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==Further reading== * Anon. (1999). "Polymeter." ''Baker's Student Encyclopedia of Music'', 3 vols., ed. Laura Kuhn. New York: Schirmer-Thomson Gale; London: Simon & Schuster. {{ISBN|0-02-865315-7}}. Online version 2006: {{webarchive |url=https://web.archive.org/web/20110527113304/http://www.enotes.com/music-encyclopedia/polymeter |date=27 May 2011}} * Anon. [2001]. "Polyrhythm". ''[[Grove Music Online]]''. (Accessed 4 April 2009) * [[Paul Hindemith|Hindemith, Paul]] (1974). ''Elementary Training for Musicians'', second edition (rev. 1949). Mainz, London, and New York: Schott. {{ISBN|0-901938-16-5}}. * Honing, Henkjan (2002). "Structure and Interpretation of Rhythm and Timing." ''Tijdschrift voor Muziektheorie'' 7(3):227β232. ([http://www.hum.uva.nl/mmm/papers/honing-2002.pdf pdf]) * Larson, Steve (2006). "Rhythmic Displacement in the Music of Bill Evans". In ''Structure and Meaning in Tonal Music: Festschrift in Honor of Carl Schachter'', edited by L. Poundie Burstein and David GagnΓ©, 103β122. Harmonologia Series, no. 12. Hillsdale, New York: Pendragon Press. {{ISBN|1-57647-112-8}}. *Waters, Keith (1996). "Blurring the Barline: Metric Displacement in the Piano Solos of Herbie Hancock". ''Annual Review of Jazz Studies'' 8:19β37. {{Rhythm and meter}} {{Musical notation}} {{Use dmy dates|date=September 2019}} {{DEFAULTSORT:Meter (Music)}} [[Category:Rhythm and meter|*]] [[Category:Articles containing video clips]] [[Category:Patterns]] [[Category:Cognitive musicology]]
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