Editing Aeneid (section)

===Divine intervention===
One of the most recurring themes in the ''Aeneid'' is that of [[Divine providence|divine intervention]].<ref>Coleman, Robert. "The Gods in the ''Aeneid''." ''Greece and Rome'' 29.2 (Oct 1982): 143–168; also see Block, E. ''The Effects of Divine Manifestation on the Reader's Perspective in Vergil's ''Aeneid'' '' (Salem, NH), 1984.</ref> Throughout the poem, the gods are constantly influencing the main characters and trying to change and impact the outcome, regardless of the [[fate]] that they all know will occur.<ref>Duckworth, George E. "Fate and Free Will in Vergil's ''Aeneid''". ''The Classical Journal'' 51.8 (1956): 357–364.</ref> For example, Juno comes down and acts as a phantom Aeneas to drive Turnus away from the real Aeneas and all of his rage from the death of Pallas.<ref>Fitzgerald 1983, 10.890–966.</ref> Even though Juno knows in the end that Aeneas will triumph over Turnus, she does all she can to delay and avoid this outcome.

Divine intervention occurs multiple times, in Book 4 especially. Aeneas falls in love with Dido, delaying his ultimate fate of travelling to Italy. However, it is actually the gods who inspired the love, as Juno plots:

<blockquote>
Dido and the Trojan captain [will come]<br />
To one same cavern. I shall be on hand,<br />
And if I can be certain you are willing,<br />
There I shall marry them and call her his.<br />
A wedding, this will be.<ref>Fitzgerald 1983, 4.173–177.</ref><br />
</blockquote>

Juno is speaking to Venus, making an agreement and influencing the lives and emotions of both Dido and Aeneas. Later in the same book, Jupiter steps in and restores what is the true fate and path for Aeneas, sending Mercury down to Aeneas' dreams, telling him that he must travel to Italy and leave his new-found lover. As Aeneas later pleads with Dido:

<blockquote>
The gods' interpreter, sent by Jove himself –<br />
I swear it by your head and mine – has brought<br />
Commands down through the racing winds!...<br />
I sail for Italy not of my own free will.<ref>Fitzgerald 1983, 4.492–499.</ref><br />
</blockquote>

Several of the gods try to intervene against the powers of fate, even though they know what the eventual outcome will be. The interventions are really just distractions to continue the conflict and postpone the inevitable. If the gods represent humans, just as the human characters engage in conflicts and power struggles, so too do the gods.