Editing Islamic art (section)

====Spain and the Maghreb====
[[File:Morocco Fez Embroidery Horse Cover.JPG|thumb|Moroccan [[Islamic embroidery|Embroidery]] [[fly mask]]]]
[[File:Pyxid Al Mughira OA 4068.jpg|thumb|upright|[[Pyxis of al-Mughira]], [[Medina Azahara]], Spain, 968]]

The first Islamic dynasty to establish itself in Iberia, known in Arabic as [[al-Andalus]], was the Umayyads, descended from the great Umayyad Caliphate of Syria. After their fall, they were replaced by various autonomous kingdoms, the [[taifa]]s (1031–91), but the artistic production from this period does not differ significantly from that of the Umayyads. At the end of the 11th century, two Berber tribes, the [[Almoravid dynasty|Almoravids]] and the [[Almohad dynasty|Almohads]], captured the head of the Maghreb and Spain, successively, bringing Maghrebi influences into art. A series of military victories by Christian monarchs had reduced Islamic Spain by the end of the 14th century to the city of [[Granada]], ruled by the [[Nasrid dynasty]], who managed to maintain their hold until 1492.

Al-Andalus was a great cultural center of the Middle Ages. Besides the great universities, which taught philosophies and sciences yet unknown in Christendom (such as those of [[Averroes]]), the territory was an equally vital center for art.

Many techniques were employed in the manufacture of objects. Ivory was used extensively for the manufacture of boxes and caskets. The [[pyxis of al-Mughira]] is a masterwork of the genre. In metalwork, large sculptures in the round, normally rather scarce in the Islamic world, served as elaborate receptacles for water or as fountain spouts. A great number of textiles, most notably silks, were exported: many are found in the church treasuries of Christendom, where they served as covering for saints' [[reliquaries]]. From the periods of [[Maghreb]]i rule one may also note a taste for painted and sculpted woodwork.

The art of north Africa is not as well studied. The Almoravid and Almohad dynasties are characterized by a tendency toward austerity, for example in mosques with bare walls. Nevertheless, luxury arts continued to be produced in great quantity. The Marinid and Hafsid dynasties developed an important, but poorly understood, architecture, and a significant amount of painted and sculpted woodwork.