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===Sources=== {{refbegin|30em}} * Bartok, Peter, Moses Asch, Marian Distler, and Sidney Cowell; revised by Sorrel Hays (1993 [1963]). Liner notes to ''Henry Cowell: Piano Music'' (Smithsonian Folkways 40801). * Boziwick, George (2000). "Henry Cowell at the New York Public Library: A Whole World Of Music," ''Notes'' [Music Library Association], 57.1 (available [http://muse.jhu.edu/demo/notes/v057/57.1boziwick.html online]). * Bredow, Moritz von. (2012). "Rebellische Pianistin. Das Leben der Grete Sultan zwischen Berlin und New York." Schott Music, Mainz, Germany. {{ISBN|978-3-7957-0800-9}} * Cage, John (1959). "History of Experimental Music in the United States", in ''Silence'' (1971 [1961]), pp. 67–75. Middletown, Conn.: Wesleyan University Press. {{ISBN|0-8195-6028-6}} * Cowell, Henry (1993). "Henry Cowell's Comments: The composer describes each of the selections in the order in which they appear." Track 20 of ''Henry Cowell: Piano Music'' (Smithsonian Folkways 40801). * Duffy, Clinton (1950). ''The San Quentin Story.'' Doubleday & Company, Inc. {{ISBN|978-0-837-10395-2}} * Gann, Kyle (1995). ''The Music of Conlon Nancarrow.'' Cambridge, New York, and Melbourne: Cambridge University Press. {{ISBN|0-521-02807-8}} * Harrison, Lou (1997). "Learning from Henry," in ''The Whole World of Music: A Henry Cowell Symposium'', ed. Nicholls; pp. 161–167. * Hicks, Michael (2002). ''Henry Cowell, Bohemian.'' Urbana: University of Illinois Press. {{ISBN|0-252-02751-5}} * Kirkpatrick, John, Richard Jackson, John Harbison, Bruce Saylor (1988). ''20th-Century American Masters: Ives, Thomson, Sessions, Cowell, Gershwin, Copland, Carter, Barber, Cage, Bernstein.'' New York and London: W. W. Norton. {{ISBN|0-393-31588-6}} * Lichtenwanger, William (1986). ''The Music of Henry Cowell: A Descriptive Catalogue.'' Brooklyn, N.Y.: Brooklyn College Institute for Studies in American Music. {{ISBN|0-914678-26-4}} * Manion, Martha L. (1982). ''Writings about Henry Cowell: An Annotated Bibliography.'' Brooklyn, N.Y.: Brooklyn College Institute for Studies in American Music. * Mead, Rita H. (1981). ''Henry Cowell's New Music, 1925–1936.'' Ann Arbor, Mich.: UMI Research Press (excerpted [https://web.archive.org/web/20090425114002/http://www.o-art.org/history/early/_CowellN.Mus./NewMusic/NMIXrythmic.html online]). {{ISBN|0-8357-1170-6}} * Miller, Leta H., and Rob Collins (2005). "The Cowell-Ives Relationship: A New Look at Cowell's Prison Eyes." ''American Music'' 23, no. 4 (Winter): 473–92 (available [http://music.ucsc.edu/sites/default/files/Cowell-Ives.pdf online]). * Nicholls, David (1991). ''American Experimental Music 1890–1940.'' Cambridge, New York, and Melbourne: Cambridge University Press. {{ISBN|0-521-42464-X}} * Nicholls, David, ed. (1997). ''The Whole World of Music: A Henry Cowell Symposium''. Amsterdam: Harwood Academic Press. {{ISBN|90-5755-003-2}} * Nicholls, David, ed. (1998). ''The Cambridge History of American Music.'' Cambridge, New York, and Melbourne: Cambridge University Press. {{ISBN|0-521-45429-8}} * Oja, Carol J. (1998). Liner notes to ''Henry Cowell: Mosaic'' (Mode 72/73). * Oja, Carol J. (2000). ''Making Music Modern: New York in the 1920s.'' New York: Oxford University Press. {{ISBN|0-19-505849-6}} * Rischitelli, Victor (2005). ''Henry Cowell and the Impact of his First European Tour.'' North Sydney: Australian Catholic University. * Sachs, Joel (2012). ''Henry Cowell: A Man Made of Music''. Oxford: Oxford University Press. {{ISBN|978-0-19-510895-8}} * Skinner, Graeme (2000). "Cowell, Henry." ''Who's Who in Gay and Lesbian History from Antiquity to World War II''. * Sollberger, Harvey (1992). Liner notes to ''Percussion Music: Works by Varèse, Colgrass, Saperstein, Cowell, Wuorinen'' (Nonesuch 9 79150–2). * Sublette, Ned (2004). ''Cuba and Its Music: From the First Drums to the Mambo.'' Chicago: Chicago Review Press. {{ISBN|1-55652-516-8}} * Thomson, Virgil (2002). ''Virgil Thomson: A Reader—Selected Writings 1924–1984.'' Edited by Richard Kostelanetz. New York and London: Routledge. {{ISBN|0-415-93795-7}} {{refend}}
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