Editing Tones on Tail (section)

==Reception==
Richard Williams of ''[[The Michigan Daily]]'' said, "Tones on Tail carries on with the traditional Bauhaus taste for the [[macabre]], but charts new courses of twisting the pop thing."<ref>{{Cite news |last=Williams |first=Richard |title=Tones on Tail: a subtle reminder of British skill |newspaper=[[The Michigan Daily]] |page=5 |date=21 October 1984 |url=https://news.google.com/newspapers?id=yyRKAAAAIBAJ&sjid=fx4NAAAAIBAJ&pg=1544,2426395&dq=tones-on-tail+everything&hl=en |access-date=10 September 2011}}</ref> James Muretich of ''[[The Calgary Herald]]'' wrote, "From the ashes of Bauhaus has arisen a British trio that is turning into one of the most impressive and macabre dance bands around."<ref>{{Cite news |last=Muretich |first=James |title=Tones on Tail: Twist/Go! |newspaper=[[The Calgary Herald]] |date=23 March 1985 |url=https://news.google.com/newspapers?id=-3dkAAAAIBAJ&sjid=E38NAAAAIBAJ&pg=998,1382202&dq=tones-on-tail+everything&hl=en |access-date=10 October 2011}}</ref> Writing retrospectively for [[AllMusic]], critic Ned Raggett said, "With their former band's generally gloomier shadows left behind, what Ash and Haskins draw from their time with Bauhaus is that group's melange of styles—their most underappreciated strength".<ref>{{cite web |url=http://www.allmusic.com/album/r215668/review |title=Pop – Tones on Tail |last=Raggett |first=Ned |website=[[AllMusic]] |access-date=10 October 2011}}</ref>