Editing Vaslav Nijinsky (section)

===Imperial Ballet School===
[[File:NIJINSKI demi-arabesque Pavillon de L´Armide.jpg|thumb|right|Nijinsky as Armide's slave in ''[[Le Pavillon d'Armide]].'' The middle act was originally choreographed by [[Michel Fokine]] as ''L'animation de Gobelins'' for the 1907 Imperial ballet school student show, and was performed by the new Ballets Russes on its opening night in Paris, 1909.]]
In 1900, Nijinsky joined the Imperial Ballet School, where he initially studied dance under [[Sergei Legat]] and his brother [[Nikolai Legat|Nikolai]]. He studied mime under [[Pavel Gerdt]]; all three men were principal dancers at the [[Mariinsky Ballet|Imperial Russian Ballet]]. At the end of the one year probationary period, his teachers agreed upon Nijinsky's exceptional dancing ability and he was confirmed as a boarder at the school. He appeared in supporting parts in classical ballets such as ''Faust'', as a mouse in ''[[The Nutcracker]]'', a page in ''[[Sleeping Beauty (ballet)|Sleeping Beauty]]'' and ''[[Swan Lake]]'', and won the Didelot scholarship. During his first year, his academic studies had covered work he had already done, so his relatively poor results had not been so much noted. He did well in subjects which interested him, but not otherwise.

In 1902 he was warned that only the excellence of his dancing had prevented his expulsion from the school for poor results. This laxity was compounded through his school years by Nijinsky's frequently being chosen as an extra in various productions, forcing him to be away from classrooms for rehearsals and to spend nights at performances. He was teased for being Polish, and nicknamed "Japonczek" for his faintly Japanese looks at a time Russia was at war with Japan. Some classmates were envious and resented his outstanding dancing ability. In 1901 one of the class deliberately caused him to fall, leading to his [[concussion]] and being in a coma for four days.<ref>{{Harvnb|Parker|1988|pp=25–27}}</ref>

{{ill|Mikhail Oboukhov|ru|Обухов, Михаил Константинович}} became his teacher in 1902, and awarded him the highest grade he had ever given to a student. He was given student parts in command performances in front of the [[Tsar]] of ''[[Paquita]]'', ''The Nutcracker'' and ''The Little Humpbacked Horse''. In music he studied piano, flute, [[balalaika]] and accordion, receiving good marks. He had a good ability to hear and play music on the piano, though his sight reading was relatively poor. Against this, his behaviour was sometimes boisterous and wild, resulting in his expulsion from the school in 1903 for an incident involving students shooting at the hats of passers-by with catapults while being driven to the Mariinsky Theatre in carriages. He was readmitted to the school as a non-resident after a sound beating and restored to his previous position after a month's probation.<ref>{{Harvnb|Parker|1988|pp=27–29}}</ref>

In 1904, at the age of 14, Nijinsky was selected by the great choreographer [[Marius Petipa]] to dance a principal role in what proved to be the choreographer's last ballet, ''[[La Romance d'un Bouton de rose et d'un Papillon]].'' The work was never performed due to the outbreak of the [[Russo-Japanese War]].

On Sunday, 9 January 1905, Nijinsky was caught in the [[Bloody Sunday (1905)|Bloody Sunday]] massacre in St. Petersburg, where a group of petitioners led by [[Georgy Gapon|Father Gapon]] attempted to present their petition to the Czar. Soldiers fired upon the crowd, leading to an estimated 1000 casualties. Nijinsky was caught in the crowd on [[Nevsky Prospect]] and propelled toward the [[Winter Palace]]. Imperial cavalry troops charged the crowd, leaving him with a head wound. The following day, he returned to the scene with a friend whose sister was missing. She was never found.<ref>{{Harvnb|Parker|1988|pp=29–30}}</ref>

Nijinsky became calmer and more serious as he grew older, but continued to make few friends, which continued through his life{{clarify|reason=Making few friends?|date=May 2014}}. His reserve and apparent dullness made him unappealing to others except when he danced.<ref>{{Harvnb|Parker|1988|p=31}}</ref>

[[File:Nijinsky Le Festin Michel Fokine.jpg|thumb|left|upright|Nijinsky in ''Le Festin'', a suite of classic dances performed on the opening night of the Ballets Russes in Paris, May 1909. The company's courier later described the audience's reaction to Nijinsky's performance with [[Tamara Karsavina]] in the ''[[Bluebird (ballet)]]'' pas de deux: "when those two came on, good Lord! I have never seen such a public. You would have thought their seats were on fire."<ref>Buckle, Richard, ''Diaghilev'', 1979, {{ISBN|0-297-775065}}, p.&nbsp;143.</ref>]]
The 1905 annual student show included a [[pas de deux]] from ''The Persian Market'', danced by Nijinsky and [[Sofia Fedorova]]. Oboukhov amended the dance to show off Nijinsky's abilities, drawing gasps and then spontaneous applause in the middle of the performance with his first jump.

In 1906, he danced in the Mariinsky production of Mozart's ''[[Don Giovanni]]'', in a ballet sequence choreographed by [[Michel Fokine]]. He was congratulated by the director of the Imperial Ballet and offered a place in the company although he was a year from graduation. Nijinsky chose to continue his studies. He tried his hand at choreography, with a children's opera, ''Cinderella'', with music by another student, [[Boris Asafyev]]. At Christmas, he played the King of the Mice in ''[[The Nutcracker]]''. At his graduation performance in April 1907, he partnered [[Elizaveta Gerdt]], in a pas de deux choreographed by Fokine. He was congratulated by ''[[prima ballerina]]'' [[Mathilde Kschessinska]] of the Imperial Ballet, who invited him to partner her. His future career with the Imperial Ballet was guaranteed to begin at the mid-rank level of [[coryphée]], rather than in the corps de ballet. He graduated second in his class, with top marks in dancing, art and music.<ref>{{Harvnb|Parker|1988|pp=31–33}}</ref>