Editing Fernando Pessoa (section)

===Articles===
* Anderson, R. N., "The Static Drama of Pessoa, Fernando", ''Hispanofila'' (104): 89–97 (January 1992).
* [[Harold Bloom|Bloom, Harold]], "Fernando Pessoa" in ''Genius: A Mosaic of One Hundred Exemplary Creative Minds''. New York: Warner Books, 2002.
* Brown, S. M., "The Whitman Pessoa Connection", ''Walt Whitman Quarterly Review'' 9 (1): 1–14 SUM 1991.
* Bunyan, D, "The South-African Pessoa: Fernando 20th Century Portuguese Poet", ''English in Africa'' 14 (1), May 1987, pp.&nbsp;67–105.
* Cruz, Anne J., "Masked Rhetoric: Contextuality in Fernando Pessoa's Poems", ''Romance Notes'', vol. XXIX, no. 1 (Fall, 1988), pp.&nbsp;55–60.
* De Castro, Mariana, [https://go.gale.com/ps/i.do?p=LitRC&u=googlescholar&id=GALE|A153241195&v=2.1&it=r&sid=googleScholar&asid=592ef5ac "Oscar Wilde, Fernando Pessoa, and the art of lying"], ''Portuguese Studies'' 22 (2): 219, 2006. [https://www.jstor.org/stable/41105265 JSTOR]
* [[Geoff Dyer|Dyer, Geoff]], "Heteronyms", ''The New Statesman'', vol. 4 (6 December 1991), p.&nbsp;46.
* [[Fernanda Eberstadt|Eberstadt, Fernanda]], [https://www.nytimes.com/1991/09/01/books/proud-of-his-obscurity.html "Proud of His Obscurity"], ''The New York Times Book Review'', vol. 96, (1 September 1991), p.&nbsp;26.
* Ferrari, Patricio. "Proverbs in Fernando Pessoa's works", ''Proverbium'', vol. 31, pp.&nbsp;235–244.
* Guyer, Leland, "Fernando Pessoa and the Cubist Perspective", ''Hispania'', vol. 70, no. 1 (March 1987), pp.&nbsp;73–78.
* Haberly, David T., "Fernando Pessoa: Overview" in Lesley Henderson (ed.), ''Reference Guide to World Literature'', 2nd ed. St. James Press, 1995.
* Hicks, J., "The Fascist imaginary in Pessoa and Pirandello", ''Centennial Review'' 42 (2): 309–332 SPR 1998.
* Hollander, John, "Quadrophenia", ''The New Republic'', 7 September 1987, pp.&nbsp;33–6.
* Howes, R. W., "Pessoa, Fernando, Poet, Publisher, and Translator", ''British Library Journal'' 9 (2): 161–170 1983.
* Jennings, Hubert D., [https://web.archive.org/web/20100806133733/http://www.umfernandopessoa.com/estudos/in-search-of-fernando-pessoa.pdf "In Search of Fernando Pessoa"] ''Contrast 47 – South African Quarterly'', vol. 12 no. 3 (June 1979).
* Lopes J. M., "Cubism and intersectionism in Fernando Pessoa's 'Chuva Obliqua", ''Texte'' (15–16),1994, pp.&nbsp; 63–95.
* Mahr, G., "Pessoa, life narrative, and the dissociative process" in ''Biography'' 21 (1) Winter 1998, pp.&nbsp;25–35.
* McNeill, Pods, "The aesthetic of fragmentation and the use of personae in the poetry of Fernando Pessoa and [[W. B. Yeats]]", ''Portuguese Studies'' 19: 110–121 2003.
* Monteiro, George, "The Song of the Reaper-Pessoa and [[William Wordsworth|Wordsworth]]", ''Portuguese Studies'' 5, 1989, pp.&nbsp;71–80.
* Muldoon P., "In the hall of mirrors: 'Autopsychography' by Fernando Pessoa", ''New England Review'' 23 (4), Fall 2002, pp.&nbsp;38–52.
* Pasi, Marco, [http://www.brown.edu/Departments/Portuguese_Brazilian_Studies/ejph/pessoaplural/Issue1/PDF/I1A07.pdf "September 1930, Lisbon: Aleister Crowley’s lost diary of his Portuguese trip"] ''Pessoa Plural'', no. 1 (Spring 2012), pp.&nbsp;253–283.
* Pasi, Marco & Ferrari, Patricio, [http://www.brown.edu/Departments/Portuguese_Brazilian_Studies/ejph/pessoaplural/Issue1/PDF/I1A08.pdf "Fernando Pessoa and Aleister Crowley: New discoveries and a new analysis of the documents in the Gerald Yorke Collection"], ''Pessoa Plural'', no. 1 (Spring 2012), pp.&nbsp;284–313.
* Phillips, A., "Pessoa's Appearances" in ''Promises, Promises'', London: Faber and Faber Limited, 2000, pp.&nbsp;113–124.
* Polito, Robert, [https://bombmagazine.org/articles/fernando-pessoa/ "Fernando Pessoa"] ''Bomb Magazine'', Issue #65, 1 October 1998.
* Ribeiro, A. S., "A tradition of empire: Fernando Pessoa and Germany", ''Portuguese Studies'' 21: 201–209, 2005
* Riccardi, Mattia, "Dionysus or Apollo? The heteronym Antonio Mora as moment of Nietzsche's reception by Pessoa", ''Portuguese Studies'' 23 (1), 109, 2007.
* Rosenthal, David H., "Unpredictable Passions", ''The New York Times Book Review'', 13 December 1987, p.&nbsp;32.
* Seabra, J.A., "Pessoa, Fernando Portuguese Modernist Poet", ''Europe'' 62 (660): 41–53 1984.
* Severino, Alexandrino E., "Fernando Pessoa's Legacy: The Presença and After", ''World Literature Today'', vol. 53, no. 1 (Winter, 1979), pp.&nbsp;5–9.
* Severino, Alexandrino E., "Pessoa, Fernando – A Modern Lusiad", ''Hispania'' 67 (1): 52–60 1984.
* Severino, Alexandrino E., [http://213.0.4.19/servlet/SirveObras/01475176655936417554480/p0000006.htm#I_9_ "Was Pessoa Ever in South Africa?"] {{Webarchive|url=https://web.archive.org/web/20130114073339/http://213.0.4.19/servlet/SirveObras/01475176655936417554480/p0000006.htm#I_9_ |date=14 January 2013 }} [http://www.cervantesvirtual.com/obra/hispania--11/ ''Hispania''] {{Webarchive|url=https://web.archive.org/web/20200217041138/http://www.cervantesvirtual.com/obra/hispania--11/ |date=17 February 2020 }}, vol. 74, no. 3 (September 1991).
* Sheets, Jane M., "Fernando Pessoa as Anti-Poet: Alberto Caeiro", ''Bulletin of Hispanic Studies'', vol. XLVI, no. 1 (January 1969), pp.&nbsp;39–47.
* Simon, Ed, [https://daily.jstor.org/the-poet-is-a-man-who-feigns/ "The Poet Is a Man Who Feigns"] ''JSTOR Daily'', September 20, 2023.
* Sousa, Ronald W., "The Structure of Pessoa's Mensagem", ''Bulletin of Hispanic Studies'', vol. LIX, no. 1, January 1982, pp.&nbsp;58–66.
* [[George Steiner|Steiner, George]], [https://www.theguardian.com/books/2001/jun/03/poetry.features1 "A man of many parts"], ''The Observer'', 3 June 2001.
* Suarez, Jose, "Fernando Pessoa's acknowledged involvement with the occult", ''Hispania 90'' (2): (May 2007), 245–252.
* Wood, Michael, [https://www.nybooks.com/articles/1972/09/21/mod-and-great/ "Mod and Great"] ''The New York Review of Books'', vol. XIX, no. 4 (21 September 1972), pp.&nbsp;19–22.
* Wood, Michael, [https://www.nybooks.com/articles/1991/10/24/the-sorcerers-apprentice/ "The Sorcerer's Apprentice"] ''The New York Review of Books'' (24 October 1991).
* Zenith, Richard, "Pessoa, Fernando and the Theater of his Self", ''Performing Arts Journal'' (44), May 1993, pp.&nbsp;47–49.