Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
Help about MediaWiki
Special pages
Niidae Wiki
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Renzo Piano
(section)
Page
Discussion
English
Read
Edit
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
View history
General
What links here
Related changes
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
===Modern wing of the Art Institute of Chicago (2000β2009)=== In 2000 the City of Chicago launched a major program of cultural buildings in [[Millennium Park]] with a new concert hall by [[Frank Gehry]] and a new wing of the beaux-arts building [[Art Institute of Chicago]]. With its construction of glass, steel and white stone, the new wing is carefully harmonized with the old structure, and, like his other art museums, makes maximum use of natural light. A horizontal sunscreen on the roof, nicknamed the "flying carpet", is a graceful update of his rooftop art museum on the Lingotto factory in Turin.{{Sfn|Jodidio|2016|page=71}} He also designed a minimalist {{convert|620|ft|m|adj=on}} steel bridge connecting the sculpture terrace of the museum to Millennium Park.<ref>{{cite news|author=Ouroussof, Nicolai |title=Renzo Piano Embraces Chicago (slide show) |url=https://www.nytimes.com/slideshow/2009/05/13/arts/20090513_INSTITUTE_SLIDESHOW_index.html |date=13 May 2009 |work=The New York Times |access-date=13 May 2009}}</ref> Nikolai Ouroussof, critic of the ''New York Times'', noted that some aspects of the building recalled the work of [[Ludwig Mies van der Rohe]], who had made much of his career in Chicago. "The taut forms and refined details, the elevation of an industrial aesthetic to an art form all are hallmarks of Mies's work." But he noted particularly Piano's masterful control of light within the building: "...it is the light that most people will notice.... The glass roof of the top-floor galleries is supported on delicate steel trusses. Rows of white blades rest on top of the trusses to filter out strong southern light; thin fabric panels soften the view from below... On a clear afternoon you can catch faint glimpses through the structural frame of clouds drifting by overhead. But most of the time the art takes center stage, everything else fading quietly into the background It is this obsessive refinement that raises Mr. Piano's best architecture to the level of art."<ref name="Ouroussof, Nicolai-2009">{{cite news |author=Ouroussof, Nicolai |title=Renzo Piano Embraces Chicago |url=https://www.nytimes.com/2009/05/14/arts/design/14muse.html |date=14 May 2009 |work=The New York Times |access-date=16 February 2017}}</ref>
Summary:
Please note that all contributions to Niidae Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Encyclopedia:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
Renzo Piano
(section)
Add topic