Editing Performance art (section)

=== Main artists ===
In 1973, [[Laurie Anderson]] interpreted ''Duets on Ice'' in the streets of New York. [[Marina Abramović]], in the performance ''Rhythm 10'', included conceptually the violation of a body.<ref>{{cite web|url=http://www.medienkunstnetz.de/works/rhythm-10-2/|title=Marina Abramović Rhythm 10|access-date=June 11, 2020|publisher=Media Art Net}}</ref> Thirty years later, the topic of rape, shame and sex exploitation would be reimagined in the works of contemporary artists such as ''Clifford Owens'',<ref>{{cite news|url=http://gothamist.com/2012/03/09/this_sunday_ps1_may_or_may_not_host.php|title=This Sunday MoMA PS1 May Or May Not Host A "Performance Art Rape"|work=[[Gothamist]]|date=March 9, 2012|first=Jen|last=Carlson|access-date=June 11, 2020|archive-date=August 10, 2015|archive-url=https://web.archive.org/web/20150810231244/http://gothamist.com/2012/03/09/this_sunday_ps1_may_or_may_not_host.php|url-status=dead}}</ref> ''Gillian Walsh'', ''Pat Oleszko'' and ''Rebecca Patek,'' amongst others.<ref>{{cite news|url=https://www.nytimes.com/2013/07/31/arts/dance/the-margins-of-a-form-are-increasingly-not-where-they-used-to-be.html?smid=fb-share&_r=0|title=The Margins of a Form Are, Increasingly, Not Where They Used to Be|work=[[The New York Times]]|date=July 30, 2013|first=Gia|last=Kourlas|access-date=June 11, 2020}}</ref> New artists with radical acts consolidated themselves as the main precursors of performance, like [[Chris Burden]], with the 1971 work ''Shoot'', where an assistant shot him in the arm from a five-meter distance, and [[Vito Acconci]] the same year with ''Seedbed''. The work ''Eye Body'' (1963) by Carolee Schneemann en 1963, had already been considered a prototype of performance art. In 1975, Schneemann recurred to innovative solo acts such as ''Interior Scroll'', that showed the feminine body as an artistic media.

One of the main artists was [[Gina Pane]],<ref name=OAO>{{cite web|title=Panel, Gina|url=http://www.oxfordartonline.com/subscriber/article/grove/art/T065032|website=Oxford Art Online|access-date=June 11, 2020}}</ref> French artist of Italian origins. She studied at the [[École nationale supérieure des Beaux-Arts]] in París from 1960 until 1965<ref name=Hillstrom>{{cite book|last1=Hillstrom|first1=Laurie|last2=Hillstrom|first2=Kevin|title=Artistas contemporáneas|url=https://archive.org/details/contemporarywome00kevi|date=1999|editor=St. James Press|location=Farmington Hills, MI|isbn=1558623728|pages=[https://archive.org/details/contemporarywome00kevi/page/507 507], 508|access-date=June 11, 2020}}</ref> and was a member of the performance art movement in the 1970 in France, called  "Art Corporel".<ref name="Broadway1602">{{cite web|title=Gina Pane|url=http://broadway1602.com/artist/gina-pane/|archive-url=https://web.archive.org/web/20151023075931/http://broadway1602.com/artist/gina-pane/|url-status=usurped|archive-date=October 23, 2015|website=Broadway 1602|access-date=June 11, 2020}}</ref> Parallel to her art, Pane taught in the Ecole des Beaux-Arts in Mans from 1975 until 1990 and directed an ''atelier'' dedicated to performance art in the Pompidou Centre from 1978 to 1979.<ref name="Broadway1602"/> One of her best known works is ''The Conditioning '' (1973), in which she was lied into a metal bed spring over an area of lit candles. ''The Conditioning '' was created as an homage to [[Marina Abramović]], part of her ''Seven Easy Pieces''(2005) in the [[Solomon R. Guggenheim Museum]] in New York City in 2005. Great part of her works are protagonized by self-inflicted pain, separating her from most of other woman artists in the 1970s. Through the violence of cutting her skin with razors or extinguishing fires with her bare hands and feet, Pane has the intention of inciting a ''real experience'' in the visitor, who would feel moved for its discomfort.<ref name="OAO"/> The impactful nature of these first performance art pieces or actions, as she preferred to call them, many times eclipsed her prolific photographic and sculptural work. Nonetheless, the body was the main concern in Panes's work, either literally or conceptually.

<br />

<gallery widths="200" heights="200">
File:Ulay.jpg|Portrait of [[Ulay]] in 1972
File:Furgone Abramovic-Ulay 02.jpg|Abramovic and [[Ulay]]'s Furgone
File:Marina Abramović in Stockholm 2017-2.jpg|Exhibition of Marina Abramović's first works in Stockholm
File:Truncated Pyramid Room.jpg|Installation by [[Bruce Nauman]] in Germany
File:NTSC color bar calibration-(for Video Flag Z by artist Nam June Paik) 2013-07-20 18-21.jpg|Video installation by [[Nam June Paik]]
File:Gilbert.george.jpg|[[Gilbert and George]] in a presentation
File:Orshi Drozdik Brains on High Heels, 1993 installation, photo 2006.jpg|Orshi Drozdik in one of her exhibitions
</gallery>