Editing The Music Man (section)

==Reception==
Though ''[[West Side Story (musical)|West Side Story]]'' had opened nearly three months earlier, ''The Music Man'' captured audiences, critics and five Tony Awards, including Best Musical. [[Steven Suskin]] wrote that it was one of only eight musicals that opened on Broadway between 1943 and 1964 to "unanimous raves from the major first-night newspaper critics".<ref>[[Steven Suskin|Suskin, Steven]]. [https://playbill.com/article/on-the-record-spotlight-on-mary-martin-and-beatrice-lillie-com-166077 "On the Record: Spotlight on Mary Martin and Beatrice Lillie"], ''[[Playbill]]'', 21 February 2010</ref> ''The New York Times'' theatre critic [[Brooks Atkinson]] wrote in his review "If [[Mark Twain]] could have collaborated with [[Vachel Lindsay]], they might have devised a rhythmic lark like ''The Music Man'', which is as American as apple pie and a Fourth of July oration.... ''The Music Man'' is a marvelous show, rooted in wholesome and comic tradition."<ref>Atkinson, Brooks.  [http://theater2.nytimes.com/mem/theater/treview.html?html_title=&tols_title=THE%20MUSIC%20MAN%20(PLAY)&pdate=19571220&byline=By%20BROOKS%20ATKINSON&id=1077011428963 Theatre Review: of ''The Music Man'']. ''[[The New York Times]]'', December 20, 1957, accessed May 1, 2010</ref>

Walter Kerr of the ''[[New York Herald Tribune|Herald Tribune]]'' glowingly described the opening scene of the musical: "It's the beat that does it. The overture of ''The Music Man'' drives off with a couple of good, shrill whistles and a heave-ho blast from half the brass in the pit, with the heartier trombonists lurching to their feet in a blare of enthusiasm. The curtain sails up to disclose the most energetic engine on the Rock Island Railroad (circa 1912) hurtling across the proscenium with real smoke pouring out of its smokestack and real steam rolling along the rails".<ref name=Suskin/> Kerr called Preston "indefatigable: he's got zest and gusto and a great big grin for another slam-bang march tune".<ref name=Suskin/> Robert Coleman of the ''[[New York Daily Mirror]]'' wrote that the producer "made a 10-strike in landing Robert Preston for the title role", stating that Preston "paces the piece dynamically, acts ingratiatingly, sings as if he'd been doing it all his life, and offers steps that would score on the cards of dance judges".<ref name=Suskin/>

Frank Aston of the ''[[New York World-Telegram|New York World-Telegram and Sun]]'' declared "It deserves to run at least a decade", especially praising Barbara Cook's performance as Marian: "If all our stack-tenders looked, sang, danced, and acted like Miss Barbara, this nation's book learning would be overwhelming".<ref name=Suskin/> John Chapman of the ''[[Daily News (New York)|Daily News]]'' pronounced ''The Music Man'' "one of the few great musical comedies of the last 26 years", stating that ''[[Of Thee I Sing]]'' (1931) "set a standard for fun and invention which has seldom been reached. Its equal arrived in 1950 – ''[[Guys and Dolls]]'' – and I would say that ''The Music Man'' ranks with these two".<ref name=Suskin/> In the ''[[New York Journal American|Journal-American]]'', John McClain deemed the show "a whopping hit. This salute by Meredith Willson to his native Iowa will make even ''[[Oklahoma!]]'' look to its laurels".<ref name=Suskin/>