Editing The Trouble with Templeton (section)

==Plot==
Aging [[Broadway theater|Broadway]] actor Booth Templeton is at home, watching his much-younger wife, Doris,<ref>{{cite web|author=DeSapio, Michael Martin|title=Twilight Zone Museum|url=http://twilightzonemuseum.com/media/templeton.php}}</ref> blatantly flirting with a younger man by their pool. Booth notes that he hasn't achieved any contentment with his wife and reminisces about the happiness he had with his first wife, Laura, who died after seven years of marriage. Booth leaves to attend the first rehearsal of his new play, where he learns the director has been replaced. The new director, Arthur Willis, shows no respect for the experienced Booth and questions his commitment to the play.

Pressured and desperately unhappy, Booth runs out the stage door and discovers he has been transported more than 30 years back in time. A stagehand informs him that his wife, Laura, is waiting for him at the [[speakeasy]] around the corner. He finds her there, with Barney Flueger, who wrote the hit play ''The Great Seed'' in which Templeton happens to be starring in 1927. Laura is surprisingly cavalier toward Booth. In his frustration, he snatches a script Laura uses to fan herself and implores Laura to appreciate their life together. She rebuffs all Booth's attempts at serious conversation, laughing at him with Barney, and eventually she tells Booth to leave. As he does so, angry and bewildered, the music stops, all noise ceases, and the room grows dark, with the last poignant images seen before the light is completely extinguished being a somber-faced Barney and a saddened Laura.  

Booth runs back into the theater and the present. He fans himself with Laura's script and notices that it is titled ''What to Do When Booth Comes Back''. Booth sees that ghosts from his past were not mocking him but actually had staged a performance for him in order to break him free from his paralyzing nostalgia and longing for the old days. Realizing that Laura loved him and didn't want him to be stuck in the past, Booth returns to the rehearsal, asserts himself, dismisses the interfering producer of the play (Mr. Sperry), and tells director Willis that he is "Mr. Templeton" not "Templeton" and will not tolerate any invalidation. Commanding the respect that is his due as a distinguished actor, Booth begins to live happily in the present time with a new future.