Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
Help about MediaWiki
Special pages
Niidae Wiki
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Orson Welles
(section)
Page
Discussion
English
Read
Edit
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
View history
General
What links here
Related changes
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
=== ''The Lady from Shanghai'' === {{Main|The Lady from Shanghai}} [[File:Welles-Wilson-Hayworth-Lady-from-Shanghai.jpg|thumb|left|upright=.8|Welles, associate producer [[Richard Wilson (director)|Richard Wilson]] and Rita Hayworth confer on the set of ''[[The Lady from Shanghai]]'' (1947)]] The film that Welles was obliged to make in exchange for [[Harry Cohn]]'s help in financing the stage production ''[[Around the World (musical)|Around the World]]'' was ''[[The Lady from Shanghai]]'', filmed in 1947 for [[Columbia Pictures]]. Welles intended it to be a modest thriller, but the budget skyrocketed after Cohn suggested that Welles's then-estranged wife [[Rita Hayworth]] star. Cohn disliked Welles's [[rough cut]], particularly the confusing plot and lack of close-ups, and was not in sympathy with Welles's [[Brechtian]] use of irony and [[black comedy]], especially in a farcical courtroom scene. Cohn ordered extensive editing and re-shoots. After heavy editing by the studio, approximately one hour of Welles's first cut was removed, including much of a climactic confrontation scene in an amusement park funhouse. While expressing displeasure at the cuts, Welles was particularly appalled with the score. The film was considered a disaster in America when released, though the closing shootout in a hall of mirrors (the use of mirrors being a recurrent motif of Welles's, starting with ''Kane'') has become a touchstone of [[film noir]]. Not long after release, Welles and Hayworth finalized their divorce. Although ''The Lady from Shanghai'' was acclaimed in Europe, it was not embraced until decades later in the U.S., where it is now regarded as a classic of film noir.<ref>{{cite web|url=https://www.chicagoreader.com/chicago/the-lady-from-shanghai/Film?oid=2552830|title=The Lady From Shanghai|last=Kehr|first=Dave|website=Chicago Reader|date=November 22, 1985 |access-date=March 16, 2018|archive-date=March 16, 2018|archive-url=https://web.archive.org/web/20180316151825/https://www.chicagoreader.com/chicago/the-lady-from-shanghai/Film?oid=2552830|url-status=live}}</ref>
Summary:
Please note that all contributions to Niidae Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Encyclopedia:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
Orson Welles
(section)
Add topic