Editing Antonín Dvořák (section)

===Other works===
{{listen|filename=Dvořák - Humoresque Op. 101 No. 7.ogg|title=Humoresque Op. 101 No. 7|description=Arranged for viola and piano by Elias Goldstein, performed by Elias Goldstein (viola) and Monica Pavel (piano)|format=[[ogg]]}}
From other works that show the influence of Czech folk rhythms and melodic shapes, perhaps the best known examples are the two sets of [[Slavonic Dances]]. The first book, Op. 46 (1878), is predominantly Czech in form. It was created for piano [[duet]] (one piano, four hands), but Dvořák then orchestrated the entire set, completing it the same year. The second book, Op. 72 (also composed originally for piano four hands), composed eight years later, includes forms native to other [[Slavic peoples|Slavic]] lands Serbia, Poland and Ukraine, although some "merge characteristics of more than one dance".<ref>Clapham 1966, p. 137</ref> Dvořák did not use actual folk tunes, but created his own themes in the style of [[traditional music|traditional folk music]], using the rhythms of original folk dances.

A work that does not fit in the other categories is the ''[[Symphonic Variations (Dvořák)|Symphonic Variations]]'' of 1877. Orchestral variations on an original theme, composed as a freestanding work, were a rather unusual genre. Originally unsuccessful and revived only after ten years, it has since established itself in the repertoire.