Editing Plautus (section)

===Relationship with the audience===
The small stages had a significant effect on the stagecraft of ancient Roman theater. Because of this limited space, there was also limited movement. Greek theater allowed for grand gestures and extensive action to reach the audience members who were in the very back of the theater. However the Romans would have had to depend more on their voices than large physicality. There was not an orchestra available as there was for the Greeks and this is reflected in the notable lack of a chorus in Roman drama. The replacement character that acts as the chorus would in Greek drama is often called the "prologue".<ref>Goldberg, 1998, p.19.</ref>

Goldberg says that "these changes fostered a different relationship between actors and the space in which they performed and also between them and their audiences".<ref>Goldberg, 1998, p.16.</ref>  Actors were thrust into much closer audience interaction. Because of this, a certain acting style became required that is more familiar to modern audiences. Because they would have been in such close proximity to the actors, ancient Roman audiences would have wanted attention and direct acknowledgement from the actors.<ref>P.G. Brown, "Actors and Actor–Managers at Rome in the Time of Plautus and Terence," in ''Greek and Roman Actors: Aspects of an Ancient Profession'', Ed. P. Easterling and E. Hall. (Cambridge, 2002.), p. 228.</ref>

Because there was no orchestra, there was no space separating the audience from the stage. The audience could stand directly in front of the elevated wooden platform. This gave them the opportunity to look at the actors from a much different perspective. They would have seen every detail of the actor and heard every word he said. The audience member would have wanted that actor to speak directly to them. It was a part of the thrill of the performance, as it is to this day.<ref>Goldberg, 1998, p. 19.</ref>