "Introductory Notes on the Historiography of the Greek Modes". ''[[The Journal of Musicology]]'' 3, no. 3 (Summer): 221–228. {{doi|10.1525/jm.1984.3.3.03a00010}} {{JSTOR|763812}} {{subscription required}}.}}
* {{wikicite|ref={{harvid|Palisca|2006}}|reference=Palisca, Claude V. (2006). ''Music and Ideas in the Sixteenth and Seventeenth Centuries''. Studies in the History of Music Theory and Literature 1. Urbana and Chicago: University of Illinois Press. {{ISBN|9780252031564}}.}}
* {{wikicite|ref={{harvid|Plato|1902}}|reference=Plato (1902). ''The Republic of Plato'', 2 vols., edited with critical notes, commentary, and appendices by James Adam. Cambridge: University Press.}}
* {{wikicite|ref={{harvid|Porter|2001}}|reference=Porter, James (2001). "Mode §IV: Modal Scales and Traditional Music". ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.}}
* {{wikicite|ref={{harvid|Powers|2001}}|reference=Powers, Harold S. (2001). "Mode". ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.}}
* {{wikicite|ref={{harvid|Pratt|1907}}|reference=Pratt, Waldo Selden (1907). ''The History of Music: A Handbook and Guide for Students''. New York: G. Schirmer.}}
* {{wikicite|ref={{harvid|Rockstro|1880}}|reference=Rockstro, W[illiam] S[myth] (1880). "Modes, the Ecclesiastical". ''A Dictionary of Music and Musicians (A.D. 1450–1880), by Eminent Writers, English and Foreign'', vol. 2, edited by George Grove, D. C. L., 340–343. London: Macmillan.}}
* {{wikicite|ref={{harvid|Samson|1977}}|reference=Samson, Jim (1977). ''Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920''. Oxford & New York: Oxford University Press. {{ISBN|0-460-86150-6}}.}}
* {{wikicite|ref={{harvid|Serna|2013}}|reference=Serna, Desi (2013). ''Guitar Theory for Dummies''. Hoboken, New Jersey: John Wiley & Sons.}} {{ISBN|9781118646939}}.
* {{wikicite|ref={{harvid|Smith|1989}}|reference=Smith, Charlotte (1989). ''[https://books.google.com/books?id=usc74SGmrf8C&pg=PA14 A Manual of Sixteenth-Century Contrapuntal Style]''. Newark: University of Delaware Press; London: Associated University Presses. {{ISBN|978-0-87413-327-1}}.}}
* {{wikicite|ref={{harvid|Solomon|1984}}|reference=Solomon, Jon (1984). "Towards a History of ''Tonoi''". ''[[The Journal of Musicology]]'' 3, no. 3 (July): 242–251. {{doi|10.1525/jm.1984.3.3.03a00030}} {{JSTOR|763814}} {{subscription required}}.}}
* {{wikicite|ref={{harvid|Taylor|1876}}|reference=Taylor, John (1876). ''The Student's Text-book of the Science of Music''. London and Liverpool: George Philip and Son.}}
* {{wikicite|ref={{harvid|Vieru|1985}}|reference=Vieru, Anatol (1985). "Modalism – A 'Third World'". ''[[Perspectives of New Music]]'' 24, no. 1 (Fall–Winter): 62–71.}}
*{{wikicite|ref={{harvid|West|1992}}|reference=[[Martin Litchfield West|West, Martin L.]] (1992). ''Ancient Greek Music''. Oxford and New York: Oxford University Press {{ISBN|0-19-814975-1}}.}}
* {{wikicite|ref={{harvid|Wiering|1995}}|reference=Wiering, Frans (1995). ''The Language of the Modes: Studies in the History of Polyphonic Modality''. Breukelen: Frans Wiering.}}
* {{wikicite|ref={{harvid|Winnington-Ingram|1936}}|reference=Winnington-Ingram, Reginald Pepys (1936). ''Mode in Ancient Greek Music''. Cambridge Classical Studies. Cambridge: [[Cambridge University Press]]. Reprinted, Amsterdam: Hakkert, 1968.}}
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