Editing Maxine Hong Kingston (section)

==Influences==

In an interview published in ''American Literary History'', Kingston disclosed her admiration for [[Walt Whitman]], [[Virginia Woolf]], and [[William Carlos Williams]], who were inspirational influences for her work, shaping her analysis of [[gender studies]]. Kingston said of Walt Whitman's work,

<blockquote>I like the rhythm of his language and the freedom and the wildness of it. It's so American. And also his vision of a new kind of human being that was going to be formed in this country—although he never specifically said Chinese—ethnic Chinese also—I'd like to think he meant all kinds of people. And also I love that throughout ''Leaves of Grass'' he always says 'men and women,' 'male and female.' He's so different from other writers of his time, and even of this time. Even a hundred years ago he included women and he always used [those phrases], 'men and women,' 'male and female.'<ref name="jstor.org">{{Cite journal|url=http://www.jstor.org/stable/489888|title=Interview with Maxine Hong Kingston|author1=Fishkin, Shelley Fisher|author2=Kingston, Maxine Hong|year=1991|journal=American Literary History|volume=3|issue=4|pages=782–791|doi=10.1093/alh/3.4.782|jstor=489888}}</ref></blockquote>

Kingston named the main character of ''[[Tripmaster Monkey]]'' (1989) Wittman Ah Sing, after Walt Whitman.

Of Woolf, Kingston stated:

<blockquote>I found that whenever I come to a low point in my life or in my work, when I read Virginia Woolf's ''Orlando'', that always seems to get my life force moving again. I just love the way she can make one character live for four hundred years, and that Orlando can be a man. Orlando can be a woman. Virginia broke through constraints of time, of gender, of culture.<ref name="jstor.org" /></blockquote>

Similarly, Kingston's praise of William Carlos Williams expresses her appreciation of his seemingly genderless work:

<blockquote>I love ''In the American Grain'' because it does the same thing. Abraham Lincoln is a 'mother' of our country. He talks about this wonderful woman walking through the battlefields with her beard and shawl. I find that so freeing, that we don't have to be constrained to being just one ethnic group or one gender – both [Woolf and Williams] make me feel that I can now write as a man, I can write as a black person, as a white person; I don't have to be restricted by time and physicality.<ref name="jstor.org" /></blockquote>