Editing Streaming media (section)

=== Copyright issues ===
{{See also|Copyright aspects of downloading and streaming}}

For [[over-the-top media service]] (OTT) platforms, the original content captures additional subscribers.<ref>Katz, Raul (October 2021). [https://www.wipo.int/ip-development/en/agenda/work_undertaken.html#pilot_project_cdcde Study on the copyright legal framework and licensing practices of audiovisual content in the digital environment, Part 1: Audiovisual OTT business models in Latin America: Recent trends and future evolution.] {{Webarchive|url=https://web.archive.org/web/20221105090545/https://www.wipo.int/ip-development/en/agenda/work_undertaken.html#pilot_project_cdcde|date=5 November 2022}} World Intellectual Property Organization</ref> This presents copyright issues and the potential for international exploitation through streaming,<ref>Moullier, B; Galvis, Alexandra (October 2021). [https://www.wipo.int/ip-development/en/agenda/work_undertaken.html#pilot_project_cdcde Study on the copyright legal framework and licensing practices of audiovisual content in the digital environment, Part 4: contractual practices in the Latin American audiovisual sector in the digital environment.] World Intellectual Property Organization </ref> widespread use of standards, and metadata in digital files.<ref>Schotz, Gustavo (October 2021). Study on the copyright legal framework and licensing practices of audiovisual content in the digital environment, Part 5: The Identification and Use of Metadata in Audiovisual Works https://www.wipo.int/ip-development/en/agenda/work_undertaken.html#pilot_project_cdcde. World Intellectual Property Organization</ref> The WIPO has indicated several basic copyright issues arising for those pursuing work in the film<ref>{{Cite web |last=Bertrand |first=Moullier |title=Rights, Camera, Action! Intellectual property rights and the filmmaking process |url=https://www.wipo.int/publications/en/details.jsp?id=4611&plang=EN |access-date=2025-05-15 |website=www.wipo.int |language=en}}</ref> and music industries<ref>{{Cite web |last=David |first=Stopps |title=How to Make a Living from Music |url=https://www.wipo.int/publications/en/details.jsp?id=4673&plang=EN |access-date=2025-05-15 |website=www.wipo.int |language=en}}</ref> in the era of streaming.

Streaming copyrighted content can involve making infringing copies of the works in question. The recording and distribution of streamed content is also an issue for many companies that rely on revenue based on views or attendance.<ref>{{Cite book|last=Maeda|first=Mari|title=Optical Fiber Communication Conference and International Conference on Quantum Information |chapter=OFC'01 Invited Talk the Internet of the Future |date=17 March 2001|chapter-url=https://www.osapublishing.org/abstract.cfm?uri=OFC-2001-TuK1|publisher=Optical Society of America|pages=TuK1|doi=10.1364/OFC.2001.TuK1|isbn=1-55752-654-0|doi-access=free|access-date=28 July 2019|archive-date=18 February 2020|archive-url=https://web.archive.org/web/20200218115929/https://www.osapublishing.org/abstract.cfm?uri=OFC-2001-TuK1|url-status=live}}</ref>