Editing Renaissance (section)

===Northern Europe===
{{main|Northern Renaissance}}

The Renaissance in Northern Europe has been termed the "Northern Renaissance". While Renaissance ideas were moving north from Italy, there was a simultaneous southward spread of some areas of innovation, particularly in [[Renaissance music|music]].<ref name="musical-quarterly">{{cite journal|author=Láng, Paul Henry|jstor=738699|title=The So Called Netherlands Schools|journal=The Musical Quarterly|volume=25|issue= 1|year=1939|pages=48–59|doi=10.1093/mq/xxv.1.48}}</ref> The music of the 15th-century [[Burgundian School]] defined the beginning of the Renaissance in music, and the [[polyphony]] of the [[Franco-Flemish School|Netherlanders]], as it moved with the musicians themselves into Italy, formed the core of the first true international style in [[music]] since the standardization of [[Gregorian Chant]] in the 9th century.<ref name="musical-quarterly" /> The culmination of the Netherlandish school was in the music of the Italian [[composer]] [[Giovanni Pierluigi da Palestrina]]. At the end of the 16th century Italy again became a center of musical innovation, with the development of the polychoral style of the [[Venetian School (music)|Venetian School]], which spread northward into Germany around 1600. In [[Denmark]], the Renaissance sparked the translation of the works of [[Saxo Grammaticus]] into [[Danish Realm|Danish]] as well as [[Frederick II of Denmark|Frederick II]] and [[Christian IV of Denmark|Christian IV]] ordering the redecoration or construction of several important works of architecture, i.e. [[Kronborg]], [[Rosenborg Castle|Rosenborg]] and [[Børsen]].<ref>{{Cite web |title=Renæssance i Europa og Danmark |url=https://natmus.dk/historisk-viden/danmark/renaessance-1536-1660/renaessance-i-europa-og-danmark/ |access-date=24 November 2023 |website=Nationalmuseet |language=da}}</ref> Danish astronomer [[Tycho Brahe]] greatly contributed to turn astronomy into the first [[modern science]] and also helped launch the [[Scientific Revolution]].<ref>{{Cite book |last=Wootton |first=David |url=https://www.worldcat.org/oclc/883146361 |title=The Invention of Science: A New History of the Scientific Revolution |publisher=HarperCollins |date=2015 |isbn=978-0-06-175952-9 |edition=First U.S. |location=New York, NY |oclc=883146361}}</ref><ref>{{Cite web |title=Tycho Brahe, 1546-1601 |url=https://danmarkshistorien.dk/vis/materiale/tycho-brahe-1546-1601 |access-date=24 November 2023 |website=danmarkshistorien.dk |language=da}}</ref>

The paintings of the Italian Renaissance differed from those of the Northern Renaissance. Italian Renaissance artists were among the first to paint secular scenes, breaking away from the purely religious art of medieval painters. Northern Renaissance artists initially remained focused on religious subjects, such as the contemporary religious upheaval portrayed by [[Albrecht Dürer]]. Later, the works of [[Pieter Bruegel the Elder]] influenced artists to paint scenes of daily life rather than religious or classical themes. It was also during the Northern Renaissance that [[Flemish Primitives|Flemish]] brothers [[Hubert van Eyck|Hubert]] and [[Jan van Eyck]] perfected the [[oil painting]] technique, which enabled artists to produce strong colors on a hard surface that could survive for centuries.<ref>''[http://www.metmuseum.org/toah/hd/optg/hd_optg.htm Painting in Oil in the Low Countries and Its Spread to Southern Europe]'', [[Metropolitan Museum of Art]] website. (Retrieved 5 April 2007)</ref> A feature of the Northern Renaissance was its use of the vernacular in place of Latin or Greek, which allowed greater freedom of expression. This movement had started in Italy with the decisive influence of [[Dante Alighieri]] on the development of vernacular languages; in fact the focus on writing in Italian has neglected a major source of Florentine ideas expressed in Latin.<ref>Celenza, Christopher (2004), ''The Lost Italian Renaissance: Humanists, Historians, and Latin's Legacy''. Baltimore, Johns Hopkins University Press</ref> The spread of the printing press technology boosted the Renaissance in Northern Europe as elsewhere, with Venice becoming a world center of printing.