Editing Literary criticism (section)

===20th century===
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*[[Benedetto Croce]]: ''Aesthetic''
* [[Antonio Gramsci]] : ''Prison Notebooks''
* [[Umberto Eco]]: ''The Aesthetics of Thomas Aquinas; The Open Work''
*[[A. C. Bradley]]: ''Poetry for Poetry's Sake''
*[[Sigmund Freud]]: ''Creative Writers and Daydreaming''
*[[Ferdinand de Saussure]]: ''Course in General Linguistics''
*[[Claude Lévi-Strauss]]: ''The Structural Study of Myth''
*[[T. E. Hulme]]: ''Romanticism and Classicism''; ''[[Bergson]]'s Theory of Art''
*[[Walter Benjamin]]: ''On Language as Such and On the Language of Man''
*[[Viktor Shklovsky]]: ''Art as Technique''
*[[T. S. Eliot]]: ''Tradition and the Individual Talent''; ''Hamlet and His Problems''
*[[Irving Babbitt]]: ''Romantic Melancholy''
*[[Carl Jung]]: ''On the Relation of Analytical Psychology to Poetry''
*[[Leon Trotsky]]: ''The Formalist School of Poetry and Marxism''
*[[Boris Eikhenbaum]]: ''The Theory of the "Formal Method"''
*[[Virginia Woolf]]: ''A Room of One's Own''
*[[I. A. Richards]]: ''Practical Criticism''
*[[Mikhail Bakhtin]]: ''Epic and Novel: Toward a Methodology for the Study of the Novel''
*[[Georges Bataille]]: ''The Notion of Expenditure''
*[[John Crowe Ransom]]: ''Poetry: A Note in Ontology''; ''Criticism as Pure Speculation''
*[[R. P. Blackmur]]: ''A Critic's Job of Work''
*[[Jacques Lacan]]: ''The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience''; ''The Agency of the Letter in the Unconscious or Reason Since Freud''
*[[György Lukács]]: ''The Ideal of the Harmonious Man in Bourgeois Aesthetics''; ''Art and Objective Truth''
*[[Paul Valéry]]: ''Poetry and Abstract Thought''
*[[Kenneth Burke]]: ''Literature as Equipment for Living''
*[[Ernst Cassirer]]: ''Art''
*[[W. K. Wimsatt]] and [[Monroe Beardsley]]: ''The Intentional Fallacy'', ''The Affective Fallacy''
*[[Cleanth Brooks]]: ''The Heresy of Paraphrase''; ''Irony as a Principle of Structure''
*[[Jan Mukařovský]]: ''Standard Language and Poetic Language''
*[[Jean-Paul Sartre]]: ''Why Write?''
*[[Simone de Beauvoir]]: ''The Second Sex''
*[[Ronald Crane]]: ''Toward a More Adequate Criticism of Poetic Structure''
*[[Philip Wheelwright]]: ''The Burning Fountain''
*[[Theodor Adorno]]: ''Cultural Criticism and Society''; ''Aesthetic Theory''
*[[Roman Jakobson]]: ''The Metaphoric and Metonymic Poles''
*[[Northrop Frye]]: ''Anatomy of Criticism''; ''The Critical Path''
*[[Gaston Bachelard]]: ''The Poetics of Space''
*[[Ernst Gombrich]]: ''Art and Illusion''
*[[Martin Heidegger]]: ''The Nature of Language''; ''Language in the Poem''; ''[[Hölderlin]] and the Essence of Poetry''
*[[E. D. Hirsch Jr.]]: ''Objective Interpretation''
*[[Noam Chomsky]]: ''Aspects of the Theory of Syntax''
*[[Jacques Derrida]]: ''Structure, Sign, and Play in the Discourse of the Human Sciences''
*[[Roland Barthes]]: ''The Structuralist Activity''; ''The Death of the Author''
*[[Michel Foucault]]: ''Truth and Power''; ''What Is an Author?''; ''The Discourse on Language''
*[[Hans Robert Jauss]]: ''Literary History as a Challenge to Literary Theory''
*[[Georges Poulet]]: ''Phenomenology of Reading''
*[[Raymond Williams]]: ''The Country and the City''
*[[Lionel Trilling]]: ''The Liberal Imagination'';
*[[Julia Kristeva]]: ''From One Identity to Another''; ''Women's Time''
*[[Paul de Man]]: ''Semiology and Rhetoric''; ''The Rhetoric of Temporality''
*[[Harold Bloom]]: ''[[The Anxiety of Influence]]''; ''The Dialectics of Poetic Tradition''; ''Poetry, Revisionism, Repression''
*[[Chinua Achebe]]: ''Colonialist Criticism''
*[[Stanley Fish]]: ''Normal Circumstances, Literal Language, Direct Speech Acts, the Ordinary, the Everyday, the Obvious, What Goes Without Saying, and Other Special Cases''; ''Is There a Text in This Class?''
*[[Edward Said]]: ''The World, the Text, and the Critic''; ''Secular Criticism''
*[[Elaine Showalter]]: ''Toward a Feminist Poetics''
*[[Sandra Gilbert]] and [[Susan Gubar]]: ''Infection in the Sentence''; ''The Madwoman in the Attic''
*[[Murray Krieger]]: ''"A Waking Dream": The Symbolic Alternative to Allegory''
*[[Gilles Deleuze]] and [[Félix Guattari]]: ''[[Anti-Oedipus]]: Capitalism and Schizophrenia''
*[[René Girard]]: ''The Sacrificial Crisis''
*[[Hélène Cixous]]: ''The Laugh of the Medusa''
*[[Jonathan Culler]]: ''Beyond Interpretation''
*[[Geoffrey Hartman]]: ''Literary Commentary as Literature''
*[[Wolfgang Iser]]: ''The Repertoire''
*[[Hayden White]]: ''The Historical Text as Literary Artifact''
*[[Hans-Georg Gadamer]]: ''[[Truth and Method]]''
*[[Paul Ricoeur]]: ''The Metaphorical Process as Cognition, Imagination, and Feeling''
*[[Peter Szondi]]: ''On Textual Understanding''
*[[M. H. Abrams]]: ''How to Do Things with Texts''
*[[J. Hillis Miller]]: ''The Critic as Host''
*[[Clifford Geertz]]: ''Blurred Genres: The Refiguration of Social Thought''
*[[Filippo Tommaso Marinetti]]: ''The Foundation and Manifesto of Futurism''
*[[Tristan Tzara]]: ''Unpretentious Proclamation''
*[[André Breton]]: ''The Surrealist Manifesto''; ''The Declaration of 27 January 1925''
*[[Mina Loy]]: ''Feminist Manifesto''
*[[Yokomitsu Riichi]]: ''Sensation and New Sensation''
*[[Oswald de Andrade]]: ''Cannibalist Manifesto''
*[[André Breton]], [[Leon Trotsky]] and [[Diego Rivera]]: ''Manifesto: Towards a Free Revolutionary Art''
*[[Hu Shih]]: ''Some Modest Proposals for the Reform of Literature''
*[[Octavio Paz]]: ''The Bow and the Lire''
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